Carlo Ratti Set of Four Dining Chairs of Plywood and Metal

Georges and Hermine Laurent, set of six dining chairs, cane, coated steel, Italy, 1950s These chairs, designed by Georges and Hermine Laurent, feature gracefully curved woven cane s...

Augusto Bozzi for Saporiti, 'Ariston' dining chairs, teak, iron and brass, Italy, 1957. Elegant Ariston chairs designed by Augusto Bozzi for Saporiti. The chairs are made of a solid bend plywood...

Mario Marenco for Mobil Girgi, set of four dining chairs model ‘Sapporo’, walnut, leather, Italy, 1970s A stunning set of dining chairs designed by Mario Marenco in the 1970s, craft...

Tito Agnoli for Molteni, set of four 'Fiorenza' dining chairs, walnut, leather, Italy, 1968 These chairs are an excellent example of Italian Mid-Century design. The back is slightly...

A set of six chairs designed by Carlo Ratti for Industria Legni Curvati Lissoni, Italy, 1950's. Plywood seat and black metal base.

The set of four Lulli dining chairs, designed by Carlo Ratti for ILC Lissone in the 1950s, features black painted steel legs combined with a curved and shaped veneered wood seat and ...

Set of four dining chairs with a frame in black lacquered metal and seat in curved plywood, attributed to Carlo Ratti and produced by Società Compensati Curvati in the 1950s. In Italy, at the beginning of the XX century, industries of curved solid wood arose under license of Michael Thonet, and through the International Exhibitions the processing of curved wood became more and more widespread. The Expo of the first decade was also attended by the wood manufacturers of Monza, while in 1905 Otto Helzer, in Switzerland, patented wooden structures in curved laminated, whose strength was equivalent to those in steel. The Ratti brothers of Monza took their cue from the solid wood laminate to create furniture that, instead of wooden elements, used sheets of wood. The brothers Ratti, Carlo and Mario, also began to follow the young artistic avant-gardes (cubism, futurism and abstractionism). The mastery of wooden sculpture influenced Carlo in the design and realization of furniture of fine neo-plastic artistic workmanship and decò, receiving honors from the Prince of Piedmont Umberto di Savoia. In 1919, in Milan, the first Lombard Exhibition of Decorative Arts was set up (later to become the Triennale) and the Ratti brothers exhibited their furniture in solid wood but also in curved panel with a new system of curvature, the one in Telo. The canvas system was developed by the Ratti brothers with the help of a friend, Cesare Cantù. They developed an elastomer bag in which the mould was inserted with the panel to be bent and, closing it with clamps, the air inside was removed, thus making the panel adhere to the mould. Carlo and Mario found in the Telo system a means by which they could make objects and furniture in the three spatial directions with large surface curvatures, without limits of thickness and minimum radii of curvature. In 1921 in Stuttgart the first Salone del Mobile was inaugurated and the Fratelli Ratti of Monza made itself known internationally by presenting solid wood furniture and also furniture in load-bearing plywood, flanked by furniture with framed and interchangeable covers. The Expo became meeting places to verify and present the novelties in the furniture and industrialization sector and, with the development of Industrial Design, the first architects joined in the design of the furniture industries. The Ratti Brothers, in the various international and national exhibitions, also presented incredible objects in their realization with the system in Telo. After 1930 Carlo and Mario produced many containers for radio and folding chairs for cinema but in 1939 they divided and in Monza Mario remained who, with his sons Antonio and Angela, formed the Società Compensati Curvi...

This is a set of six dining chairs designed by Carlo Ratti for Industria Legni Curvati in the 1960s. The chairs are formed from bent plywood with a teak veneer, and have black tubula...