19th Century French Creil & Montereau Hand Painted Aesthetic Movement Charger

This large hand-painted charger was made by Mintons Art Pottery Studio of Kensington Gore, London. The studio traces its origins to the renowned earthenware and fine bone china factory Minton, located in Stoke-on-Trent, Staffordshire England. Colin Minton Campbell, descendant of founder Thomas Minton, took over company management in 1858 and went on to establish Mintons Art Pottery Studio in 1871 for the purpose of hand decorating pottery and tiles. The studio initially operated under the direction of painter and book illustrator William Stephen Coleman and drew upon the talents of artists studying at the Kensington's National Art Training School, now known as the Royal College of Art, as well as those of well-regarded Continental artists. The company was short lived as it was destroyed by an accidental fire in 1875 and was not rebuilt. This large earthenware charger has been hand-painted in polychrome enamel and depicts two young children at play in the nursery. The scene includes multiple colors and textures and features a cherubic toddler seated upon a bed alongside a young girl standing on a blue footstool...

This circa 1880 Pinder, Bourne & Co brown transferware 15.5" by 12.5" oval earthenware platter features the Aesthetic Movement pattern, "Nipon". The asymmetrical pattern includes a Japonisme ribbon cartouche overlaying a dense grouping of cherry blossoms growing on leafy branches. One side of the ribbon bears a repeating geometric Greek Key pattern, while the other bears waterside images including a pair of swans swimming amidst cattails and reeds. The Victorian earthenware platter is in very good condition with no cracks or repairs. As an antique, the piece shows signs of age including fine crazing to the glaze, light marks to the face, and shelf wear to the foot. Production-related anomalies commonly found in antique transferware...

This outstanding set of Limoges porcelain cabinet plates was made and decorated by the Charles Ahrenfeldt porcelain factory and studio in Limoges, France....

This early 20th century piece of Italian lustreware was made by the renowned Rubboli family pottery in the Umbrian town of Gualdo Tadino, Italy. Italian lustreware Majolica production traces its origins to the Renaissance. The art was revived in Gualdo Tadino during the last quarter of the 19th century, largely due to the efforts of ceramist Paolo Rubboli. Rubboli established his pottery in the region around 1870, and became known for the high quality of his distinctive cobalt, red and gold Neo-Renaissance lustreware. Rubboli's wife Daria and sons Lorenzo and Alberto continued Paolo's efforts after his death in 1890, and joined the newly formed consortium Societa Ceramica Umbria in 1920. Rubboli pieces dating to the period are marked with a blue underglaze "SCU" in a triangle mark along with a conjoined "PR" monogram in homage to Paolo's work. This large ceramic Neo-Renaissance Rubboli double handled compote is finished in cobalt, red and gold lustre. The piece consists of a round bowl at the top with elongated applied handles at either side, all of which rest upon a pedestal base. The bowl features two bas-relief winged mask heads on the exterior which have been depicted with open mouths sprouting handles in the form of serpent-like forked tongues. The exterior is also painted with pairs of imposing gryphons, each of which flank a large urn. The interior of the bowl is also heavily decorated and bears a fantastical winged lion set at the center of a series of scrolling acanthus leaves and urns, best seen in image 8. The remainder of the piece is finished with foliate and geometric motifs. It is of note that a similar piece was included in the traveling exhibit of important Majolica and lusterware entitled 'The Rubboli Collection - Italian lustre pottery in Gualdo Tadino' held in the Chiesa Monumentale di San Francesco between July 17 – October 3, 2010. The compote is in excellent original condition with no restorations or repairs. There are some glaze skips present on the piece as well as minor chips at the base of the pedestal foot which do not detract from the appearance of the compote and are mentioned for accuracy. The underside of the piece bears the blue underglaze Rubboli family Società Ceramica Umbra mark cited above consisting of the letters “SCU” within a triangle along with the entwined Paolo Rubboli 'PR' monogram, which was used from 1920 to 1931. The 3lb 5oz compote stands...

This is an early 19th century porcelain Plate or desert dish with a molded wavy edge to the rim, made by one of the quality Staffordshire, English potteries and dating from the George 111rd period, circa 1820 to 1830. This piece is unmarked to the base but it is very well hand painted and we believe it is from one of the high quality English makers such as Coalport, Davenport or Samuel Alcock. Either way this piece is a beautifully hand decorated with a striking, bold and very colourful pattern. Overall a beautifully hand painted early English porcelain...

19th Century Majolica Chinoiserie Platter signed Angouleme.

Porcelain decorative plate, France, end of 19th century Additional Information: Materials: Porcelain, Gilding, Underglaze hand painting Vintage from the 19th century Place o...

Large 19th Century Faience Platter Bird Hippolyte Boulenger Choisy Le Roi butterfly, blue bird and flowers. 15 inches diameter.