Art by Medium: Stone

A very fine museum quality Italian 19th-20th century life-size marble sculpture titled "Searching for Love" by Vito Pardo (Italian, born in Venice in 1872) Depicting a semi-nude life...

On offer is a 19th-century Italian Orientalist alabaster bust of a woman with a serene, downcast gaze, a coin necklace, fringed headscarf, and carved roses at the base. Likely modele...

Bold rectangles in vivid blue float on a ground of dove grey and black in this elegant painting by Ivo Stoyanov. Stoyanov's paintings have a fresco-like quality, the taut surface of ...

Pear with a leaf. Artist signed, patinated bronze, on black marble base 8"x8" Randi Grantham was born and raised in Las Vegas, Nevada and now lives in South Florida. He is a self ta...

The Mezcala culture refers to an ancient Mesoamerican civilization based in the southern Mexican state of Guerrero, particularly within the upper Balsas River region. Though not well...

Gorgeous Sculpture “Woman blowing bubbles”, Bronze and marble, Art Nouveau, 1920 – Germany Refined antique solid bronze sculpture depicting a woman blowing bubbles. This piece is of...

Energy, focus, and elevation are captured in this striking Basketball Player figurine, depicting an athlete at the decisive moment of shooting the ball into the hoop. The upward moti...

A 1:28 scale reproduction of the original statue in Piazza Affari in Milan, L.O.V.E. stands for Libertà, Odio, Vendetta, Eternità and is an anti-fascist statement. Maurizio Cattelan L.O.V. E. White 2014 Concrete sculpture 40 × 18 × 18 cm (15.7 × 7.1 × 7.1 in) Stamped by artist's estate Edition of 200 In mint condition With original packaging and accompanied by a certificate of authenticity The statue, which bears the title of L.O.V.E., stands for Libertà, Odio, Vendetta, Eternità (Freedom, Hate, Vengeance, Eternity),was created in 2010 to stay in Piazza Affari (business district) in Milan. The artist himself states that the statue is an anti-fascist statement, transforming Italy’s Fascist hand salute from the 1930s by cutting off the fingers and mutilating the hand. The fingers, except the medium one, are not flexed but cut off. Nevertheless the impression is an unambiguous “fuck you” to the world of bankers and CEOs.This edition, 1:28 scale reproductions of the original statue, was released by Seletti in May 2014 and is made of concrete painted white. “My ideas are all the same but look different.„ —Maurizio Cattelan ABOUT THE ARTIST Born in Padua, Italy, in 1960, Cattelan has no formal training and considers himself an “art worker” rather than an artist. He has said that in addition to reading art...

This monumental pair of sculptures in "Bardiglio" marble represent Greek Athletes figure , on a cylindrical base . Exaltation of the male strength and beauty, inspired by the trend i...

Finely carved mythological subject in Vicenza limestone of Hercules in excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: ...

Artist: Kuno Vollet Title: Brass Gingko with 5 leaves art sculpture Materials: Bronze, black granite base Polished bronze to gold adds highlights to the leaves. Art Deco Mid-centu...

“I went to my reserve and found this painting started 20 years ago, at the time when I was making still lifes... And, suddenly, she spoke to me, I modified some colors, rebalanced th...

"The Rape of the Sabine Women," veined alabaster, large sculptural group with classical subject, Volterra manufacture, 18th century. The so-called Rape of the Sabine Women is a scu...

"Penguin" - Steatite Stone Hand Carved Sculpture, St. Lawrence Island Eskimo Art Dynamic steatite stone sculpture of a standing penguin. The sculpture prop...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Freedom is a unique Alabaster and rope sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 × 21.5 × 17.5 cm (9.1 × 8.5 × 6.9 in). The sculpture comes with a certi...

Signed: A. Carrier-Belluese Two large bronze matching busts of an unknown male and female 22 x 10 x 11" male 23 x 10 x 9" female Both show signs of wear with their age but are in fa...

"Our Love" by Denny Haskew Figurative Female Nude 23x10x10" Bronze with Gold Leaf, Limited Edition of 21 (#2 available) Sandstone base included "Love isn't something you find. Love...

A beautiful rendition of a seated female nude in polished and chiseled marble. Signed and dated 1981 on the back. Stone, wood and ceramics sculptor Lorrie Goulet, who also makes draw...

"Cinnabar" is an original sculpture by Dennis Robert. It is signed at the base. Copper pieces burst out from a piece of store, the style reminiscent of natural forms. 11" x 5" x 3" "Observing the natural landscape around me, I’m inspired by the unique patterns and distinctive shapes from plants, animals as well as the colors and textures of rocks. The seeming permanence of metal and stone used as compositional elements captures the essence of what I see, and I translate those elements and designs into sculptures. It starts with the stone. I use sandstone...

Marble sculpture in the round depicting St. Sebastian, Tuscan workshop, 18th century. The sculpture is taken from the fifteenth-century prototype by Benedetto da Maiano (Florence, 1...

Untitled 87 Warren Wolf, American (1924–2003) Date: 1999 Oil and Marble Dust on Shaped Wood Size: 19 x 40 x 4 in. (48.26 x 101.6 x 10.16 cm)

Cast concrete, paint and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Kosso Eloul (1920-1995) is one of our favorite sculptors and an important contributor to public art in Toronto. In addition to the numerous public sculptures in Toronto by Eloul, his works can be found in many other prominent open spaces around the world, from California to Israel. Most familiar with Eloul associate his work with his signature forms; large brushed aluminum (or steel) angled rectangles. However his earlier work was realized in stone. This fine sculpture, a form that is revisited and eventually created in metal, is made of Jerusalem Stone...

Large Vintage Chinese Jadeite Sculpture, Mountains Scene, 1960s Stunning Jade sculpture dimension's 28w x15.5h x 9.5d presented on wooden base 30.5w x 24h x 11d. Vintage after 1960's...

Wonderful small scale abstract figurative stone Venus sculpture by Doris Ann Warner (American, 1925-2010), 1975. A highly abstracted female form is expressed through the organic, fl...

A pair of planters in the shape of beautiful swans, made of concrete, from the first quarter of the 20th century. The pieces exhibit a beautiful patina typical of the period and thei...

Sculpture from the Ballet series. The series is dedicated to classical ballet and includes over 30 sculptures. This sculpture depicts a dancer tying p...

Emile Jespers (1862 Deurne - 1918 Antwerp), Scherzo, circa 1890. Marble bust on marble base with title plaque, 42.5 cm (total height) x 28 cm (width) x 18 cm (depth), signed “E.[mile...

Power of nature II is a unique Statuario marble sculpture sculpture by contemporary artist Francesca Bernardini. The dimensions (including the ordinary marble base) are 41 × 52 × 52 ...

Alia Mihi Mens Est Bronze Sculpture Contemporary Nude Boy Marble Stone This sculpture need to be ordered. We will cast a brand new one for you. The edition is 4 pieces. The next scu...

Gallulus Bronze Sculpture Nude Boy Male Figure Green Patina Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profess...

Architectural female bust sculpture exploring anthropotecture through cement, figurative portraiture and collectible sculptural design. LarA 001 is part of José Perozo’s ongoing Lar...

Aquarius Contemporary Bronze Sculpture Nude Male Figure Boy Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high s...

"Susanna surprised at her bath" by Giovanni Battista LOMBARDI (1822-1880) Sculpture made in white Carrara marble Signed and dated "GB. Lombardi, Roma 1873" Italy 1873 height 91 cm...

After James Pradier 1792–1852 French The Night White marble on a grey marble socle Drifting in a dreamlike ascent, this exquisite allegorical sculpture, The Night, pays tribute t...

This architectural painted cement head sculpture introduces a layered chromatic vocabulary into the Proyectos subseries. In Project 20, the head is wrapped...

Carpi, mid-17th century, scagliola panel. The panel, in black and white two-tone, features insertions of polychrome marbled elements and a central scene depicting St. Michael defeat...

This is a mid 20th century mod abstract large bronze sculpture by Wolfgang Behl (German/American, 1918-1994). The sculptural group titled "The Family" features a mother and father with two children. Numbered 20/20. Signed. 21" H x 10 1/4" x 10 1/4 Wolfgang (Johann Wolfgang) Behl (1918 - 1994) was active/lived in Connecticut, Illinois / Germany. Known for Sculpture and as an architectural carver. A carver,designer, and teacher, Wolfgang Behl was born in Berlin, Germany where he studied at the Berlin Academy of Fine Arts. His teacher was otto Hitzberger, sculptor and architecture carver. I have seen some his work, particularly in carved wood compared to Constantin Brancusi although this one seems way more reminiscent of Alberto Giacometti. In 1939, Behl came to the United States and taught briefly in Pennsylvania at the Perkiomen School and in Rhode Island at the Rhode Island School of Design. There in 1943, he won the Joseph N. Eisendrath prize for sculpture. He also became a friend of Louis Mayer, sculptor from Milwaukee. In 1944, Behl took a job as Art Director at the Lake Forest Academy in Lake Forest, Illinois, and he also began a one-year teaching assignment at the Layton School of Art in Milwaukee. The last years of his life until his death were in Hartford, Connecticut. Source: Peter C. Merrill, "German-Immigrant Artists in Early Milwaukee" Originally from Berlin, Germany, Mr. Behl immigrated to the United States in 1939 and became a citizen in 1947. He studied with Waldemar Raemisch at the Academy of Fine Arts in Berlin, and later at the Rhode Island School of Design. He began teaching at the Hartford Art School in 1955, retiring in 1983 to devote his time to sculpting. Mr. Behl had exhibitions throughout the United States and Germany. Some of his solo exhibitions include the Arts Exclusive in Simsbury from 1976 to 1981, and the Bertha Schaefer Gallery in New York City from 1950 to 1973. He showed at the New Britain Museum of American Art, in New Britain, Connecticut in 1969. He also had several retrospectives, including one at the Greater Hartford Jewish Community Center in West Hartford until the end of this month. His works in bronze have a German Expressionist quality to them a pathos found in the works of Kathe Kollwitz and the Expressionist movement. He was known for his classically inspired, but often surrealist sculpture. Among his most-well known pieces are a series of sculptures done for the University of Connecticut Health Center. Several examples of Behl’s work are found on the campus of the University of Hartford. He was included in the show Monumentality in Modern Sculpture at the Contemporary Arts Museum Houston, Texas, 1957. Artists featured in the exhibition: Kenneth Armitage, Hans Arp, Ernst Barlach, Wolfgang Behl, Dorothy Dehner, Edgar Degas, José de Rivera, Max Ernst, Alberto Giacometti, Joseph Glasco, Julio González, Paul Granlund...

Standout vintage obelisk crafted in brass and rouge marble in a modern stylized form on ball feet. Signed Maitland-Smith on the bottom.

This 19th-century French patinated bronze, after François-Joseph Bosio, depicts a young King Henry IV in detailed Renaissance attire. Standing 31 cm tall (37.5 cm with its rouge marb...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision...

Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an abstract pretzel like twist. Affixed to white stone plinth. Artist signature, "NK" side of base. Good condition, shows rich green patina and aged oxidation. Measures approximately 17.5 in. x 19.5 in. x 6.5 in. Naum Knop, Argentine sculptor, was born in 1917 in Buenos Aires, into a Jewish family of Russian origin from Ukraine. His childhood was spent in the neighborhood of La Paternal where his father had a carpentry workshop, a space in which he made contact for the first time with the technique of wood carving. After finishing elementary school, he worked with the teacher Luis Fernández and soon after he dedicated himself to furniture design. Around 1935, he entered the Manuel Belgrano School of Fine Arts . Between 1941 and 1942 he attended the course for graduates taught by Alberto Lagos and Alfredo Bigatti at the National School of Fine Arts and continued his training between 1942-1945 at the Ernesto de la Cárcova High School with Soto Avedaño, Carlos de la Cárcova and José Fioravanti. At this time he put his works in dialogue with other young artists such as Libero Badii and Aurelio Macchi . Around 1947 he made his study trip abroad. He goes to California, United States, where he enters the Art Institute of Los Angeles. At the same time visit museums and galleries. In January 1948 he organized his first exhibition abroad, held at the Hall of Arts in Beverly Hills in Los Angeles. During this period he toured Chicago and then New York. That year he traveled to Europe; his itinerary includes France, Italy, Switzerland and England. As a result, he came into contact with the work of Henry Moore, Hans Jean Arp, Jacques Lipchitz, Constantin Brancusi, Umberto Boccioni, Henry Laurens, Ossip Zadkine. Artists who have an impact on the young Knop and whom he honors in his subsequent production. He returned to Argentina in 1949 and installed his workshop where he worked on ornamental carving and on pieces in which he oscillated between a synthetic figuration and abstraction. In 1956 he began his successful participation in salons , obtaining numerous awards at the national and municipal level. In 1959 he participated in the shipment to the 5th São Paulo Biennial and since then, to the success achieved at the local level, the multiple exhibitions carried out in the international field have been added. The exhibitions in Tel Aviv , Jerusalem and Rome (1966) stand out; Dusseldorf (1977); Los Angeles and Palm Spring (1981); New York (1986), San Pablo and Los Angeles(1989). During this period, his work matured, while he began to experiment with the direct wax technique, obtaining textured surfaces similar to welds that gave it a strong abstract expressionist feature. In parallel to his personal production and to the small models, the artist receives private and public commissions for which he works on large-scale sculptures and murals. Around 1967, the architect Mario R. Álvarez summons him to participate in a closed competition for the creation of a work to be located in the General San Martín Cultural Center . Libero Badii and Enio Iommi participate with the artist ; the bronze Reclining Figure Knop is chosen. Among the large-scale monuments it is worth remembering the piece Los tres soles temporarily located in Recoleta in 1984 and later installed in Maryland, United States; as well as Seated Figure (Reminiscence of Michelangelo) located in the shield of a private building in 1970. To these are added the numerous murals in which he experiments with various materials and techniques such as casting in bronze, openwork and reliefs in wood and work in cement. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop, Aldo Paparella, Enrique Romano, Eduardo Sabelli, and Luis Alberto...

Very occasionally a painting invites deep study; nothing exists within it without reason, each form has purpose, every shade has nuance, every line has meaning. Berlin has presented...

Masatoyo Kishi (Japanese‑American, 1924 - 2017) was an artist whose career bridged East and West, combining his early studies in physics and mathematics with a long‑standing commitme...

"LarA 004" is an original sculpture from the LarA series by Spanish artist José Perozo, completed in 2024. Measuring 21 x 29 x 17 cm, this artwork merges the female figure with archi...

Intrigued by the stature and carriage of a particular figure, MacDonald pursued Angelic Crystal, the study of a ballerina in the studio. Inspired by a continuing appreciation of danc...

"At Eagle's Glance" by Denny Haskew Figurative Native American subject matter. 15x11x17" ed/30, bronze with sandstone base, signed and numbered 4. Depicts two men performing a cerem...

Box of Strings Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Boaz Vaadia Zofar, 1997 Bronze, bluestone, and boulder Overall 20 x 29 x 27 inches From the edition of 7 Provenance Elaine Baker Gallery, Boca Raton, Florida Boaz Vaadia is the in...

bronze and granite Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most bas...

All the battles, the bloodshed for so many reasons.

JD805 Jadeite Jade Foo Lion Carving with Custom Stand. A finely executed jadeite jade sculpture depicting a traditional Chinese Foo Lion (Guardian Lion) captured in a dynamic and pl...

"Musidora" by Odoardo FANTACCHIOTTI (1809-1877) Sculpture made in white Carrara marble signed on the side on the base " O. Fantacchiotti " Italy around 1862 height 110 cm diameter ...

Named "Prince d'Égypte", this sculpture was created by artist Lutfi Romhein using locally sourced stone from Aveyron, France. Dimensions & Weight : This artwork has a total height o...

Tokyo Yamagata Japon (after) Marc Chagall Marc Chagall was a Belarusian-French artist known for his dreamlike, poetic paintings that blended folk traditions, religious themes, and e...

Cambre 7-21 Slate and Bronze 21.5 x 13.5 x 4.5 Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a m...

Substantial, hand carved, solid marble bust of Roman Emperor Vitellius (24-69 C.E.) on a custom, iron base. Likely a 16th century copy of a 2nd century o...

Marmi 2 - Marble Sculpture, Irish Green Marble, 2025, Signed 24x16" (60x40cm) MARMI by Andrea Gallotti. In the MARBLE series, Andrea Gallotti extends his long-standing exploration ...

Abstract Form is a mid-century modern sculpture by Dutch artist Leo De Beer, exemplifying his commitment to uncovering form from within. Rendered in a styl...