Pair of “Brighella” Stools/Side Tables by Zanotta in Black Leather, 1980s

Striking round coffee table designed by Nicolas Diulgheroff in the 1950s, newly refinished in a sophisticated semi-matte black lacquer that enhances its sculptural and architectural ...

This exquisite Cicognino side table, designed by Franco Albini and produced by Poggi Pavia in the 1970s, is a timeless piece of Italian design. Crafted from high-quality wood, this t...

TOTEMO are architectural stools designed and produced by FORME — a refined study in volume, balance, and material contrast. Conceived as compact yet powerful presences, they embody t...

Unique piece oversized Quaderna console / table with custom black legs Superstudio, Italy, 1970s This one-of-a-kind oversized Quaderna console / table was custom-made in the 1970s b...

Set of 2 Black Altay side tables by Patricia Urquiola Materials: Base in solid natural beech or black lacquered. Roundtop in white, black or coral lacquered medium Technique: Lacqu...

Jolie paire de tabourets dit : «  meribel » par Charlotte Perriand.

Set of two stools with legs in black lacquered wood and seats upholstered in light blue fabric. Attribuited to Gio Ponti, Italian Manufacture 1950s Gio Ponti was an icon of the m...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...