Florida

Taisho Japanese Miniature Tansu, Haribako, Presentation Box This Japanese box, made in the Asakusa district of Tokoyo in the Okada Sunshodo, was created circa 1920s. It is marked by...

This small vintage 1970's box with a paperclip design on top was made by Sarreid Ltd. Makes a great desk accessory. It was nickeled silver over the brass in 2015.

Charming and Whimsical "Stacked Books" Decorative Side Table crafted to resemble a casually stacked collection of oversized leather-bound literary classics. The table features realis...

Floating Pearl 14k Gold Ring is a luxurious fine jewelry piece made of solid 14k gold with 10mm freshwater pearl. Inspired by surrealism, this statement piece is designed to ‘float’...

A vintage Royer Hutin porcelain match striker and holder. Traditionally used in cafes, bars etc.  

Antique French Provincial Farmhouse Table Late 19th century French plank top farmhouse table. The rustic table is made from well patinated solid oak wood proving both sturdy and att...

- Tan Brown Toile Lingne Ulysse ( Special Order Exterior ) - Gold Hardware - Circa late 1980's ( Stamped Circle S ) - YOU WILL NEVER SEE THIS AGAIN Condition: The bag is in grea...

A French Art Deco period sideboard attributed to Jules Leleu. Made of mahogany, it consists of four seperate pieces secured together with bolts. A central cabinet with a beveled frame has book matched cabinet doors decorated with an elaborately scrolled brass escutcheon. Inside are two hand dovetailed drawers above a single shelf. Serpentine cabinets on either side each house a serpentine curved shelf...

Beautiful deep cobalt blue American antique glass bottle, 14” tall.

A LARGE ANTIQUE CHALIF (KOSHER SLAUGHTERING KNIFE) Lower East Side New York City c. 1920 Horn handle and long steel blade This is being sold as a Judaica museum artifact. I do not k...

Costa Brava Pendant is made of natural shell with 14k gold and .10 carat natural diamond. This delicate beauty fits on most small to medium sized chains, consider adding a chain or d...

This authentic 19th-century oil portrait depicts a young European woman in traditional attire, painted with refined academic realism and quiet emotional restraint. The sitter is shown in three-quarter view, wearing a straw hat with a blue ribbon, a lace-trimmed blouse, and a dark bodice, delicately holding a small basket of flowers. The soft transitions of light across the face, gentle blush tones, and composed expression reflect mid-19th-century European portrait traditions, closely aligned with Biedermeier and early Realist aesthetics. The background is intentionally subdued, allowing full focus on the sitter’s character and presence. Brushwork is controlled and confident, with careful modeling of facial features and textiles. The composition suggests a formal studio portrait rather than a genre scene, typical of European academic painting of the period. 📏 Measurements: Painting approx. 19.5" × 24"; Framed approx. 30" × 26" 🎨 Medium: Oil on canvas 🖋️ Artist: Signed and dated 1868 in the lower right (signature partially legible) 🖼️ Frame: Original period gilt wood frame; minor wear, losses, and age-related surface imperfections ✔️ Condition: Stable age-related craquelure throughout. Frame shows minor historical damage consistent with age. This is a genuine antique European oil painting...

1940s Round Wood Side Table. In the style of Gilbert Rohde.

1970s Austin Production "Uttermost Welcome Home" Patinated Resin Brutalist Sculpture. Features a molded sculpture of a father hugging a girl, inspired by Degas' "Little Ballerina" s...

Beautiful Post-Impressionist landscape painted in Bloomsbury Group era period and style. Oil on canvas, 18 x 24 inches; 22 x 28 inches framed. Unsigned. Some areas of paint loss as...

Charming, relatively large scale giraffe statue by Marwal.

A hexagonal glass ashtray from The Castaways Hotel of Miami Beach, Florida. The center is printed with their logo and reads “Castaways, Quality Courts, Miami Beach Florida”.

A primitive style terracotta planter. Hand painted with stylized deer, mountains and bushes, with simple brush strokes in brown, over an antique white background. The pot itself is l...

This is a unique 2 door 4 drawer Swedish Gustavian wardrobe. its been restored and repainted with Milk Paints "Oyster White"

- Set of 4 CC Logo Chanel Tennis Balls - Quilted pouch - Part of the Chanel Sport Collection Condition: The pouch and tennis balls are overa...

Gorgeous ice blue satin silk jacket with a mandarin collar and hidden buttons apart from one external button at the top. The sleeves are a 3/4 length and the jacket hits to the hip ...

Bespoke octagonal Tiffany blue Murano glass and brass mirror, in stock Vivid and intense Tiffany blue glass block with naturally occurring air inclusions throughout Highly polished f...

French Louis XVI Style Bergère Armchair. French Bergere armchair with dark wood frame, rounded back and reeded legs is made circa 1920s. Carved features include scrolled arms and fl...

Enchanting 19th century English Sailors valentine handcrafted in exotic seashell lovingly arranged around an image of a schooner under a convex lens.

Artist: Keith Haring (American, 1958-1990) Title: "Keith Haring for Emporium Capwell (South of Market)" *Signed by Haring in the plate (printed signature) lower right Year: 1985 (Fir...

A Parisian café ceramic match striker and holder. Decorated with a red line around the top and middle, with red and black writing on the base.  

A beautiful and increasingly collectible 20-piece Anchor Hocking Bubble glass dinnerware set in the iconic Sapphire Blue color, one of the most recognizable American glass patterns o...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Beautiful, and large, vintage Murano hand blown Sommerso yellow and orange stripe Italian art glass rock shaped bowl, ashtray / sculpture. The piece is created in the manner of desig...

Beautiful vintage Murano hand blown sky blue and gold flecks Italian art glass pheasant bird sculpture. The piece is documented to designer Alfredo Barbini, circa 1950-60s. The bird ...

Step into the captivating world of Persian artistry with this beautiful hand-painted ceramic tile. This unique oval tile features a vibrant and meticulously detailed design, showcasi...

Charming vintage sailors valentine ambitiously handcrafted with exotic seashells in a floral and geometric composition and presented in a mahogany octagon shadowbox.

Bring a touch of timeless European elegance to your home with this stunning, vintage solid brass hanging lantern chandelier/ pendent, Featuring a classic hexagonal silhouette and a h...

Stunning Brass and Onyx Standing Floor Mirror, 1950s, Italy.

This early vintage fabulous gold plated collar necklace is by Kenneth Jay Lane and in the style of Egyptian Etruscan and a great nod to history. it is from the early 60's and errs mo...

A pair of small vintage hand-carved limestone benches from Italy with tassel detail on all four corners. Very decorative rectangular garden furniture for the small spaces. Work with ...

14K Yellow Gold & White Ceramic Link Bracelet Specifications: Metal: 14K yellow gold Materials: White ceramic links Length: 8 inches Width: 0.68 inches Construction: Hollow gol...

Beautiful abstract Minimalist painting by unknown artist. Dated 1977. Oil on canvas measures 36 x 60 inches. Signed and dated lower right.

This is an outstanding example of a late 19th century late Louis XVI-style small writing table. The beautifully figured mahogany veneer is detailed in fine brass string inlay with a ...

Bring a touch of timeless elegance and historical charm to your home with this antique hanging lantern. Crafted from solid bronze and brass, this piece showcases a beautiful verdi...

100% authentic Balenciaga Crush tote dirty arena Lambskin with New York charms Black color but listed as "dirty arena" since leather has that look made on purpose by balenciaga Size...

Elevate your space with this exquisite Vintage Japanese Hanging Temple Lantern (Tsuru-Doro). Crafted from solid brass and featuring a breathtaking, hand enhance verdigris patina, thi...

A Set of Eight Genuine McGuire Rattan Target Arm Chairs with Upholstered Back. Designed by breakthrough innovator Elinor McGuire, these impeccably crafted arm chairs display a rattan...

Vintage Italian Solid Rosso Levanto Marble Coffee Table Massive square coffee table made from the most beautiful Rosso Levanto Italian marble. Strong color in burgundy, white and da...

Vintage Mid-Century Modern Brutalist-Inspired Side Table by Lane Furniture, from the early 1970s Features plenty of storage, clean brutalist-inspired lines, a wood-block design at t...

Vintage 1980s 18K Gold Pisces Zodiac Pendant – Italian Made, Diamond Accents A charming vintage zodiac pendant from the 1980s, this Pisces design is crafted in rich 18k yellow gold with sleek, modernist lines. Two stylized fish mirror...

rare pair of vintage solid brass and beveled glass wall lanterns (sconces), featuring a classic hexagonal carriage or onion lantern silhouette. These pieces evoke the timeless eleg...

Three-tier Chrome and Glass Serving Bar Cart on Casters Offered for sale is a sleek round chrome and glass serving cart or bar cart on ...

This is a large, 19 inch, gorgeous Natural Clam Shell specimen from the South Pacific seas showcasing deeply scalloped edges, exceptional details and a luminous, calcified surface. ...

ARTIST: Salvador Dali TITLE: Conquest of Cosmos Frozen Watches of Space Time MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 105/195 MEASUREMENTS: Paper: 39.5" x 27.25" Fra...

Rare Wim Rietveld 'Reply' articulating drafting table. The hinging mechanism was a collaborative design with Wim Rietveld and Friso Kramer for Ahrend de Cirkel in 1958. Adjustable at...

Large Oil Painting in the Manner of Édouard-Leon Cortes, Paris France Stunning large oil painting in the manner of Edouard Léon Cortès depicting scenes of 19th century Paris, France...

Maison Jansen style neoclassical metal & glass console, France, C 1960 With glass top, the base and stretcher side and bronze head caryatids with pawn bronze feet.

A classic French oval shaped wicker shopping basket. The twisted handle is secured to a twisted braided edge.

A striking Renaissance Revival Savonarola style chair crafted in carved walnut with a rich dark finish. The sculptural X-form base and carved back stretcher reference classic Florent...

14K Yellow Gold Vintage Tiffany & Co. Collar Necklace featuring a sleek and sophisticated design that exemplifies Tiffany's timeless elegance. Expertly crafted in rich 14K yellow...

ARTIST: Salvador Dali TITLE: The Three Graces of Hawaii MEDIUM: Lithograph SIGNED: Hand Signed by Salvador Dali PUBLISHER: Levine & Levine for DALART for Center Art Gallery EDIT...

Fashionable in Paris during the 18th and 19th Centuries, this style of French planter box was often used to flank grand entrances with citrus trees or topiaries. Benjamin Moore '...

Dashing 19th century West Indies chaise lounge handcrafted in mahogany in elegant form with carved acanthus leaves, caned back and seat, rolled arm and classic turned legs. H: 33.75...

Bark and Reliefs, 2018 By Carla Gimbatti From the Series Reliefs Aquaresin and Pigment Overall Size: 79 H x 33 W in. Individual Size: (Bark) 79 H x 16.5 W in. (Reliefs) 79 H x 8....