The Louise Demi Console Table in Smooth Antiqued White Bronze is a half-moon table: 31 inches wide, 15.5 inches deep, 30 inches tall, three cabriole legs, and a top that is curved at the front and flat at the back wall edge. All surfaces are clad in Smooth Antiqued White Bronze including the flat back. The centre cabriole leg sits below the apex of the curve; the two outer legs are at the rear corners. The serpentine apron follows the curved front profile.
The teak structure is built before Smooth Antiqued White Bronze metal is pattern-cut and fitted by hand to every surface. The three cabriole legs are each covered in Smooth Antiqued White Bronze on the S-curve without visible join. The curved top, apron, and flat back edge are all individually fitted and secured with flush-set nails.
Measures 31 by 15.5 by 30 inches. Works as a hall table, entry console, or wall-mounted demi-lune accent piece. Available in all twelve standard finishes. Custom sizing available. Made entirely to order.
Designed by Paul Mathieu for Stephanie Odegard Collection. Paul Mathieu named the Louise series for his feminine interpretation of Louis XV furniture. The Demi Console Table applies that interpretation to the demi-lune, a form the French tradition has used as a wall console since the same Louis XV period. Produced in Udaipur.
Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth Antiqued White Bronze surface will gradually mellow in tone over time, which is part of the material's natural character.
The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.
Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.
All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred.
None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.
The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.
The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.
As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.