Mixed Metal Earrings

Vintage Kramer Gold Tone Flower with Pave Circa 1960s. These are so special and unusual. These are small flowers with pave in teh middle and look like fine jewelry. They are in grea...

Vintage Gold Tone and Diamante Sunflower Earrings, Circa 1980s. These are well-made and substantial earrings. The earrings have a diamante dome in the center. All the petals are free...

Vintage Claire Deve Gold Tone Long Dangling Earrings. They have rose-colored rhinestones and gold-toned beads with a faux pearl dangling at the end. Many dangling gold pieces come t...

Oscar de la Renta silver-tone crystal pavé ball post drop earrings present a refined Contemporary statement in luxury fashion jewelry. Signed “Made in USA” and “Oscar de la Renta,” t...

Vintage Givenchy Gold Tone Dangling Wheat Earrings Circa 1980s. Clip On. Coco Chanel often used wheat in her designs as it signified abundance, so it is a good thing to wear to b...

Vintage Yosca Gold Tone With Faux Turquoise Earrings Circa 1980s. These are well-made and substantial earrings. The earrings feature a dome of faux turq...

These substantial vintage clip-on earrings were created by Kenzo of Paris in the 1980's out of metal. The tops of the earrings are designed as flowers from which a wreath made out of...

Vintage Round and Baguettes with Sapphire Blue Earrings Circa 1960s.Vintage Round Cut Crystals with Sapphire Crystal Baguettes Earrings. These have the l...

Vintage Gold Tone Hoop Earrings Circa 1980s. These dangling gold hoops look so chic and stunning with everything. So reminiscent of the 1980s. Can you imagine wearing these with ...

These Vintage Abstract Mixed Metal Dangle Earrings are a striking blend of artistic expression and timeless style. Crafted with a combination of metals—typically brass, copper, and s...

Vintage Panetta Faux Turquoise Dangling Earrings Circa 1980s. These small and delicate earrings have a fine jewelry look. They are shown in gold metal...

One of a Kind Balance Earrings by jewelry artist Lauren Harper hand-fabricated in 18k yellow gold featuring a matched pair of custom-cut and faceted hexagonal rainbow moonstones uniquely flush-set in hexagonal 18k white gold elements set with round brilliant-cut white diamonds. These six sided elements balance perfectly in place by way of six 18k yellow gold chains hanging from a single jump ring and finished on accented 18k yellow gold ear wires. About the designer - Lauren Harper has always had a strong creative spirit. As a child, she was a classical violinist. As a young adult, she painted and sang. Finally, Lauren found her calling in the art of jewelry design and metalsmithing. "I wanted to work with my hands”, she says. “It was important to me that I have something tangible at the end of a days work." Traveling to the exotic locales of Namibia, Botswana, South Africa, Cambodia, Thailand and Laos, Lauren searches the world for gemstones of perfect color and distinctiveness. She uses warm blends of 18k and 22k gold and studs them with brightly colored combinations of precious gemstones and brilliant diamonds. Lauren finds her inspiration by merging the individual characteristics of each stone with the art, architecture and culture of the places she visits. From ancient Egyptian and Byzantine designs, to Khmer ruins, her muse is the world at large. "The collection has its roots in the past,” she says, “so it is never off trend."

A sublime interplay of texture, light, and artistry, these one-of-a-kind earrings by master German jewelry artist Peter Schmid of Atelier Zobel evoke a sense of refined modern opulen...

Vintage YSL Pink and Amber Color Dangling Earrings. They are two round discs on top of each other to form these earrings. You don't really see the amber color, but it's an offset th...

Vintage Carlo Zini Diamante and Red Dangling Earrings Circa 1990s. This is one of those pieces for when you go out or want to make a statement. The photograph doesn't capture its gor...

Vintage Weiss Silver Tone Diamante Earrings Circa 1960s. These earrings are prong-set and beautifully crafted. They are layered in two distinct parts. The bottom is made up of a row ...

Vintage Christian Dior Gold Tone Faux Pearl Earrings Circa 1980s. These are always great to have in your arsenal. They can be dressed up or down. They are classic faux pearls surro...

Vintage Bow with Ball Pave Dangling Earrings Circa 1990s. These are weighty and substantial, and the pictures will do the talking. It is such a beautiful piece. The piece of metal i...

Maison Gripoix Vintage Faux Turquoise and White Layered Dangling Earrings. There are three layers to this, all wrapped in an offset gold tone and then a long, dangling piece. These are so stunning and look good with many colors. Clip On. These are proper statement earrings in that they are so well-made. These can also be worn in the winter against dark colors. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Pennino Rhinestone Diamante Bouquet Earrings Circa 1960s. So realistic looking. One for the Left and one for the Right. Layered and 3D. Clip On. These look like Cartier or...

This elegant statement earring pair is a marriage between earthy dendritic agates and glowing lilac chalcedony. A delightful balance of colour and shape, these completely natural sto...

Vintage Philippe Ferrandis Dangling Gold-Tone Earrings, Circa 1980s. These are so chic. They resemble a plant with a tiny ladybug, although it is not immediately apparent. It's a spe...

Maison Gripoix Vintage Red and Green Flower Dangling Earrings Set in Gold Tone. These are some of the most stunning earrings in my collection. The colors, of course, and the way they are made. They are just exceptional. They will always be relevant. They are well-made and make a statement. They are just classy and chic. Clip On. Always In Style. Clip on. I also have them in blue. Acquired in Paris. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated, but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband who lacks any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and setting them in the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery, loss, or for unusual pieces to be used in their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous Byzantine style of Chanel jewelry was brought to life, featuring golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix . Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created exceptional, irregularly shaped pearls from glass for Chanel, imitating the baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls .. As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House continues to craft jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

Vintage Isaky Paris Gold Tone Dangling Earrings Circa 1980s. Gold Tone with Frosted Resin and Garnet Middle Color and Faux Horn Dangling Pieces. These are ...

Maison Gripoix Vintage White and Light Purple Dangling Earrings. These will always be in style. The Chanel look has never left. It is classic and timeless, conveying a sense of class. It is an elevated look. No matter what you wear, these will look right. A Chanel suit or jeans and a white t-shirt with a blazer. You look stunning and done. These are all you need. Clip on. This look will always walk down the Chanel runway in one form or another. I will send you Velcro dots to hold them on, and you can do cartwheels in these earrings. The models in Paris wear them, and you can quickly wear them for 20 hours. Please ask for them. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their own jewelry in case of robbery or loss, or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous byzantine style of Chanel jewelry was brought to life, fancying golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created unique, irregularly shaped glass pearls for Chanel, imitating baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls . As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House still crafts jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

This is a very rare pair of Antique Shakudo Earrings from Japan depicting a Foo Dog or Dragon battling a Dragon. The extraordinary imagery is full of history, drama and mystique. T...

Vintage deLillo Faux Turquoise and Gold Tone Dangling Earrings Circa 1970s. These are the perfect length. Clip on. William deLillo was only in business from 1968 to 1977, so when y...

Vintage St John Gold Dangling Heart Earrings, Circa 1990s. St. John made some fabulous jewelry. These dangling gold hearts look so chic and stunning with everything. They are substan...

Vintage Carita Paris Gold with Faux Turquoise Earrings Circa 1980s. Classic and Chic earrings that pair well with most outfits, and yes, you c...

Vintage Trifari Gold Tone Dangling Fish Hoop Earrings, circa 1980s. I love these earrings and have them in my collection. They are just amazing. There is a pair of fish on top of ...

Vintage Yves Saint Lauren YSL Couture Gold Tone with Large Blue Crystals. These are spectacular. The Couture pieces are not signed. If...

Vintage Jerval France Gold Tone Ivory Color Earrings Circa 1960s. These feature a beautiful aquamarine-colored crystal in the center, surrounded by go...

Vintage Pennino Rhinestone Diamante Dangling Earrings Circa 1960s. Baguette, Pear, and Pave. Not Real, but look close! Screw back to close. These ...

Vintage Poggi Paris Gold Tone With Large Crystals Dangling Earrings Circa 1990s. These spectacular earrings are both chic and classic at the same ...

Vintage Gold Tone Diamante and Faux Turquoise Earrings Circa 1960s. These are so chic and look fine. A great deal of thought went into the construction of these. They begin with ...

Vintage Diamante Fringe Dangling Waterfall Earrings. Looks great with a t-shirt or for a night out. Clip On. These look so fun and so chic for the holidays or even for lunch out during the next few months. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

Vintage Yves Saint Lauren YSL Gold Tone Couture with Large Crystals Circa 1980s. Vintage French Gold Tone with Large Crystals. These are spectacular. Clip On. The Couture pieces...

Vintage Hattie Carnegie Gold Tone Dangling Hoop Earrings Circa 1970s. What Hattie Carnegie made was always good and different, and these earrings are no exception. Medium-sized dan...

Vintage Gold Tone Dangling Circle Like Earrings Circa 2000s. These earrings remind me of the brand new Celine bracelet cuff that was just released with the circle-like thing on it. V...

Vintage Yves Saint Laurent YSL Couture Sun Burst Long Dangling Earrings Circa 1980s. These features include faux turquoise, amber, and gold beads, as well as quartz beads. These wer...

Vintage Versace Gold Tone Dangling Pieces Hoop Earring Circa 2000s. These fabulous earrings feature a small hoop with a long, dangling V. A vine w...

Vintage YSL Gold Tone with Varying Shades of Pink and Crystal. Clip On. Another YSL that is just magnificent. These are definitely from the 1980s, but they remain so relevant today and are not mass-market products. When you have these, you have them forever. These are actual collectibles to be handed down. They match anything. Wear a black outfit, a white outfit...

Maison Gripoix Vintage Blue and Light Blue Flower Dangling Earrings Set in Gold Tone Clip On. Always In Style. Very Classic Chic. These are so spectacular. I have them in red as well. The prices differ because they were purchased at different exchange rates. These are stunning. They will never go out of style!! Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle, so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Gold Tone With Blue Diamante Drop Earring Circa 1990s. These drop earrings are so unique and look fine. When I first saw them, I thought they were fine. Upon closer inspecti...

Vintage Gold Tone Resin Dangling Star Earrings Circa 1980s. These are just fun earrings that will pull you together. So indicative of the 1980s. Just ...

Vintage Gold Tone and Diamante Flower Earrings, Circa 1980s. These are well-made and substantial earrings. The earrings surround the diamante, and the center is a mound of pavé. All ...

A beautiful, long, lightweight and well-made pair of green and periwinkle blue enamel and copper metal dangle or drop earrings. A special one-of-kind pair of earrings, hand-made by f...

Vintage Rive Gauche Yves Saint Laurent YSL Gold Dangling Resin Earrings. Misshapen Pieces Form these Very Classy and Chic Earrings That are Resi...

Vintage St John Gold Tone Hoop Earrings Circa 1990s. These are the forever type of earrings that never go out of style. St. John made some fabulous jewelry in the 1980s and 1990s. T...

Vintage Satellite Resin Gold Tone Hoop Earrings Circa 1990s. These fantastic earrings give a unique look and won't damage your ears because they are made of resin. They make such a...

This sparkling pair of 1940's Robert clip on earrings, built of a silver toned metal filigree base, upon which pink glass beads are wired on, in scattered floral motifs, interspersed...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Dangling Textured Earrings. Clip on. One of those that becomes magical when you see it on you. These are the types of earring...

Vintage Gynuki Torimaru Gold Tone Earrings Circa 1980s. These are one of the most gorgeous pairs of earrings I have in the collection. They have ear appeal, not curb appeal. Thre...

Vintage Pink, Red, and Faux Pearl Flower Dangling Earrings Circa 1990s. These earrings are set in gold tone and are some of the most gorgeous earrings I have. The colors, of cours...

Vintage Isaky Gold Tone Dangling Free Form Earrings Circa 1980s. French costume jewelry has an edge. It just does. These earrings are so stunning....

Vintage Silver Tone Diamante Hoop Earrings, Circa 1980s. These earrings are so fine-looking. They don't photograph well at all. They are pave and with dimension, as there are cutouts...

Total Wt :25.920gm, Gold- 18KT- 1.500gm, gold 14k rubber push- 0.35 gms, Aluminium- 24.09 gm, Natural Diamonds - 26/0.84cts

Collectible Augustine Gold Tone Red Pate De Verre Dangling Earrings. There is a faux pearl in the center. Pierced. Not signed, But Augustine. These are so fresh and updated. August...

Vintage Art Deco Diamante with Faux Pearl Dangling Earrings Circa 1980s. The earrings feature round, marquise, and baguette diamonds with a...

Vintage Gold and Crystal Dangling Hoop Earrings. These front-facing hoop earrings feature crystals in the hoop and one on the earpiece. They can also be worn without the hoops. They ...