Watercolour Drawing by Kenneth Stevens MacIntire of a Three Fold Screen

An Aesthetic Movement walnut and brass mounted folding low screen. Circa 1870. The double sided fabric has been replaced with modern Walter Crane, Swallo...

An abstract composition in wax colours by Franz Belting (1908-2010) 1978. Signed and dated. Titled 'Hannover - projekt verm'. Wonderfully detailed and in excellent condition. The or...

A wonderful late 19th century bamboo etagere/cabinet. Made by English firm W.F Needham. (1888-1901). Circa 1890. The cabinet has 2 diago...

Fine Edwardian walnut floor-standing three-fold screen room divider. Circa 1900. The elegant screen is of superb quality, set on heavy brass double acting hinges allowing each panel...

Art Nouveau Framed Jacquard Weave, European, 1920s. Beautiful delicate jacquard weave in a distinct art nouveau style, professionally framed. Great floral shapes and a very nice art nouveau style - this framed antique fabric...

Walter Shirlaw (1838-1909) Study for decorative panel Pencil and watercolor on paper mounted on paperboard Measures: 62.5 x 74 x 5 cm (with frame) 50.5 x 62 (without the frame) Signed in the circle lower right Born near Glasgow in Scotland, Walter Shirlaw settled with his family in New York in 1841, when he was two or three years old. As a young boy, he took night classes at the National Academy of Design, and first exhibited his work there in 1861. The first years of his career were spent as an engraver at the American Bank-Note Company, while at the same time attempting to establish himself as a painter. He later moved to Chicago, where he continued to work as an banknote engraver and also taught art at the Chicago Academy of Design. In 1870, at the relatively late age of thirty-two, Shirlaw travelled to Europe to study. Prevented from settling in Paris by the Franco-Prussian War, he instead studied in Munich, where he joined the small group of American painters working in the city, including Frank Duveneck and William Merrit Chase...

This is an antique framed panel. An English, hand-painted cotton screen, dating to the Edwardian period, circa 1910. Elegantly presented examp...

One of a series of drawings Bernard Boutet de Monvel made circa 1922 while participating in the Croisière Citroën, an expedition comprising scientists and artists who traversed the S...