Colorado - Abstract Prints

At First Light, Signed Contemporary Blue Abstract Digital Painting 24" x 24" x 1.5" (HxWxD) Archival Print on Canvas Hand-signed by the artist in verso. This square format digital p...

The artist describes his inspiration for the print: “Up seems to be down; left to be right. Wrong is also right. Speech is free, but fraught; all is fog.”

“In my work I keep reworking a handful of patterns including spirals, packing patterns, and dendritic systems. These patterns appear in different materials and processes sometimes in...

“In my work I keep reworking a handful of patterns including spirals, packing patterns, and dendritic systems. These patterns appear in different materials and processes sometimes in...

“In my work I keep reworking a handful of patterns including spirals, packing patterns, and dendritic systems. These patterns appear in different materials and processes sometimes in...

The artist describes this series as follows: In my recent lithographs I employ various techniques to create dynamic and visually satisfying artworks drawn from sometimes disparate so...

The artist describes this series as follows: In my recent lithographs I employ various techniques to create dynamic and visually satisfying artworks drawn from sometimes disparate so...

The artist describes this series as follows: In my recent lithographs I employ various techniques to create dynamic and visually satisfying artworks drawn from sometimes disparate so...

The artist describes this project: “yo (jr.)” and “rodo”, depict avatar like figures set in an animated, virtual space. Each central character, accompanied by secondary elements of ...

The artist describes this project: “yo (jr.)” and “rodo”, depict avatar like figures set in an animated, virtual space. Each central character, accompanied by secondary elements of ...

The artist describes this project: My lithographs In Between Days and A Question of Time are based on a series of monotypes I have created over the past couple years. In the monotypes I layer color fields, forms, patterns, and arrays of dots or other shapes onto dozens of sheets of paper in a process somewhat like sketching. I collect found objects to use as stencils to physically print from or to photocopy. A few objects used in the making of these prints are perforated metal sheets, wooden wine crate...

Terry Maker makes three-dimensional works that get to the “guts” of the materials used, such as discarded shoes, vinyl records, candy dust and shredded doc...

Color lithograph, Edition 20. The artist describes this project: “Human activity is causing the mass extinction of plant and animal species at an alarming rate. I paint carefully rendered, miniature portraits of endangered animals into larger compositions to raise questions about Earth’s biodiversity crisis and the place of wildlife within increasingly unstable habitats. The swirling and exploding shapes and colors represent how our progressively chaotic environment is displacing fauna and the systems that support it. This lithograph includes an image of Colorado’s state bird, the lark...

Color lithograph, Edition 20. The artist describes this project: In my lithograph New Dawn Fades, bright colors float through space like particles drifting ...

Color lithograph, Edition 20. The artist describes this project: "In my abstract lithograph, Learning to Fly, I attempt to create an uncertain sense of depth and scale, as if celest...

Color lithograph with pearlescent powder, gold and aluminum leaf and pochoir, Edition 20. The artist describes this project: This piece is based on a much larger work in which the suns were made with embroidered concentric circles of yellow thread. Making a print based on an existing work is by necessity a translation. As Borges said, sometimes, “the original is true to the translation.” In the case of Sharks Ink...

Color lithograph, Edition 20. The artist describes this project: “The suggestive but ambiguous presence and narrative of the images “Bloob (?)” & “Dyad-O” reflect an ongoing cr...

The artist describes this project: "Born of graphic abstraction, color, and form; patterns and circles come together to form a scene. What is happening is not clear. Do Androids Dream of Electric Sheep? Perhaps the imagery is drawn from the near future or an alternate universe, like in a Phillip...

Color lithograph. Edition 20. The artist describes this project: "Obscured by Clouds" and "Astronomy Dominé" are a distillation of some of the my favorite parts of the earlier pain...

Color Lithograph, Edition 15. Newman’s drawings and prints compress the role of drawing and sculpture. He depicts illusionistic spaces and forms that defy physical laws, like Pirane...

Color lithograph, Edition 30. In the studies for this print, Juarez combined casual, small sketches made daily, found botanical prints and magazine illus...

Color lithograph with digital collage and chine collé, Edition 20. The artist describes this project: I sent myself the challenge of structuring into each piece a tension between t...

Color lithograph, Ed. 25 The artist describes his work: My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the last decade ho...

Color lithograph with pochoir, Ed. 25 The artist describes his work: My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the l...

Color lithograph with metal leaf, Edition 30. Provisor returned to Shark’s in August 2002 to produce a new multi-panel lithograph, Living on Laight”. The rich surfaces of these be...

Color lithograph, Edition 30. John Newman makes rich, complicated sculpture. He brings materials and techniques used by local artisans from around the world to make concentrated a...

Color lithograph, Edition 30. John Newman makes rich, complicated sculpture. He brings materials and techniques used by local artisans from around the world to make concentrated a...

Color lithograph with aluminum leaf, Edition 20 The artist states: “L.H. refers to Luke Howard who was the scientist who first classified the clouds in 1802. The Latin names in...

Color lithograph with aluminum leaf, Edition 20 The artist states: “L.H. refers to Luke Howard who was the scientist who first classified the clouds in 1802. The Latin names in...

Color lithograph with aluminum leaf and chine collé, Edition 20. The artist states: “L.H. refers to Luke Howard who was the scientist who first classified the clouds in 1802. T...

Color lithograph with aluminum leaf, Edition 20 The artist states: “L.H. refers to Luke Howard who was the scientist who first classified the clouds in 1802. The Latin names in...

Color lithograph/tape/collage in 9 parts (5 x 5" each). Brad Brown uses unusual approaches in making his work. Over a period of several years he worked and re-worked a group of drawings...

Color lithograph/tape/collage in 9 parts (5 x 5" each). Brad Brown uses unusual approaches in making his work. Over a period of several years he worked and re-worked a group of drawings...

Color monoprint In 2010 Kara Maria worked with Bud Shark on a series of monoprints at the studio in Holualoa, HI. Mylar stencils, hand cut by the artist, were inked in various col...

Color lithograph with chine collé and debossing, Edition 20. Dianna Frid describes the making of the Sieve suite below: High contrast photographs of sieve-like objects are the ...

Color lithograph/chine collé/collage/perarlescent powder, Edition 20. Frid describes the making of the Sieve suite below: High contrast photographs of sieve-like objects are th...

Color lithograph with aluminum leaf and pearlescent powder, Edition 20 Dianna Frid describes the making of the Sieve suite below: High contrast photographs of sieve-like object...

Color lithograph with pochoir, Edition 30 Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981. H...

Color monotype The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divi...

Color lithograph with hand coloring, Edition 20 Her most recent prints are "Lines of Force (Fire Red) State II" and "Lines of Force (TBR) State II." Vibrant hand-colored lithograp...

Color lithograph/digital/collage, Edition 25 In her first print: "Jacket, Bag, Dress, Watch, Ring" Teresa uses fragments of images taken from the pages o...

Color lithograph with cut outs, Ed. 25 “My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the last decade however, I have been intentionally, slowly reshaping what constitutes my working model to incorporate more surprise and imaginative play. While my work remains what some would call ‘abstract’, image and representation have become more apparent. The two lithographs produced with Shark’s Ink...