18th Century and Earlier Wardrobes and Armoires

Alpine Antique Painted Wardrobe Hand‑painted antique wardrobe with floral panels, suitable for those looking for painted European furniture and furnishings linked to Alpine and Centr...

An 18th century painted wardrobe from northern Italy, displaying a particular Tyrolean-Germanic folk art style of marriage furniture, hence the charming illustrations to celebrate th...

Painted Tyrolean Wardrobe Technical information: Period: 1789 Origin: Tyrol Wood type: Spruce Height: 185 cm 72.83 in Width: 162 cm (178 cm with frame) 63.78 in (70.08 in with fra...

A magnificent late 17th-century antique French provincial oak armoire of exceptional quality and presence. This early example dating to around 1680 features beautifully shaped panell...

An 18th century painted wardrobe from Spain, displaying a particular Andalusian folk art style in a charming color palette that could be mistaken for Scandinavian. The large, rectili...

Louis XV period (18th century) French solid walnut armoire with stylized carvings that trace the dramatic paneled doors and serpentine apron, giving this large storage piece its hist...

This French Provincial armoire from the 18th century is absolutely breathtaking in every detail. Stylistically the armoire reflects Louis XV taste, with a number of unexpected featu...

This wonderful French 18th century Armoire is made of oak and has been refinished. It is an Armoire from Normandy called “wedding Armoire”.

A French carved, solid walnut armoire built in the Louis XV period. A Chapeau de Gendarme cornice tops the body of the armoire. Two solid walnut d...

A Swedish pine buffet à deux corps (that is, a cabinet on chest in two sections) with origins in the 18th century designed with features and style that suit many decorating tastes an...

This 18th century, mixed wood French armoire is absolutely stunning. It is Gothic-style and features two tall, paneled doors on barrel hinges. One key operates the locking right door...

18th century French two door wedding armoire, crafted in pine with a rich brown patina. Elaborate carving is seen throughout, including along the crown where turtle doves appear within a wreath of flowers. Additional carved floral bouquets accent the cabinet, and musical instruments are carved into the door panels. A scalloped skirt finishes the lower edge. The right door secures in place with an exterior metal latch as the doors have shifted in place over years of use. Doors open to reveal removable interior shelves. Age related separation of planks is present, and holes appear to have been added at some point in time (possibly to assist removing shelves?). This armoire shows much old, dried wormhole activity, adding to the aged character of the cabinet (no longer active). The feet show additional distress and wear, and supports were added at some point to the back for improved stability. Restored strong, stable, and ready for use. A classic French wedding cabinet...

Rare and important italian antique wardrobe in solid walnut made in the late 17th century of the period Louis XIV. The line is in fact typical of this period of high period that want...

Large Baroque serpentine armoire with chamfered corners and a projecting, richly molded flat cornice. The cabinet stands on five baluster feet. Its characteristic undulating façade ...

An exquisite 18th century Dutch Bombe Kast or linen press in fine Cuban mahogany with all of the original bronze d'ore mounts. From the mid-1700s, this Kast stylistically follows the...

A fine & rare early 18th century antique French Louis XIV period walnut armoire bonnetiere, Lyon, circa 1710. Rare & difficult to find solid walnut Louis XIV period chateau bonnetier...

A stately 18th-century Italian wardrobe, handcrafted in solid poplar and dated 1751, as inscribed across the upper frieze. Originating from Tuscany, this elegant armoire reflects the...

Late 18th Century Italian painted armoire. Circa 1780.

A very beautiful natural walnut armoire with two doors, featuring a wide diamond-point decoration. The cornice is straight. The armoire rests on curly feet. Louis XIII period - 17th...

This handsome solid oak cabinet was crafted in 18th century England to function like a armoire or closet. A series of iron hooks are mounted to the interior for hanging coats and oth...

A French-Canadian armoire in pine having two doors on a narrow case with an overhanging molded cornice, the doors each featuring rebated full door X-crosses in a rectangular surround...

This antique oak cabinet was crafted in the early 20th century in the German state of North Rhine-Westphalia around 1720. The cabinet was entirely built from the finest quality European summer oak. It features two doors and is richly adorned with molding in geometric patterns. The wooden molding was attached to the oanels by the use of pegs. The doors showcase a floral maple inlay. They retain their original hinges, while the lock has been replaced. Inside, on the right-hand side, there are two and a half fixed shelves, and on the left-hand side, there is a hanging section. This cabinet was made from the most exquisite wood available at the time, beautiful European summer oak, displaying a distinctive flame pattern. Due to its age, the wood has acquired a rich, dark patina. The cabinet has been recently cleaned. Like many German oak cabinets...

Exceptional museum-quality Danzig Baroque carved walnut Schapp armoire from circa 1680. This magnificent double-door hall wardrobe represents the absolute pinnacle of seventeenth-c...

Charming Bresse cabinet from the 18th century. It is made of various fruit woods. It opens in front of two doors whose panels are carved of curves and counter-curves.The overflowing ...

This tall elegant armoire has a gracefully curved bonnet with canted corners. The wood is a fine burr walnut. The doors open wide to an interior with four Roomy shelves. It has a loc...

Swedish Painted Armoire dating from the 1700’s and for the vast part remaining unrestored. Strangely enough our Swedish Armoire was removed from a Grade II Historic property in Wend...

18th century walnut armoire from France. The arched crown is wonderfully molded and sits atop a grand case. The doors have arches at the top, and are raised paneled with central ov...

circa 1800 Large 19thC French Provincial Bleached Oak Armoire sku 1595 W144 x D45 x H190 cm

A magnificent and imposing Lyonnaise wardrobe from the 18th century, crafted in richly grained walnut and showcasing the opulence of provincial French cabinetry. This tall armoire fe...

Magnificent Louis XV period wedding cabinet in molded and carved walnut, opening two beautiful triple-paneled doors in scalloped burl walnut, a large drawer with lock in the lower pa...

An 18th century French Louis XV buffet à deux corps made from thick planks of solid walnut. Excellent craftsmanship and grand in scale at 10 feet tall, the provenance of this buffet ...

Grand Scale 18th Century Louis XVI period Armoire. Very heavy oak construction with hand carved details. Later hand painted in lime gesso finish. Fitted inside with three adjustable...

18th Century Italian Walnut Armoire Piedmontese Baroque Wardrobe from a Tuscan Villa collection. This authentic 18th-century Italian walnut armoire represents the pinnacle of Piedmon...

large French louis XVI 3 door bookcase or Armoire made of solid walnut. The wood has the original French paint from the period, the inside is a rich wood and paint the bookcase has t...

This exceptional antique Armoire Lyonnaise was carved in Lyon, France, circa 1760, and represents one of the most refined regional expressions of 18th-century French cabinetry. Craft...

This exceptional one-of-a-kind armoire from the area of Bremen has the original pink gesso appliqués, circa 1790.  Fabricated from a beautiful knot-less dense pine, the carved ribbed...

Impressive oak baroque armoire that dates from the late 1700's into early 1800's. Note the heavily paneled doors, massive crown all resting on large bun feet. Restored, later professionally painted in layered shades of antique white and light gray; all lightly distressed to fit the age of this stately armoire. Any scratches, cracks, dings, or age related separation are reflective of age and do not detract from the beauty nor function of this large oak armoire...

Early oak Welsh wardrobe/armoire 18th century Livery tack, Harness Hall cupboard Bought in the South of England, this is a character rich early oak Welsh wardrobe used in fine houses for storage of livery, tack and harnesses - an early "mud room...

Hand-painted two-door folk armoire from Franconia, crafted in fir wood, featuring panelled doors adorned with figural scenes and birds. The piece is painted in a deep red ground with...

 Attractive carvings of vines, leaves and flowers embellish this armoire giving it a romantic touch. Crafted in the late 18th century France, this oak armoire has beautifully carved ...

A Fine French Louis XV period, carved, solid walnut , Bordelais Armoire that opens with two beautifully paneled doors.

A Homme debout is a two-bodied cabinet with a drawer separating the sections. This handsome Homme debout from southwest France was hand carved from oak in the 1600s. The period Louis...

Seamlessly constructed and lacquered black, this pair of spectacular Ming-dynasty compound cabinets provided the perfect blank canvas for painted scen...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

A great early 18th century French oak two-door armoire with a buffet interior. The exterior beautifully sculpted and the interior with blue paint.

Typical of Ile-de-France furniture from the early 1700’s, this walnut armoire has unadorned panels, allowing the beautiful, curved moldings to take prominence. The walnut wood has be...

A lovely French armoire in walnut with arched bonnet, fluted astragal between the two paneled doors with parquetry decorating the middle panel of each, and resting on carved escargot...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

This unique armoire from the early 1700’s was made from walnut and olive wood and features a plinth base with central cherub mascaron along the crown. At just under 86 inches tall and 78 wide at the crown, this armoire has a more manageable size, compared to many of the very large armoires of the same period. The unique construction allows it to be easily disassembled for transport. At one point, this walnut and olive wood armoire was the property of a chocoladefabriek (chocolate factory) in Strasbourg, located in the region of Alsace, near the German border. It was originally one armoire in a pair that were commissioned in Eastern France in the early 1700s. The ebeniste who created the armoire decided to use olive wood for the door panels and some of the side panels. Olive wood was a highly valued wood among wood workers of the 18th century because of its pretty color and the richness and nuances of its veining. In the center of the crown is a foliate and floral ring surrounding a cherub mascaron. The crown and the top of the door frames have both been carved in an arch, mirroring the shape of the door moldings. Each door is mounted on iron hinges and separated by recessed molding into three uniquely shaped panels of olive wood (the rest of the armoire is constructed with walnut). Both upper panels of the doors are adorned with a series of undulating C-scrolls, while the bottom panels are rectangles with concave tops. The two sections are separated by a simple ovate center panel. Armoires date back the 17th century when French menuisiers created the storage cabinet to house clothing. Early armoires such as this one were without feet (plinth style base) and were often seen in paneled boiserie...

Rare and important antique wardrobe in solid walnut made in the late seventeenth century in the seventeenth century Italian Baroque Louis XIV. The line is in fact typical of this per...

French antique Louis XV Armoire in walnut with glass panels. A fine and impressive armoire whose wood exhibits a beautiful patina, France, mid...

Rare and important antique wardrobe in solid poplar wood made in early 18th century of the period baroque. Internally equipped with two shelves and in the central part a rod for hang...

Dutch Chippendale burl walnut bombay graduated three-drawer linen press with serpentine carved floral cartouche, flanking foliage hinged doors,...

A fine late 18th century neoclassical mahogany linen press/wardrobe in fantastic original condition. With two large cupboard doors over three drawers. The cabinetmaker used only the...

A 18th Century, antique French armoire, wardrobe made of hand crafted painted Pinewood with two doors, very typical Louis XV, in good condition. Two-door paneling is partially with d...

Baroque oak wardrobe raised on five ball feet, richly carved with compass rose decoration and elaborate ornamental details including coin-band motifs, festoons, and rosettes, arrange...

This massive Louis XVI style Dutch mahogany armoire from the late 1700’s will make an architectural statement in any room. Reeded and chamfered corners soften the otherwise large cas...

Large late 18th-century Louis XVI style armoire or cabinet from France. Made of solid oak and waxed. Circa from the end of the 18th century. Body, with rounded corners, partially car...

A so-called Maria Theresa cabinet (furniture type named after the Austrian empress) or Baroque hall cabinet from the 18th century. On ball feet standing two-door coniferous corpus...

Charming 18th-century rustic Spanish sideboard, crafted from solid walnut wood with a beautiful original patina that highlights its authentic character and natural warmth. The piece...