The Louise Demi Console Table in Smooth White Bronze is a demi-lune wall table designed by Paul Mathieu: half-moon top, three cabriole legs in Smooth White Bronze metal, serpentine apron, and a flat back edge fully clad in the same Smooth White Bronze surface. At 31 inches wide, 15.5 inches deep, and 30 inches tall, the two rear legs sit at the corners and the front leg sits centred below the apex of the curve. Every surface is in Smooth White Bronze metal without exception.
The teak structure is built to the half-moon form before Smooth White Bronze metal is pattern-cut and fitted by hand to every surface. Each of the three cabriole legs is covered in Smooth White Bronze on the full S-curve; the curved top, apron, and flat back are individually fitted and secured with flush-set nails.
Measures 31 by 15.5 by 30 inches. Works as a demi-lune console, entry table, or hall table. Available in all twelve standard finishes. Custom sizing available. Made entirely to order.
Designed by Paul Mathieu for Stephanie Odegard Collection. The demi-lune console is one of the defining forms of the Louis XV tradition. Paul Mathieu's version takes that form and places it within the Louise series: the same cabriole leg, the same serpentine apron, the same hand-worked metal surface. Produced in Udaipur.
Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth White Bronze surface will gradually mellow in tone over time, which is part of the material's natural character.
The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.
Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.
All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred.
None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.
The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.
The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.
As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.