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Smooth White Bronze Louise Card Table – Louis XV Cabriole Leg Side Table

$4,571per item
£3,457.46per item
€4,037.05per item
CA$6,509.82per item
A$6,604.98per item
CHF 3,773.18per item
MX$79,969.83per item
NOK 44,327.68per item
SEK 44,268.98per item
DKK 30,178.59per item
Quantity

About the Item

The Louise Card Table is 32 inches square and clad entirely in Smooth White Bronze metal: four cabriole legs carved from solid teak, the serpentine apron curving between them, and the tabletop above, all covered in a continuous Smooth White Bronze skin. The S-curve of each leg is covered without visible join, the metal following the compound form from foot to apron. The top surface carries the geometric panel lines and flush-set nail heads that are the characteristic detail of hand-applied metal sheeting. The teak legs are carved to the full cabriole profile before Smooth White Bronze metal sheets are pattern-cut and fitted by hand. The S-curve of each leg is covered without buckle or join; the apron and top panels are fitted separately, each secured with flush-set nails. The panel lines on the top surface are a natural result of the hand-applied sheeting process. Measures 32 inches square, 30 inches tall. Functions as a card table, game table, side table, or accent table. The square form and compact scale suit placement beside a chair, at the end of a sofa, or between two seats. Available in all twelve standard finishes. Custom sizing available. Made entirely to order. Designed by Paul Mathieu for Stephanie Odegard Collection. Paul Mathieu named the Louise series for his feminine interpretation of Louis XV furniture. The cabriole leg of that period, which also produced Queen Anne and Chippendale furniture in England, is the formal thread that runs through every piece in the series. Produced in Udaipur. Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Smooth White Bronze surface will gradually mellow in tone over time, which is part of the material's natural character. The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand. Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed. All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred. None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request. The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving. The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing. As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.
  • Creator:
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 32 in (81.28 cm)Depth: 32 in (81.28 cm)
  • Style:
    Louis XV (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2025
  • Production Type:
    New & Custom(Current Production)
  • Estimated Production Time:
    11-12 weeks
  • Condition:
  • Seller Location:
    New York, NY
  • Reference Number:
    Seller: LCT-WB-SM-0021stDibs: LU4236149868822

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