Natural Fiber Persian Rugs

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme design 19th century rug from the Bidjar region, Eastern Kurdi...

This is a medallion design rug from the late 19th century, Heriz region, Northwest Persia area. Heriz ( Heris ) is a special Turkish knot weaving area of Persia, including many villa...

Kerman Vase Carpet – Arabesque Design Inspired by a 17th Century Safavid Masterpiece Origin and Inspiration This carpet is inspired by a rare and important group of Safavid textile...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.45. This is a popular design employed by the Kurds, call...

Isfahan Carpet – New Julfa Design – Thyssen-Bornemisza Collection Safavid Isfahan Carpet – New Julfa Armenian Trade Design, Early 17th Century Origin and Inspiration This carpet is...

This is a white ground rug designed in the 19th century, from the Heriz region, Northwest Persia area. Heriz ( Heris ) is a special Turkish knot weaving area of Persia, including man...

Palmettes and Flowers Lattice Rug Handwoven in Eastern Turkiye, this luxury Palmettes and Flowers Lattice Rug features an intricate design of palmettes and flowers in a beautiful lat...

The source of rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.42. This is a beautiful urban-produced, later example of the vase design carpets, so called because several of them have large and ornate vases...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Easter...

The design source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-design...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kur...

This is an elegant multi-medallion carpet designed in the 17th century in the Kerman region, Persia. The carpet design shows vigorous rows of eight-pointed star medallions, ornamente...

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th...

This is a medallion design with the pear tree, flowers, and palmettes rug from the late 19th century, Heriz region, Northwest Persia. Heriz ( Heris ) is a special Turkish knot weavin...

The Kerman Vase-Technique Carpet by Ararat Rugs is a distinguished creation inspired by the renowned 17th-century Kerman "Vase" carpets of southeastern Persia. This piece embodies the elegance and sophistication characteristic of Persian court art from that era. A poetic reinterpretation of the famed Rothschild vase...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.28. This was an exclusive example of offset rows of flow...

The source of rug comes from the book Antique rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.33. This is a fine Kurdish workshop rug with split-palmette and trefoil arabesque patterns designed mid-19th century rug from Senna or Garrus, Eastern Kurdistan area. This design is found on 16th-century Timurid-inspired faience mosaics in the Jami Mosque in Isfahan, and both it and the border pattern can be related to 16th and 17th-century Safavid carpets...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The Kerman Vase-Technique Carpet by Ararat Rugs is a distinguished creation inspired by the renowned 17th-century Kerman "Vase" carpets of southeastern Persia. This piece embodies the elegance and sophistication characteristic of Persian court art from that era. A poetic reinterpretation of the famed Rothschild vase...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.40. This offset pattern is composed of palmettes and ste...

The source of the rug comes from the book Antique Rugs of Kurdistan: A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattic...

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.28. This Persian Garden design rug belongs to t...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The source of the rug comes from the book Antique Rugs of Kurdistan: A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive ex...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The design source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.360. The alternating row of octagons and spi...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.29. This white background ru...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kur...

The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.79. This is an unusual d...

Introducing the exquisite Kurdish Bidjar Mina Khani Rug from Ararat Rugs, a masterpiece that exemplifies the rich weaving traditions of the Bidjar regio...

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.79. This is an unusual design of 18th or 19th-centu...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kur...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Easter...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kur...

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.79. This is an unusual design of 18th or 19th-centu...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kur...

This Gabbeh rug, designed in the 1930s, is a type of handwoven rug that originated from Iran, specifically from the southwestern region known as Fars. The word “Gabbeh” itself means ...

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.28. This Persian Garden design rug belongs to t...

The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.75. This offset pattern ...

The source of the rug comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a pal...

The source of the rug comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a pal...

The source of the rug comes from the book How to Read – Islamic carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a pal...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive exa...

The source of the rug comes from the book Antique rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.45. This is a popular design employed by the Kurds, call...

The source of carpet comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eas...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.45. This is a popular design employed by the Kurds, call...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Easter...

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Easter...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Easter...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive example of offset rows of ascen...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th-century rugs from Gerous ( Garrus or Garus ) region, Eastern Kurdistan area. This rug is a splendid echo of the Arabesque and Vase Carpets...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of Masi Awi...

The source of the rug comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a pal...

The source of carpet comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.26. This is a long Khorassan Compartment and tree design 17th-century carpet from Khorasan, Eastern Persia. The name of this carpet comes from the provenance of Piero Barbieri, Genoa. The basic design of this rug is essentially quite simple. The field is organized by alternate rows of smaller multilobed medallions and larger reciprocal cartouches. The medallions alternate in width and color; from the wider ones, four trees...

The source of the rug comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York, 2014 fig.82. This was an exclusive example of a pa...