Germany - Prints and Multiples

Artist: Josephine Cardin Medium: Photography Limited edition of 30 “From this new and intimate perspective, she learned a simple, obvious thing she had always known, and everyone k...

Skadi Engeln, a Berlin- and France-based artist, studied sculpture at FH Ottersberg with Robert van de Laar and painting with Michael Kohr and Hermanus Westendorp. Her work has been ...

Large format photograph of a summer beach scene on the Mediterranean island of Lampedusa, from an earlier body of works (2012) by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Lampedusa (2012) 61.25” x 81.7” / 156 cm x 207,5 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) last available edition: AP1 original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2025 94/22 Zander Galerie, Cologne 2024 Photolux Festival - Il bel paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art, Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

Christo (American-Bulgarian, b. 1935) Corridor Store Front, Project, 1967-1968 Medium: Two-part screenprint with hinges, to be opened (front print die-cut, mounted on acetate; rear p...

"The Gates" is a 2005 limited-edition offset lithograph on hand-made cotton paper with sample wrapped in orange packaging, originally signed by Christo in the lower right hand corner...

This work is a color lithograph by Marc Chagall called "Benjamin" from 1963 which was produced by his French publicist and galerist Ateleier Mourlot, Paris. It is from a sketch that ...

Artist: Josephine Cardin Medium: Photography Limited edition of 30 “From this new and intimate perspective, she learned a simple, obvious thing she had always known, and everyone k...

Wilhelm Gross (1883 Schlawe - 1974 Oranienburg-Eden), The Prophet, c. 1955. Woodcut on thin laid paper, 43 cm x 23 cm (depiction), 61 cm x 43 cm (sheet size), signed “Dr. Wilh.[elm] Gross” in pencil lower right, inscribed “Orig.[inal] Holzschnitt (Handabdruck)” lower left and inscribed “Aus der ”Ecce homo“ Folge” in the center. - The wide margin with traces of pressing due to the impression, the sitter's left foot with a small purple stain, otherwise in vibrant condition. - The Burden of the Prophet - The large-format woodcut shows a prophet figure that takes up almost the entire height of the sheet. However, instead of seeing something in the distance that is still hidden from our eyes - as is usual in depictions of prophets - the figure has raised his hands in a defensive gesture, as if the prophet is trying to ward off what he has seen. At the same time, however, the position of the arms is an acceptance of the inevitable, which only those who recognize what is to come will have to bear for the time being, which is why the figure in the painting - despite its size - appears almost solitary, alone and exposed to the burden of suffering. In a manner reminiscent of the folds of medieval wooden sculptures...

Artist: Josephine Cardin Medium: Photography Limited edition of 30 "Another conversation with no destination, another battle never won. Each side is a loser, so who cares who fired...

Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...

"The Gates Skyline in the Snow" is a 2005 limited-edition original photograph. It is hand signed by Christo in the lower right hand corner. It depicts his Central Park Project in Ne...

Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour, George Lazenby Keywords: James Bond, 007, act...

"Over the River (from below)" is a 1992 limited-edition (Edition 300) offset-lithograph on hand-made cotton paper originally signed by Christo in the lower left hand corner. The work...

Edition 5 Self Portrait of Jay-C JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour, 
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

Robert Longo (born 1953) Eric (from Men in the Cities), 2025 Medium: Screenprint and varnish on Somerset paper Dimensions: 70 × 43.5 cm Edition of 1273: Hand-signed and numbered Cond...

Edition 5 Portrait oof a black bull with Basquiat crown JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a d...

large format original photograph of the iconic Mediterranean rock pools of Calafuria Vaschette in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale ...

Anni Albers (1899-1994) ST, 1971 Medium: Screenprint on cardboard Dimensions: 83 × 62 cm (32 7/10 × 24 2/5 in) Edition: Not signed, not numbered outside the edition of 150. Condition...

Arnulf Rainer (Austrian, born 1929) Hinterkopf, 1997 Medium: Etching on wove paper Dimensions: 65 x 50 cm Edition of 35: Hand-signed and numbered in pencil Condition: Excellent

large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Carcavelos Pier Paddle (2016) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

Takashi Murakami (Japanese, b. 1962) Flowers of Gratitude, 2022 Medium: Offset print, cold stamp and high gloss varnishing Dimensions: 71 cm diameter (28 in) Edition of 300: Hand-sig...

Line etching, sufar lift and aquatint in colours "Farewell Bill" by Georg Baselitz from 2013/14. The edition on Hahnemühle Filigrane comprises 40 copies. The present copy is numb...

Original American Title (Lobby Card) of Walt Disney’s Movie „Sleeping Beauty“, USA 1959. The Prince and the Sleeping Beauty in a forest together with some animals and in the backgrou...

Skadi Engeln, a Berlin- and France-based artist, studied sculpture at FH Ottersberg with Robert van de Laar and painting with Michael Kohr and Hermanus Westendorp. Her work has been ...

Damien Hirst (British, born 1965) Beautiful, Tastefully Sensuous Explosion Painting (H12-2), 2023 Medium: Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher...

Victor Vasarely (Hungarian-French, 1906-1997) Untitled, ca. 1966 Medium: Screen print on card Dimensions: 27 3/5 × 27 3/5 in (70 × 70 cm) Edition of 100: Hand-signed in pencil, not n...

An exceptionally rare original poster from Georg Baselitz’s 1988 exhibition at Galleria Lucio Amelio in Naples, Italy. This poster is hand-signed by the artist in black felt-tip pe...

large scale photograph of iconic summer beach scene in Puglia by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Porto Miggiano...

Edition 5 A Crocodile with the Basquiat crown. JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour,
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

large format photograph of Gulpiyuri, a flooded sinkhole with inland beach in Northern Spain, by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographica...

Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic groups, they were distingui...

Andy Warhol (American, 1928-1987) Lion, 1975 Medium: Offset lithograph on wove paper Print dimensions: 28 × 20 cm (11 × 7 9/10 in) Frame dimensions: 32.8 x 25.8 x 2.9 cm (13 x 10 x 1...

Multilayer 301 unique abstract photo paper collage (1 of 1), signed 39" x 31.5" / 100cm x 80cm About the artist Felix Schramm was born in Hamburg, Germa...

Georg Baselitz (German, born 1938) Abe, 1993 Medium: Lithograph on paper Dimensions: 50 x 34 cm Edition of 15: Hand-signed, numbered and dated

Takashi Murakami (Japanese, b. 1962) Gargantua on Your Palm, 2022 Medium: Porcelain plate (fine bone china) Dimensions: 10 1/2 in diameter 26.7 cm diameter Edition of 250: Printed s...

Walt Disney's Pinocchio, USA 1940, Animation, Lobby Card, The lobby cards would have been displayed inside the cinemas at the time of the film's release. Pinocchio is a 1940 Americ...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Edition 5 Big bad Wolf JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of...

Aquatint in colours with sugar lift "Serpentine" (blue) by Georg Baselitz from 2022/23. The edition on Somerset White Satin comprises 50 copies in blue / 50 copies in green. The ...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Derrick Adams (American, b. 1970) We Came to Party and Plan 38, 2022 Medium: Porcelain plate (fine bone china) Dimensions: 26.7 cm diameter (10 1/2 in) Edition of 250: Printed signat...

Cindy Sherman (American, b. 1954) Untitled #103, 1982 Medium: Offset lithograph on paper Dimensions: 101 × 65 cm (39¾ h × 25½ w in) Edition size: Unknown (presumably 100 to 200) Mark...

Set of 10 colour screenprints by Josef Albers. Edition of 250 copies on Mohawk Superfine Bristol. Sheet dimensions each: 43 x 43 cm Illustrations each: 28 x 28 cm All works labell...

large format photograph of Puglia ritual by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern lei...

Hans Frank (1884 Vienna - 1948 Salzburg), Death and Life, 1911. Lithograph, 18 cm x 31 cm (depiction), 25.5 cm x 38.7 cm (sheet size), signed “H.[ans] Frank” in pencil lower right and inscribed “Tod und Leben” lower left. - darkened, remains of an old mounting on the verso - United in Laughter - Here, Hans Frank refers to the skull as a vanitas motif. In Renaissance and Baroque portraits, this motif symbolizes the transience of the sitter, whose head has become a skull over time. Penitents, such as St. Jerome, often hold skulls in melancholy contemplation. Here, however, the boy stands up for life itself. He boldly grabs the skull and laughs at the absurdity of life and death. The laughter of death joins the laughter of life, and vice versa. The child's thumb penetrates the skull's cheekbone to illustrate the inseparable connection between death and life. About the artist Hans Frank studied at the Vienna School of Applied Arts from 1902 to 1906 and then studied painting under Franz Rumpler at the Vienna Academy of Fine Arts from 1907 to 1911. In 1911, he received a substantial travel grant from the emperor, which he used to travel to Switzerland, Paris, London, Belgium, the Netherlands, and Germany. After serving in World War I, Frank moved to St. Marein im Mürztal, returning to Vienna in 1925. He took further study trips to Italy, southern France, and the Austrian countryside. In 1927, Frank became a member of the London Society of Color Printers. An exhibition of his work at the Medici Gallery in London brought him international recognition. He joined the Pasadena Printmakers Society of California and established contacts in Canada. In addition to his highly regarded paintings, Frank primarily worked as a graphic artist. He created over 300 prints and developed a new gradient technique for the fern woodcut with his twin brother, Leo Frank...

Thomas Ruff (German, b. 1958) Substrat, 2019 Medium: Chromogenic print Dimensions: 32 × 45.8 cm (12 3/5 × 18 in) Edition of 300: Hand-signed and numbered in pencil Condition: Excellent

John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Transparent), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50...

Gerhard Richter Landschaft mit Wolke, 1969/2022 Medium: Hybrid raster dissolved digital art print on Rives 260 gsm paper Dimensions: 27 3/5 × 27 3/5 in 70 × 70 cm Edition of 500: Ha...

Original American Lobby Card of Walt Disney’s Movie „ALICE in WONDERLAND“, USA 1951. Alice at tea time with Mad Hatter and March Hare. Keywords: Animation,...

Edition 5 Richie Rich as King JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British s...

Joan Miró Barcelona 1893 – 1983 Mallorca Composition, 1970 Colour lithograph with central fold Dimensions: 38 x 56 cm Mount: 50 x 68 cm Maeght Éditeur, Paris Printed by Arte Adrien...

"Verbindunden-Verletzungen" ("Injuries-Connections") is an original screen print on hand-made Japanese paper from 1998 by internationally acclaimed German ZERO group artist Günther U...

"1981" ("Entwicklung Kunstwerk") is an original screen print on hand-made Japanese paper from 1981 by internationally acclaimed German ZERO group artist Günther Uecker. Small ddition...

Christo (American-Bulgarian, b. 1935) 5600 Cubicmeter Package (from Monuments), 1968 Medium: Offset lithograph on Bristol board Dimensions: 70 × 54.5 cm (27 3/5 × 21 1/2 in) Edition ...

Carmen Herrera (Cuban, b. 1915) Rojo y Negro, 1993 Medium: Screenprint on wove paper Dimensions: 55.7 × 48 cm (21 9/10 × 18 9/10 in) Edition of 200 + 25 A.P.: Hand-signed, inscribed ...

Original American Lobby Card of Walt Disney’s Movie „Pinocchio“, USA 1940. Pinocchio gets applause on stage. Keywords: Animation, Comedy, Family, Fantasy, Musical, Cartoon, living Puppet...

Imitation of Life, USA 1959, Director: Douglas Sirk, Cast: John Gavin, Lana Turner. The lobby cards would have been displayed inside the cinemas at the time of the film's release. ...

Original American Lobby Card of Walt Disney’s Movie „Pinocchio“, USA 1940. Title Page Lobby Card of Walt Disney’s All-Cartoon Classic „Pinocchio“. Pure Enjoyment … with no strings at...

Original Lobby Card, The Pom Pom Girls, USA 1976, Director: Joseph Ruben, Cast: Jennifer Ashley, Lisa Reeves, Susan Player, Cheryl Smith, Diane Lee Hart, Crown International Pictures...

Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...