Animal Skin Dining Room Tables

Goatskin dining table with glass top. Base has a brass rim on the bottom. Chairs are listed separately.

rare and made on special order aldo tura dining / gaming table with turnable inside plate.

AMBIANIC presents 1960s Mexican modernism Sensational Dining Table mahogany wood wrapped in leather solid brass hardware. New lucite tabletop oval shap...

Prime Dining Table by Doimo Brasil Dimensions: W 220 x D 120 x H 75 cm Materials: Base: Natural Leather, Top: Veneer. Also available in other dimensions. Please contact us. With ...

Designed for use with a glass top, this bamboo rattan pedestal dining table base is marked McGuire San Francisco and has the original cerused washed finish. The organic modern base i...

Large rectangle glass top bamboo & leather straps frame dining conference table by McGuire.

1950s Splendid Dining Table in goatskin, mahogany & patinated brass made in Mexico Mexican modernism, inspired by Italian design. Unmarked. Attributed Arturo Pani. 28.25 h x 47.5 dia...

Vintage McGuire California Circular Glass & Bamboo Dining Table, USA, circa 1970 Circular glass top dining table constructed in iconic McGuire California leather wrapped bamboo. Exc...

Italian Mid-Century Modern dining / center table featuring a large circular top finished in dark brown parchment / goatskin with high gloss lacquered finish, resting on a pedestal ba...

with a sunburst inlaid mangrove primavera veneered circular top in raised on a cylindrical column pedestal wrapped in Komodo embossed leather, with brushed nickel accents and a ven...

A Klismos dining set by Kaj Gottlob. Four chairs of ash with cane seat and loose cushion upholstered in brown leather. Round ash table with four cur...

Jumandie Seys is a Belgian artist and interior designer whose work straddles the boundary between art and design. In his quest for pure expression of form and material, he creates ob...

21st Century Lune Table, in HG Lacquered Wood and Bronze Details, by Duistt The Lune table is a perfect example to show how well-mixed materials can work together to create a truly ...

Lacquered goatskin dining table with two refractory leaves, (18" each) opens to total L 108" (closed 72") Checkerboard top, rests on gold gilt ball supports, on squared tapered legs....

Mid-Century Modern lacquered parchment dining table by Aldo Tura. One 21.5" long extension board leaf. It is a rare beautiful dining table in excellent original condition.

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

The varnished goatskin parchment, in rich shades of brown, makes this dining table typical of designer Aldo Tura. This beautiful table would make a fascinating piece for a dining or ...

Elinor And John Mcguire San Francisco 1970 Dining table Product details Rattan table with leather bindings and glass top Table dimensions 243,5 W x 74 H × 106 D Do not hesitate to c...

We are delighted to offer for sale this exquisite, hand dyed brown leather extending dining or library table Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good looking and well made library or dining table, it sits very nicely as a medium sized round table...

Mid-Century Modern Ferreirinha Round Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ferreirinha round dining table pays homage to Antónia...

Monumental Horn and Cowhide Dining Table in Farmhouse Country Western Style This rare and custom-made monumental dining table is a unique piece with a rich history, coming from a de...

A unique and visually striking table produced as part of the Gavina collection. This piece features a matte black leather-wrapped top and a geometric stainless steel base — a bold in...

They can be sold separately Midcentury dining room set Melchiorre Bega attributable, from Cantù, in mahogany and burl mahogany Precious and ...

This monumental vintage dining table pedestal showcases the iconic "bundled" aesthetic famously popularized by McGuire of San Francisco. Masterfully constructed from solid rattan pol...

Oval ivory-colored goatskin and lacquer dinning table designed by Karl Springer featuring thick rounded table legs. Karl Springer developed bold proportions and often used exotic fi...

Wicker Table with Leather Bindings and Glass Top – Studio Smania Product Details Dimensions: 250 W x 80 H x 110 D cm Matching chairs available on our storefront 1stDibs Ref: LU691124...

Dining table in metal sheathed in black leather stitched sellier and glass top, 1958. This unique piece (1958) was commissioned for the apartment of a Parisian doctor, friend of Mat...

Extendable Table – Mplace Collection: Mplace Context: Dining Room Type: Table The Mplace extendable table combines clean, harmonious lines with premi...

Fabulous 1970s vintage mid-century modern Milo Baughman style rectangular clear tempered glass and polished chromed steel Parsons style dining table by Tri-Mark Designs. Features fou...

A nice early vintage table by Karl Springer. Dating to the 1960's/70s. Beautifully wrapped Parsons table form in Goatskin. Brass capped feet. The clear protective coating has yell...

Mahogany wood, leather and bronze dining room set for 12 people. Argentina, 1938. Designed by the architect Alejandro Bustillo (1889-1982) for ...

Conical table leg seeks guests. One of the great passions of our master craftsmen is to experiment with leather as a material, always treading new paths. In the case of DS-615, they ...

A centrepiece that channels the opulence of the 1940s, the Geller Dining Table draws inspiration from Art Deco luxury with contemporary finesse. The elongated oval tabletop is crafte...

In this listing you will find a rare postmodern dining table designed by Giancarlo Vegni for Fasem. Table features the base done in steel and saddle leather with a round thick glass ...

Ron Seff Goat Skin Lucite base versatile extra-large expandable dining/conference table, when closed 72" with two leave 20"each when fully opened 112" in exceptional condition bevel...

An Edward Wormley walnut extension dining table designed for Dunbar in the early 1950s. The dark walnut base sets on four leather cased feet contrasts with the walnut top which is a ...

A striking dining table by Karl Springer, its broad circular top cantilevered over a substantial drum-form pedestal base. The table is fully wrapped in a rich cognac-toned lizard-emb...

Exceptional dining table designed by Kai Winding in 1960's for Slagelse Möbelvaerk, Denmark. Hardwood with brass and leather fittings with two...

Table torsade with bronze legs structure and massive glass top. Available with genuine leather legs structure, price: 14500.00€.

A beautiful table design by the iconic Karl Springer, made of goat skin, please check the pictures, it has some wearing, totally normal, the color and patina is allot nicer in person.

Mid-Century Modern Ferreirinha Marble Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ferreirinha marble dining table pays homage to Antón...

Fine Italian Mid-Century ight brown "Goatskin" Game Table/Extension Dining Table (ALDO TURA) Length with extension: 72"

re-imagining traditional oriental craftsmanship for the modern era, the hand-crafted clover mahjong table combines the timeless beauty of solid ashwood with a built-in wireless charg...

MISE EN SCÈNE. Designed in England. Made in France. *Our items are customisable in finish and size. Made to order pieces. Each piece is numbered, signed and comes with a certificat...

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished...

Zest Dining Table The Zest outdoor dining table merges elegance and modernity through its minimalist design and the use of sophisticated, premium materials. It features a marble top...

Rare dining table designed by Elias Svedberg. Produced by Nordiska Kompaniet (NK) in Sweden.

Very rare Aldo Tura goatskin or parchment dining table. The striking red colour is a real eye catcher Dining tables from Aldo Tura are very rare to find. Good condition, with no...

Inspired by the earth goddess Gaia, "Revelation of Gaia" aims to explore the mighty but soft inner power and to praise the mysterious nature. With this collection we try to break the...

Spectacular vintage Campaign style double pedestal dining table composed of golden gate orange painted metal substrates, bamboo, natural rawhide leather wraps, & a rectangular be...

Jorge Zalszupin “Guarujá” Dining Table for L’Atelier, Wood and Leather, Brazil, 1959. The Guarujá” dining table, designed by Jorge Zalszupin in 1959 for L’Atelier, exemplifies the t...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

An exceptional restored large circular dining or center table by McGuire, circa 1980. Stout, heavy steel frame construction veneered in bamboo; leather wrapped detail in the iconic M...

Classic top of the line McGuire leather wrapped bamboo dining table base with exemplary craftsmanship and style.

COD-1026 Table with four tapered legs and cloverleaf top veneered in walnut with parchment profile. Italian manufacture, ca. 1950.

This striking vintage dining table pedestal pays homage to the iconic bundled rattan aesthetic pioneered by McGuire of San Francisco. Featuring a sophisticated dark tobacco finish, t...

Danish flip-top table, c.1960s. This square table features a flip top that allows it to serve as a cafe/dining table or game table. The table features a rosewood frame and table top....

Mugello dining table designed in 1987 by Lodovico Acerbis and Giotto Stoppino for Acerbis International, Italy. Lacquered iron structure with aluminum legs sheathed with leather cove...

Inspired by the earth goddess Gaia, "Revelation of Gaia" aims to explore the mighty but soft inner power and to praise the mysterious nature. With this collection we try to break the...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite, super collectable Hermes Paris, Guido Faleschini Designed for Mariani circa 1970'...