19th Century More Art

Original title: La ville morte. Tragédie moderne en cinq actes. Représentée pour la première fois au Théatre de la Renaissance le 21 janvier 1898. Specimen number 1 of 50 numbered copies printed on Holland paper. La città morta is one of the first tragedies written by Gabriele D'Annunzio, performed for the first time at the Renaissance Theater (Paris) on January 21, 1898 by Sarah Bernhardt. On Italian stages it was performed by the superb Eleonora Duse...

SALE ONE WEEK ONLY "The Rev. and Mrs. E. H. Cumpston" a silhouette cut by August Edouart is in very good condition and cut by the artist sometime between 1839 - 1849. On the lower f...

Real Life in London is an original couple of books written by William Combe (25 March 1742 – 19 June 1823) and illustrated by Thomas Rowlandson (13 July 1757 – 21 April 1827) in 1821...

Charming hand drawn ink and watercolor map of the Forest of Andely, in the Normandy area, France, circa 1890. Original artwork on paper displayed on...

Tout ce qu'on Voudra Album II is an original modern rare book engraved by Honoré Daumier (Marseille, 1808 -1879, Valmondois) in 1850. Published in Paris. Original Edition. Format...

**NEW YEAR FINAL 90 DAYS SALE UNTIL MARCH 31ST** **STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** **EVERYTHING MUST GO UNTIL APRIL1ST!** CELEBRATING M...

Edition original illustrated by J.J. Grandville. Half leather hardback. Golden letters and decorations spine. Very light foxing on few pages. Language: french. Very good conditions.

Very fine late 19th Century depiction of grape cluster pyrography (wood burning), C. 1900, double-sided. Perfect gift for wine enthusiast. Unsigned. Primitive still life on verso. Un...

Very Rare Vesuvius lava stone writing set. Torre del Greco (Naples). 19th century. 4 objects with small sculptures (cameos) depicting the poet Petrarch, mythological female figures, ...

Nineteenth Century Victorian Dutch Marine Oil Painting on Canvas of Boats and Fisherfolk off the Coast at Rotterdam. This is a superb luminous shimmering Oil on Canvas on stretchers which is framed in a period gold frame. This work is by the Listed and World Renowned Marine Painter James Webb...

Victorian Romantic Landscape Mountain View a Framed Oil Painting on Canvas by Frank Hider, famous for his romantic landscapes with fanciful names, see below. Nevertheless he capture...

Un Autre Monde is an original modern rare book written by Taxile Delord (Avignon, 1815 - Paris, 1877) and illustrated by Jean Jeacques Grandville...

Peter Schlemihl’s Wundersame Geschichte is an original modern rare book written by Adelbert von Chamisso (Châlons-en-Champagne,1781 – Berlin, 1838) and illustrated by George Cruikshank (London, 1792 - London, 1878) in 1827. Published by Leonhard Schrag, Nürnberg. Original First Edition. Format: in 12°. The book includes 213 pages with Six full page Etchings and one Frontispiece. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Victorian Maritime Oil Painting of HMS Ganges anchored off Falmouth with Sailors alighting and on deck with Sailing Boats. Oil on artists card, laid on board and framed in its orig...

Miniature with Wild roses by DAUM Miniature in the shape of a goblet with wild rose decoration verrerie dite parlante (speaking glass) "Rien sans amour" Green blown-molded glass Fr...

Victorian Welsh Landscape Oil Painting of Tintern Abbey ruins in a River Landscape. Victorian Oil Painting of Tintern Abbey Ruins on the Welsh borders w...

Königliche Porzellan-Manufaktur (KPM), View cup with Berlin veduta of the Altes Museum, circa 1830. Bell-shaped cup with raised handle ending in a shell palmette. The front with gold...

Le Rire is a Comic Magazine published in 1900, reproducing drawings by Caran d'Ache (1848–1934).

Oval plate. Returning from a Bear Hunt. 19th Century. Porcelain, 4,5x39,5x26 cm

Victorian Oil Painting of a Blacksmith Forge with Figures and a Horse in a Smithy Interior. Small Oil on Panel in its original gilt frame in excellent condition. A real find, depic...

Icilio Federico Joni. Italian ( b.1866 - d.1946 ). Painted Gesso, Gilt & Wood Tavolette Book Cover Binding In The Sienese Biccherna Aesthetic. Book Cover size 11 inches x 8.1 inches ( 28cm x 20.5cm ). Frame size 16 inches x 13 inches ( 40.5cm x 33cm ). Available for sale; this painted gesso and gilt “tavolette” wooden book cover in the Biccherna aesthetic is by Icilio Federico Joni. The book cover is mounted and supplied in a contemporary black Tulip Wood frame (which is shown in these photographs) which is glazed with non-reflective Tru Vue UltraVue® UV70 glass. The wooden book cover is curved and float mounted giving a wonderful 3D depth to its presentation. The gesso and painted surfaces have benefitted from professional restoration which was performed on our instruction, supervision and approval. This antique book cover is in very good condition, commensurate with its age. The frame presentation is new and in excellent condition. Combined, it wants for nothing and is supplied ready to hang and display. The story of these panels and of their artist is fascinating, and begins in 13th century Siena: The Biccherna was the person who held the position of Magistrate of Chancellery of Finance from the 13th to the 14th century for the republic and the city of Siena, in the Tuscany region of Italy. The records of that office were very important because Siena was one of the earliest and most significant banking centres in Italy, and indeed in Europe. It became the fashion to keep banking and taxation records of the region in large books with painted leather covers. These were originally made from wood and leather. In the competition to make these ever more prestigious the bindings and panels on the front and rear of the books were painted by the major artists of the day, such as Giovanni di Paolo. Many of these mainly secular covers are displayed in the Archives of the State of Siena located in the Palazzo Piccolmini. The Gothic Revival of the 19th century occurred partly as a reaction against the progress of industrialisation in Europe generally. It was however greatly affected by the unification of Italy in the second half of the 19th century. This led to the closure and downsizing of many religious institutions, which resulted in the dispersal of thousands of works of art dating from the Middle Ages and early Renaissance. Many aristocratic and bourgeois families struggled to pay debts or simply to make ends meet and so they sold off their private collections and family heirlooms. There was then an influx of goods into the antiques market which provided a great deal of work for Italy’s restorers and craftsmen, since many of these pieces were in need of cleaning, repair and, in keeping with the interventionist tastes of the times, radical restoration, before they could be sold on, often to foreign buyers. These early Italian works became so fashionable that demand soon outstripped supply. This in turn gave rise to a new type of artist-craftsman capable of turning out from scratch increasingly convincing reproductions, imitations and out-and-out fakes. Siena naturally became the epicentre of this thriving cottage industry because of the extraordinary continuity there in traditional craft skills. This technical expertise had been handed down from generation to generation, and it was perhaps inevitable that a number of artists with real talent, the flair of commerce and a genuine love and understanding of antique Sienese art should adapt their skills to these new market conditions. Among these artists were Igino Gottardi, Alceo Dossena, Fulvio Corsini, Umberto Giunti...

Large 19th-century decorative shield. Finely carved and gilded wood work with mythological motifs and figures, signed F. Barbedienne Paris, attributed to the great French foundryman ...

The Lord is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux", 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged. ...

Small Pair of Oil Paintings on artist’s board, Nineteenth Century Hunting Scenes of Hunters in the woods with Dogs having shot a Deer. These small oils are unsigned, restored and cle...

An ornate 19th-century gilt picture frame, decorated with pronounced shell and acanthus ornamentation and a delicate floral running pattern to the slip. Measurements for the frame: ...

Speaking glass Vase "Je ne cherche qu'une" by Emile GALLE (1846-1904) Vase called "Cristallerie de Gallé" also known as "speaking glassware", with an old French sentence "Ie ne ser...

The Tribune is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but age...

Letter to Joseph Dumagnon is an original stamps on ivory-colored paper, written by Maria Malibran (1808-1836), mezzo soprano singer of Spanish origin. In this artwork there is a let...

This detailed embroidery depicts a woman seated by a spinning wheel. Presented in a gilt frame with decorative foliate corners and a verre églomisé mount. Acquired with a companion w...

Memories from Marina di Pisa is an Autograph Postcard Signed by the Italian painter Giovanni Costa (Rome, 1826 – Marina di Pisa, 1903), best-known as Nino Costa, to Adele Verducci. ...

George Cruikshank’s Table Book is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) and written by Various Authors in 1845. Published by Punch Office, London. Original First Edition. Format: in 8°. The book includes 284 pages with Twelve full page Etchings (hundred in text half page). Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...

Edition of 2100 copies. Copy on Velin Blanc paper. Binding unglued. Language: French. Perfect conditions inside. Uncut.

Icilio Federico Joni. Italian ( b.1866 - d.1946 ). Painted Gesso, Gilt & Wood Tavolette Book Cover Binding In The Sienese Biccherna Aesthetic. Book Cover size 11 inches x 8.1 inches ( 28cm x 20.5cm ). Frame size 16 inches x 13 inches ( 40.5cm x 33cm ). Available for sale; this painted gesso and gilt “tavolette” wooden book cover in the Biccherna aesthetic is by Icilio Federico Joni. The book cover is mounted and supplied in a contemporary black Tulip Wood frame (which is shown in these photographs) which is glazed with non-reflective Tru Vue UltraVue® UV70 glass. The wooden book cover is curved and float mounted giving a wonderful 3D depth to its presentation. The gesso and painted surfaces have benefitted from professional restoration which was performed on our instruction, supervision and approval. This antique book cover is in very good condition, commensurate with its age. The frame presentation is new and in excellent condition. Combined, it wants for nothing and is supplied ready to hang and display. The story of these panels and of their artist is fascinating, and begins in 13th century Siena: The Biccherna was the person who held the position of Magistrate of Chancellery of Finance from the 13th to the 14th century for the republic and the city of Siena, in the Tuscany region of Italy. The records of that office were very important because Siena was one of the earliest and most significant banking centres in Italy, and indeed in Europe. It became the fashion to keep banking and taxation records of the region in large books with painted leather covers. These were originally made from wood and leather. In the competition to make these ever more prestigious the bindings and panels on the front and rear of the books were painted by the major artists of the day, such as Giovanni di Paolo. Many of these mainly secular covers are displayed in the Archives of the State of Siena located in the Palazzo Piccolmini. The Gothic Revival of the 19th century occurred partly as a reaction against the progress of industrialisation in Europe generally. It was however greatly affected by the unification of Italy in the second half of the 19th century. This led to the closure and downsizing of many religious institutions, which resulted in the dispersal of thousands of works of art dating from the Middle Ages and early Renaissance. Many aristocratic and bourgeois families struggled to pay debts or simply to make ends meet and so they sold off their private collections and family heirlooms. There was then an influx of goods into the antiques market which provided a great deal of work for Italy’s restorers and craftsmen, since many of these pieces were in need of cleaning, repair and, in keeping with the interventionist tastes of the times, radical restoration, before they could be sold on, often to foreign buyers. These early Italian works became so fashionable that demand soon outstripped supply. This in turn gave rise to a new type of artist-craftsman capable of turning out from scratch increasingly convincing reproductions, imitations and out-and-out fakes. Siena naturally became the epicentre of this thriving cottage industry because of the extraordinary continuity there in traditional craft skills. This technical expertise had been handed down from generation to generation, and it was perhaps inevitable that a number of artists with real talent, the flair of commerce and a genuine love and understanding of antique Sienese art should adapt their skills to these new market conditions. Among these artists were Igino Gottardi, Alceo Dossena, Fulvio Corsini, Umberto Giunti...

Le docteur Festus is an original modern rare Book engraved by Rodolphe Töpffer (31 January or 1 February 1799 – 8 June 1846) in 1830 ca. Original Fir...

Petites Misères de la Vie Humaine is an original modern rare book written by Nick Old and engraved by Jean Jeacques Grandville (Nancy, 1803 –...

The Victory is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but age...

The Lazy Frog is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but ag...

Le Rire is a vintage Comic Magazine published on August 1896, with illustrations by Hermann Paul (1864-1940). Good condition on a yellowed paper, except...

Egypt in words and pictures is an original rare book written by Georg Ebers between 1879 and 1880. Two volumes. Eduard Hallberger publisher, bound editions, moldy and dirty spots, pages with cracks. A marvellous edition of hundres of illustration depicting ancient Egypt and scene of ordinary life in late 19th Century. Georg Moritz Ebers (1837-1898) was a German Egyptologist and writer. With his historical novels and popular science books...

Composition is an original collage on green cardboard realized by an anonymous artist of the 19th Century. Not signed. The state of preservation is good. The artwork represents an...

A wonderful 19th century gilt oval picture frame in the French Rococo style, elaborately decorated with foliate running patterns and elaborate upper gesso shell and acanthus ornament...

Chroniques parisiennes ennuis non rimès is a book written by Jules Laforgue. 22 x 16 cm. On the second page it is written that Jules Laforgue's unpublished texts were collected by Sifnro Andrè Malraux...

Cristallerie Vase with Cherry flower branches by Emile GALLE (1846-1904) Vase called "Cristallerie de Gallé" Vase with rounded body and squared collar, Gadrooned smoked glass, orna...

Victorian style Landscape with ladies feeding Geese in the Swiss town of Novelle. Oil on Canvas on stretchers and framed i original gold frame. Though painted in the very brief Edw...

Letter of Giorgio Strehler to Countess Pecci Blunt is a hand-written note on paper. Hand-signed. Good conditions with slight folding.

Le Rire is a Comic Magazine published in 1896, reproducing drawings by Charles Huard (1874–1965).

Le Rire is a Comic Magazine published in 1896, reproducing in lithographs the  drawings by Pierre-Georges Jeanniot (1848–1934).

Le Rire is a Comic Magazine published in june 1906, reproducing  in lithographs the drawings by Pierre-Georges Jeanniot (1848–1934).

Le Rire is a Comic Magazine published in 1896, reproducing  drawings by Lucien Metivet (1848–1934).

Le Rire is a Comic Magazine published in 1896, reproducing  in lithographs the drawings by Hermann Vogel (1856–1918).

The Tormented Fox is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions b...

Lady Owl is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged. The artwork is depicted through strong strokes with perfect hatching. Jean Ignace Isidore Gérard...

Le Misocampe is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but ag...

1880s American School Barbizon Antique Frame Frame Size:Width: 25.25″ X Height: 29.50″ Thickness: 5″ Picture Size: Width: 16″ X Height: 20″ Bin Code 539

Here for your consideration is a late 19th century needlepoint, petitepoint and beaded portrait of a young woman. It is a highly detailed and meticulously crafted beaded portrait wi...

The Trapped is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. ...

The Excavation is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux", 1852. Published by Manesq & Harvard, Paris. Good Conditions. Th...

Physiologie du Flaneur is an original modern rare book illustrated by Honoré Daumier (1808, Marseille, France — died February 11, 1879, Valmondois) and published in 1841. Published ...

Le Diable à Paris is an original modern rare book written by Various Authors and illustrated by Paul Gavarni (1804 – 1866) and by Jean Ignace Isidore Gérard (Nancy, 1803 – Vances, 1847) in 1869. Original First Edition. Published by Hetzel & Cie, Paris. Format: 4°. The book includes 816 pages in 4 volumes. Hundreds of lithographs (several are full page Lithographs). Very good conditions. Paul Gavarni (1804 – 1866) and by Jean Ignace Isidore Gérard (Nancy, 1803 – Vances, 1847). Paul Gavarni was the nom de plume of Sulpice Guillaume Chevalier (1804 – 1866), a French illustrator, born in Paris. Among his illustrated works were Les Lorettes, Les Actrices, Les Coulisses, Les Fasizionables, Les Gentilshommes bourgeois, Les Artistes, Les Débardeurs, Clichy, Les Étudiants de Paris, Les Baliverneries parisiennes, Les Plaisirs champêtres, Les Bals masqués, Le Carnaval, Les Souvenirs du carnaval, Les Souvenirs du bal Chicard, La Vie des jeunes hommes, and Les Patois de Paris. He had now ceased to be director of Les Gens du monde; but he was engaged as ordinary caricaturist of Le Charivari, and, while making the fortune of the paper, he made his own. His name was exceedingly popular, and his illustrations for books were eagerly sought for by publishers. Le Juif errant, by Eugene Sue (1843, 4 vols. 8vo), the French translation of Hoffman's tales (1843, 8 vo), the first collective edition of Balzac's works (Paris, Houssiaux, 1850, 20 vols. 8 vo), Le Diable à Paris (1844–1846, 2 vols. 4 vo), Les Français peints par eux-mêmes (1840–1843, 9 vols. 8vo), the collection of Physiologies published by Aubert in 38 vols. 18mo (1840–1842), all owed a great part of their success at the time, and are still sought for, on account of the clever and telling sketches contributed by Gavarni. Jean Ignace Isidore Gérard (Nancy, 1803 – Vanves, 1847), generally known by the pseudonym of Jean-Jacques, J. J. Grandville or most commonly simply Grandville, was a French caricaturist. Grandville's ability for political provocation made his work much in demand. He worked in a wide variety of formats, from his first job illustrating the parlor game Old Maid, to illustrated newspaper strips of which he was a master. His illustrations for Le Diable à Paris ("The Devil In Paris"; 1844–46) were used by Walter Benjamin for his study of that city as an urban organism. One of Grandville's supreme achievements, at a time when French printing technology was ascendant, was Les Fleurs Animées, a series of images that are both poetic and satirical. But perhaps his most original contribution to the illustrated book form was Un Autre Monde, which approaches the status of pure...

Humming Birds & Co. is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1835. Published by Mc Lean, London. Original First Edition. Format: oblong 4°. The book includes Eleven hand colored Etchings. Mint conditions. Humming birds & Co. is an original modern rare book engraved by George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz (1836), The Mudfog Papers (1837–38) and Oliver Twist...