Death as a servant / - Concise congeniality -
Located in Berlin, DE
Alfred Rethel after (1816 Diepenbenden - 1859 Düsseldorf), Death as a servant, around 1920. Color woodcut by Oskar Bangemann after a drawing by Rethel created around 1845 on handmade...
Paper
„Highlander“ Original American Lobby Card of the Movie. USA 1986.
Located in Cologne, DE
Original American Lobby Card of the Movie „Highlander“ USA 1986 Director: Russel Mulcahy, Actors/Stars: Sean Connery, Christopher Lambert Keywords: Film, movie, scene, aka. Highlande...
Color
Jenny Holzer, Top Secret 32 (from Water Boarding Series), Signed Print
By Jenny Holzer
Located in Hamburg, DE
Jenny Holzer (American, b. 1950) Top Secret 32, 2012 Medium: Template reservage technique, on 350 g/qm wove paper Dimensions: 90.5 × 70 cm (35 3/5 × 27 3/5 in) Edition: From the seri...
Handmade Paper, Other Medium
"James Bond 007 - Never say never again" Original Lobby Card, UK 1984
Located in Cologne, DE
Original UK Lobby Card of John Glen´s movie "James Bond 007 - Never say never again", UK 1984. Actors: Sean Connery Keywords: James Bond, 007, a...
Color
"James Bond 007 - Tomorrow never dies" Original Lobby Card, UK 1997
Located in Cologne, DE
Original UK Lobby Card of Roger Spottiswoode´s movie "James Bond 007 - Tomorrow never dies", UK 1997. Bond car Keywords: James Bond, 007, action, Thriller, Great Britain, adventure,...
Color
Planetarische Folklore
By Victor Vasarely
Located in Hamburg, DE
Victor Vasarely (Hungarian-French, 1906–1997) Planetarische Folklore, 1964 Medium: Portfolio of six screenprints, on Schoellershammer card (including title page and black case box) D...
Screen
„The Leopard aka. Gattopardo il“ Original American Lobby Card of the Movie, 1963
Located in Cologne, DE
Original American Lobby Card of the Movie „The Leopard aka. Gattopardo il“ 1963 Director: Luchino Visconti, Actors/Stars: Burt Lancaster, Claudia Cardinale...
Color
Andy Warhol, Für die Grünen - Screenprint from 1980, Pop Art
By Andy Warhol
Located in Hamburg, DE
Andy Warhol (1928-1987) Andy Warhol für die Grünen, 1980 Medium: Screenprint on paper (election poster) Dimensions: 101 x 77 cm Edition size unknown: Not signed, not numbered Publish...
Screen
Philip Guston, Untitled - Limited Edition Plate, Contemporary Art
By Philip Guston
Located in Hamburg, DE
Philip Guston (American, b. 1970) Untitled, 2023 Medium: Porcelain plate (fine bone china) Dimensions: 26.7 cm diameter (10 1/2 in) Edition of 250: Printed signature and edition deta...
Porcelain
Expressionist Portrait, Lithograph, German"Männerkopf, Mongolischer Kopf", 1918
By Max Kaus
Located in Eltville am Rhein, DE
Max Kaus Berlin 1891 - 1977 Male Head (Mongolian Head), 1918 Lithograph Signed in pencil and dated "1918" lower left Dry stamp "DIE SCHAFFENDEN" on the lower left margin From an ed...
Lithograph
Wrapped Reichstag - original Christo modern art lithograph Berlin Reichstag
By Christo
Located in Schierensee, SH
"Wrapped Reichstag" is a 1994 limited-edition offset-lithograph originally signed by Christo in the lower right hand corner. Framing options available. Certificate. Christo (1935 ...
Offset
Peter Doig, Two Students - Signed print, 2008, Contemporary Art
By Peter Doig
Located in Hamburg, DE
Peter Doig (born 1959 in Edinburgh) Two Students, 2008 Medium: Giclée Print on wove paper Dimensions: 73 x 57 cm Edition of 500: Hand-signed and numbered in pencil Condition: Very good
Giclée
George Rickey, Lithograph, Signed and Limited Edition
By George Rickey
Located in Eltville am Rhein, DE
George Rickey South Bend 1907 - 2002 Saint Paul Untitled Lithograph Signed in pencil lower left Limited edition 88/150 Sheet size: approx. 37 x 27.5 cm
Lithograph
$3,530
Zdeněk Sýkora, Untitled (Folgende Folge aus dem Tschechischem): 2 Signed Prints
Located in Hamburg, DE
Zdeněk Sýkora (Czech, 1920–2011) Untitled (from Folgende Folge aus dem Tschechischem), 1969 Medium: 2 screenprints on paper (incl. catalogue) Dimensions: 12 2/5 × 8 3/10 in (31.4 × 2...
Screen
John Baldessari, Zorro (Two Gestures and One Mark) - Hand-Signed Print
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020) Zorro (Two Gestures and One Mark), 1998 Medium: Offset lithograph and screenprint on Arches paper, and flip book Dimensions: 25.4 x 20.3 cm (10 ...
Paper, Offset, Screen
Gerhard Richter, Motorboot - Limited Edition Print, Contemporary Art
By Gerhard Richter
Located in Hamburg, DE
Gerhard Richter Motorboot, 1965/2022 Medium: Hybrid raster dissolved digital art print on Rives 260 gsm paper Dimensions: 27 3/5 × 27 3/5 in 70 × 70 cm Edition of 500: Hand-numbered...
Paper, Digital
Joseph Beuys, FIU Joseph Beuys, 7000 Eichen - Signed Screenprint from 1982
By Joseph Beuys
Located in Hamburg, DE
Joseph Beuys (German, 1921-1986) FIU Joseph Beuys, 7000 Eichen, 1982 Medium: Screenprint on black card stock Dimensions: 61.5 x 45.8 cm Edition of 100: Hand-signed in silver Conditio...
Screen
Elizabeth Peyton, Angel
By Elizabeth Peyton
Located in Hamburg, DE
Elizabeth Peyton (American, b. 1965) Ang (Angel), 2024 Medium: Etching on Twinrocker paper Dimensions: 26.7 x 21.6 cm (10 1/2 x 8 1/2 in) Edition of 50: Hand-signed and numbered Cond...
Etching
Jacques Villon, Renée au Canapé, 1907, drypoint etching, signed limited
By Jacques Villon
Located in Eltville am Rhein, DE
Jacques Villon 1875 Damville - 1963 Puteaux Renée aux Canapé Drypoint etching Signed in pencil lower right Limited edition 8/50 in pencil lower left With the dry stamp of the publish...
Etching
Günther Förg, Untitled (Portfolio Pi) - Signed Woodcut Print, Abstract Art
By Günther Förg
Located in Hamburg, DE
Günther Förg (German, 1952-2013) Untitled (from Portfolio Pi), 1995 Medium: Woodcut on wove paper Dimensions: 80 x 60 cm Edition of 98: Hand-signed and numbered Condition: Excellent ...
Woodcut
Christo, Lower Manhattan Packed Buildings (Monuments) - Signed Print
By Christo
Located in Hamburg, DE
Christo (American-Bulgarian, b. 1935) Lower Manhattan Packed Buildings (2 Broadway and 20 Exchange Place, from Monuments), 1968 Medium: Offset and screen print on Bristol board Dimen...
Offset, Screen
Joseph Beuys, Order
By Joseph Beuys
Located in Hamburg, DE
Joseph Beuys (German, 1921-1986) Order, 1973 Medium: Order card, stamped Sheet dimensions: 15 x 10.5 cm Frame dimensions: 25.5 x 21.1 x 3 cm Edition of 120: Hand-signed and numbered ...
Offset
Graphic portfolio for E. T. A. Hoffmann ‘Miss of Scuderi’, 2003
Located in Berlin, DE
Rainer Ehrt (*1960 Elbingerode), Graphic portfolio for E. T. A. Hoffmann ‘Miss of Scuderi’, 2003. Seven color aquatint etchings, 53 cm x 38 cm in linen folder, each signed in lead lo...
Paper
L'arque rouge - abstract, modern work by Antoni Tàpies Informel art
By Antoni Tàpies
Located in Schierensee, SH
"L'arque rouge" (red arc) is an original lithograph with aquatint an iconoclastic work by renown Spanish Informel artist Antoni Tàpies. It is an originally signed and numbered etchi...
Aquatint, Lithograph
$6,236
"Amanda"by Maurice Estève, Abstract Art, Warm, Colorful, Biomorphic Forms, Paris
By Maurice Estève
Located in Köln, DE
"Amanda" is a typical motif by French artist Maurice Estève. The lithograph in colours was published in an edition of 100. 54,3 x 74,5 cm. Signed and numbered.
Lithograph
Sigmar Polke, Näherin - Limited Edition, German Pop Art, Original Print
By Sigmar Polke
Located in Hamburg, DE
Sigmar Polke Näherin, 1967 Medium: Offset lithograph on card stock Dimensions: 9 3/10 × 9 3/10 in 23.5 × 23.5 cm Edition of 500: Not signed (as issued) Condition: Excellent
Offset
Barbara Kruger, I Shop Therefore I Am - Editioned Multiple from 1990
By Barbara Kruger
Located in Hamburg, DE
Barbara Kruger (1945, American) I Shop Therefore I Am, 1990 Medium: Photolithograph on paper shopping bag Edition size: 9000 Dimensions: 17 5/16 x 10 3/4 in (43.9 x 27.3 cm) Publishe...
Lithograph
Tracey Emin, Out Cold
By Tracey Emin
Located in Hamburg, DE
Tracey Emin (British, born 1963) Out Cold, 2014 Medium: Polymer gravure etching on chine collé on wove paper Dimensions: 37.3 x 43 cm (14 3/4 x 17 in) Edition of 100: Hand-signed...
Etching
Evening - The depth of the visible -
Located in Berlin, DE
Max Clarenbach (1880 Neuss - Cologne 1952), Evening. Etching, 18 x 41 cm (platemark), 33.5 x 57 cm (frame), inscribed "Abend" in pencil at lower left, signed and dated "M. Clarenbach. 28.III.[19]09". Framed and mounted under glass. - Somewhat browned and slightly foxed. About the artwork The horizontally elongated etching depicts the panoramic view of a small town as seen from the other side of the river. There are gabled houses on the left and a mighty church spire on the right. The bourgeois houses and the large religious building indicate the urban character. These buildings are rendered in dark tones to emphasise the lighter row of houses in the centre of the picture, closer to the water. The chiaroscuro contrast creates two parallel planes that open up a space for the imagination of what the city could be. The imagination is stimulated by the almost entirely dark, barely recognisable buildings, while the arm of the river leading into the city further stimulates the imagination. However, as the silhouette of the city as a whole is reflected in the water, the parallel planes are perceived as a band of houses that stretches across the entire horizontality of the etching and seems to continue beyond the borders of the picture. The reflection has almost the same intensity as the houses themselves, so that the band of buildings merges with their reflection to form the dominant formal unit of the picture. Only the parallel horizontal hatching creates the convincing impression of seeing water, demonstrating Max Clarenbach's mastery of the etching needle. The water is completely motionless, the reflection unclouded by the slightest movement of the waves, creating a symmetry within the formal unity of the cityscape and its reflection that goes beyond the motif of a mere cityscape. A pictorial order is established that integrates everything in the picture and has a metaphysical character as a structure of order that transcends the individual things. This pictorial order is not only relevant in the pictorial world, but the picture itself reveals the order of the reality it depicts. Revealing the metaphysical order of reality in the structures of its visibility is what drives Clarenbach as an artist and motivates him to return to the same circle of motifs. The symmetry described is at the same time inherent an asymmetry that is a reflection on art: While the real cityscape is cut off at the top of the picture, two chimneys and above all the church tower are not visible, the reflection illustrates reality in its entirety. The reflection occupies a much larger space in the picture than reality itself. Since antiquity, art has been understood primarily as a reflection of reality, but here Clarenbach makes it clear that art is not a mere appearance, which can at best be a reflection of reality, but that art has the potential to reveal reality itself. The revealed structure of order is by no means purely formalistic; it appears at the same time as the mood of the landscape. The picture is filled with an almost sacred silence. Nothing in the picture evokes a sound, and there is complete stillness. There are no people in Clarenbach's landscape paintings to bring action into the picture. Not even we ourselves are assigned a viewing position in the picture, so that we do not become thematic subjects of action. Clarenbach also refrains from depicting technical achievements. The absence of man and technology creates an atmosphere of timelessness. Even if the specific date proves that Clarenbach is depicting something that happened before his eyes, without the date we would not be able to say which decade, or even which century, we are in. The motionless stillness, then, does not result in time being frozen in the picture, but rather in a timeless eternity that is nevertheless, as the title "Abend" (evening), added by Clarenbach himself, makes clear, a phenomenon of transition. The landscape of the stalls is about to be completely plunged into darkness, the buildings behind it only faintly discernible. The slightly darkened state of the sheet is in keeping with this transitional quality, which also lends the scene a sepia quality that underlines its timelessness. And yet the depiction is tied to a very specific time. Clarenbach dates the picture to the evening of 28 March 1909, which does not refer to the making of the etching, but to the capture of the landscape's essence in the landscape itself. If the real landscape is thus in a state of transition, and therefore something ephemeral, art reveals its true nature in that reality, subject to the flow of phenomena, is transferred to an eternal moment, subject to a supra-temporal structure of order - revealed by art. Despite this supratemporality, the picture also shows the harbingers of night as the coming darkening of the world, which gives the picture a deeply melancholy quality, enhanced by the browning of the leaf. It is the philosophical content and the lyrical-melancholic effect of the graphic that give it its enchanting power. Once we are immersed in the image, it literally takes a jerk to disengage from it. This etching, so characteristic of Max Clarenbach's art, is - not least because of its dimensions - a major work in his graphic oeuvre. About the artist Born into poverty and orphaned at an early age, the artistically gifted young Max Clarenbach was discovered by Andreas Achenbach and admitted to the Düsseldorf Art Academy at the age of 13. "Completely penniless, I worked for an uncle in a cardboard factory in the evenings to pay for my studies.” - Max Clarenbach At the academy he studied under Arthur Kampf, among others, and in 1897 was accepted into Eugen Dücker...
Etching
Karl Schmidt-Rottluff Haus mit Pappeln 1913 Woodcut German Expressionism
Located in Eltville am Rhein, DE
Karl Schmidt-Rottluff 1884 Rottluff - 1976 Berlin Haus mit Pappeln, 1913 Woodcut on firm brownish paper Signed in pencil lower right Image: 23.5 x 24.7 cm Frame: 51 x 61 cm Publishe...
Woodcut
Markus Prachensky, Red on Black 1968 silkscreen print, signed, limited
By Markus Prachensky
Located in Eltville am Rhein, DE
Markus Prachensky Innsbruck 1932 – 2011 Vienna Red on Black, 1968 Color screen print Hand-signed in pencil in the upper right corner Limited edition 40/100, marked in pencil in ...
Screen
$1,059
Georg Baselitz, Signed Exhibition Poster, Holzschnitte, Kunsthalle in Emden
By Georg Baselitz
Located in Hamburg, DE
An exceptionally rare original poster from Georg Baselitz’s 1994 exhibition, “Holzschnitte 1966–1991,” held at Kunsthalle in Emden (Germany). The exhibition ran from October 1 to Nov...
Felt Pen, Offset
Joan Miro, Colour lithograph, Composition 1973
Located in Eltville am Rhein, DE
Joan Miró Barcelona 1893 – 1983 Mallorca Composition, 1973 Colour lithograph with central fold Dimensions: 38 x 56 cm Mount: 50 x 68 cm Maeght Éditeur, Paris Printed by Arte Adrien...
Lithograph
$5,295
John Baldessari, Two Assemblages (with R, O, Y, G, B, V Opaque) - Signed Print
By John Baldessari
Located in Hamburg, DE
John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Opaque), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50: Han...
Lithograph, Screen
The Hut / - The head of the hat -
By Reiner Schwarz
Located in Berlin, DE
Reiner Schwarz (*1940 Hirschberg), The Hut, 1967. Lithograph, 32.5 cm x 32.5 (depiction), 59 cm x 42 cm (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[19]67”...
Paper
Blessed are the peacemakers / - Dehumanization -
By Rudolf Nehmer
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), Blessed are the peacemakers, 1948. Woodcut on yellowish wove paper, 18 cm x 15.5 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[...
Woodcut
The Zero Hour / - After the End of the World -
By Rudolf Nehmer
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Zero Hour, 1948. Woodcut on yellowish wove paper, 20 cm x 14.8 cm (image), 43 cm x 30 cm (sheet size), signed “Rud.[olf] Nehmer” i...
Woodcut
The Reconciliation / - Togetherness -
By Rudolf Nehmer
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Reconciliation, 1948. Woodcut on yellowish wove paper, 20 cm x 15 cm (image), 45 cm x 30 cm (sheet size), signed “Rud.[olf] Nehmer...
Woodcut
Andy Warhol - Original Exhibition Poster from 1980, Das Sofortbild, Pop Art
By Andy Warhol
Located in Hamburg, DE
Original poster for "Das Sofortbild", an exhibition about the discovery of photography as an artistic medium. The show took place at Frankfurter Kunstverein in 1980.
Offset
Self / - Inversion -
Located in Berlin, DE
Kurt Mühlenhaupt (1921 Klein Ziescht - 2006 Berlin), Myself, c. 1975. Woodcut, 32 cm x 29 cm (image), 36.5 cm x 32.5 cm (sheet size), signed in pencil lower right and titled “Selbst....
Paper
Lithograph Derrière le Miroir no. 203 I / - The Battlefield of the Imagination -
By Joan Miró
Located in Berlin, DE
Joan Miro (1893-1983), Color lithograph for Derrière le Miroir No. 203 II, 1973 Joan Miro (1893 Barcelona - 1983 Palma), Color lithograph for Derrière le Miroir No. 203, 1973. Printe...
Paper
$6,589
Mike Kelley and Tony Oursler, Poetics Country - Screenprint on Road Sign, Signed
By Mike Kelley
Located in Hamburg, DE
Poetics Country, a collaborative work by Mike Kelley and Tony Oursler, was published on the occasion of Documenta X in 1997. Mike Kelley (1954-2012) and Tony Oursler (b. 1957) Poeti...
Enamel
$1,176
Allan D'Arcangelo, Untitled - Screenprint from 1969, Abstract Art, Pop Art
Located in Hamburg, DE
Allan D'Arcangelo (American, 1930-1998) Untitled, 1969 Medium: Screenprint on paper Dimensions: 35.6 x 29.9 cm Outside the edition of 125: Not signed, not numbered
Screen
S. Anton Patenkirchen / - The Home of the Landscape -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), S. Anton Patenkirchen, 1895. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr....
Paper
Muse / - In the realm of the muses -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), Muse, 1893. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 174’, 43.5 cm x ...
Paper
Southern German summer landscape / - The profile of the landscape -
Located in Berlin, DE
Hans Thoma (1839 Bernau - 1924 Karlsruhe), Southern German summer landscape, around 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisc...
Paper
Six variations on a circular theme / - The Musical Proportions of the Circle -
Located in Berlin, DE
Hans Rudolf Bosshard (*1929 Balm-Lottstetten), Six variations on a circular theme, 1967. Portfolio with inserted cover sheet and six color woodcuts on thin Japanese paper. Copy no. 6...
Paper
$8,119
Georg Baselitz, Grüner Hase - Original Woodcut, Signed Print, Contemporary Art
By Georg Baselitz
Located in Hamburg, DE
Georg Baselitz (German, b. 1938) Grüner Hase, 1989 Medium: Woodcut in colors, on wove paper Dimensions: 86 x 61.2 cm (33.85 x 24 in) Edition of 15: Hand-signed and numbered
Woodcut
Anni Albers, ST - Original Screen Print from 1971, Geometric Abstraction
By Anni Albers
Located in Hamburg, DE
Anni Albers (1899-1994) ST, 1971 Medium: Screenprint on cardboard Dimensions: 83 × 62 cm (32 7/10 × 24 2/5 in) Edition: Hand-signed and numbered in pencil Condition: Very good
Screen
Günther Uecker, Print from Nagelbuch
By Günther Uecker
Located in Hamburg, DE
Günther Uecker (German, born 1930) Untitled (from Nagelbuch Portfolio), 1970-1971 Medium: Offset print on paper Dimensions: 34.6 x 34.5 cm Edition of 500: Hand-signed in pencil Condi...
Offset
Rupprecht Geiger, Leuchtrot Warm - Schwarz: Signed Screenprint
By Rupprecht Geiger
Located in Hamburg, DE
Rupprecht Geiger (German, 1908-2009) Leuchtrot Warm - Schwarz, 1965 Medium: Screenprint on wove paper Dimensions: 59 x 42.5 cm (23.2 × 16.7 in) Edition of 24: Hand-signed and numbere...
Screen
The tilt of the day / - Suffering and Love -
By Rudolf Nehmer
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The tilt of the day, 1948. Woodcut on yellowish wove paper, 14.3 cm x 15 cm (image), 43 cm x 30 cm (sheet size), signed “Rud.[olf] Neh...
Woodcut
Blessed are the merciful / - The support of care -
By Rudolf Nehmer
Located in Berlin, DE
Nehmer, Rudolf (1912-1983), Blessed are the merciful, 1948 Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), Blessed are the merciful, 1948. Woodcut on yellowish wove paper, 18.8 cm x ...
Woodcut
The Fieldman and Death / - Sowing and Harvest -
By Rudolf Nehmer
Located in Berlin, DE
Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Fieldman and Death, around 1948. Woodcut on yellowish wove paper, 16.8 cm x 15.8 cm (depiction), 42 cm x 30 cm (sheet size), signe...
Woodcut
$4,706
Joseph Beuys, Initiation Gauloise - 1976, Conceptual Art, Fluxus, Signed Print
By Joseph Beuys
Located in Hamburg, DE
Joseph Beuys (German, 1921-1986) Initiation Gauloise, 1976 Medium: Lithograph in colors on card stock Dimensions: 55.3 x 75.7 cm (21 3/4 x 29 13/16 in) Edition of 185 + 15 unnumbered...
Lithograph
JR, 28 Millimeters, Portrait of a Generation, Signed Lithograph
By JR (aka Jean René)
Located in Hamburg, DE
JR (French, b. 1983) 28 Millimeters, Portrait of a Generation, 2025 Medium: Lithograph on wove paper Dimensions: 70 x 100 cm (27.5 x 39.3 in) Edition of 180: Hand-signed and numbered...
Lithograph
JR, Trompe l’Oeil, Death Valley, Billboard - Signed Print, Street Art, Urban Art
By JR (aka Jean René)
Located in Hamburg, DE
JR (French, born 1983) Trompe l’Oeil, Death Valley, Billboard, March 4, 2017, 2021 Medium: Lithograph in colors, on BFK Rives Dimensions: 50 x 85 cm (19.7 x 33.5 in) Edition of 180: ...
Lithograph
Chief John Winston Ono Lennon! / - Chief of the Pop -
Located in Berlin, DE
Fred Tiger (*1976), Chief John Winston Ono Lennon!, 2020. Hand-finished canvas print, 60 cm (height) x 40 cm (width), signed “Fred Tiger” lower right and dated “2020”, on the reverse...
Canvas
Colors / - The Pictures of Concepts -
Located in Berlin, DE
Heinz Gappmayr (1925 Innsbruck - 2010 ibid), Colors, 1993. Linen box with ten aquatint etchings on handmade paper and two text sheets. Published by Dorothea van der Koelen, Mainz. Co...
Paper
Georg Baselitz, Signed Exhibition Poster, Die Russenbilder, 2007
By Georg Baselitz
Located in Hamburg, DE
An exceptionally rare original poster from Georg Baselitz’s 2007-2008 exhibition, “Die Russenbilder,” held at Deichtorhallen Hamburg in Germany. The exhibition ran from November 11 i...
Felt Pen, Offset
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