Paint Interior Paintings

This work shows the soft, dreamy atmosphere of a foggy morning. Smooth transitions between shades of green and blue create the impression of calm and boundlessness, as if nature itse...

The first days of autumn, the Sun is still warm, fallen leaves are floating calmly on the surface and give a feeling of calm and peace. The painting "Autumn Mood" is painted en plei...

Wild Flowers by Irina Hale (British 1932-2022) oil painting on thick artist paper, unframed size: 8.5 x 6.5 inches provenance: private collection, Cotswolds condition: very good Iri...

In this oil painting, I attempted to capture the vivid textures and luminous vibrancy of strawberries. Using a blend of expressionism and impressionism, I focused on the interplay of...

Helen Mount's painting "Rain Melodies/11" captivates with its calm yet dynamic image. The palette moves from deep dark blue tones to soft, dreamy pastel shades, which together create...

A masterpiece exploring ethereal heights, natural majesty, and the infinite. This panoramic 60x120cm oil, acrylic canvas captures a sublime transition from rugged earth into absolute...

"Pearl Placer" is a semi-abstract work by Anna Shesterikova, in which nature appears to the viewer as a subtle emotional memory, dissolved in light and air, a meditative space filled...

Antonio Molinari (Venice, 1655–1704) Attributed to Samson and Delilah Oil on canvas 122 x 148 cm. - Framed 135 x 160 cm. The subject of this fine work is recounted in the Bi...

Portrait of a Lady French School, 20th century oil painting on canvas, unframed 40 x 29 inches condition: very good and presentable provenance: private collection, Provence Superb ...

Roosters and Hens in a Barn 19th century E. Binam (Belgian? 19th century) Signed lower left Oil on wood panel 8 1/4 x 5 /12 (10 1/4 x 13 1/4 frame) Though little is known about E. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This evocative interior scene captures the warmth and character of a rustic colonial-era kitchen, with sunlight streaming through leaded windows to illuminate an array of period furn...

ABOUT THE ARTWORK The painting "Ageless Eyes" from the MADELEINE series is a meditation on memory that does not age, on a gaze that holds centuries, and on feminine resilience passed...

Vintage American modernist oil painting. Oil on canvas. Signed verso. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 25 by 31 inches overall. Handsomely framed. Ex...

Marie Cameron’s paintings emerge from moments of quiet astonishment in the natural world. This work is from her 'Bird and Tea Cup' series A gathering of hummingbirds is known as a c...

Jacob Ochtervelt (Workshop) The Grape Seller oil on canvas unframed: 80.7 x 61 cm.; 31 ¾ x 24 in. framed: 109.5 x 89 cm.; 43 1/8 x 35 in. Essay: Th...

Textured Andalusian White Village Landscape, Expressive Impasto Oil Artist: Ulpiano Carrasco Title: Arcos, Cádiz Year: 2000 Medium: Oil with heavy impasto on prepared board / canvas...

La Lavandiere by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 32 x 26 inches Provenance: all the paintings we have by this artist have c...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Artist Comments
This abstract composition features blocks and shapes in shades of blue, teal, gray, black, and white, forming a towering, building-like structure. A light blue ...

This exquisite acrylic painting by Ian Hornak (1944–2002), titled Suzanne and Zack Remembered, was executed in 1992. Created during the mature period of Hornak’s career, the composition presents a deeply personal portrait of two individuals who occupied a cherished place within the artist’s life in East Hampton. Close friends and next-door neighbors of Hornak, mother and son are depicted in a moment of tenderness and quiet affection that reflects the artist’s remarkable ability to unite technical precision with emotional intimacy. Seated together within a wicker chair against a richly patterned blue interior enlivened by irises and floral motifs, the pair embody the warmth, familiarity, and enduring friendships that defined Hornak’s East Hampton years. The sitters are Suzanne O’Malley and her son, Zack O’Malley Greenburg. Suzanne would later achieve national prominence as an award-winning journalist, television producer, and New York Times bestselling author whose investigative writing helped shape modern true crime literature. Zack would go on to become a New York Times bestselling author, longtime senior editor at Forbes, and one of the leading chroniclers of contemporary popular culture and business. His books have explored the lives and careers of influential figures including Jay-Z, Michael Jackson, LeBron James, Dr. Dre, and the members of the Wu-Tang Clan. Years before these accomplishments, however, Zack appeared as a child actor in the acclaimed motion picture Lorenzo’s Oil, portraying Lorenzo Odone opposite Susan Sarandon and Nick Nolte. Beyond its personal significance, the painting is further distinguished by the survival of the original photographic studies created by Hornak during its development. These preparatory materials are preserved in the permanent collection of the Smithsonian Institution’s Archives of American Art, providing rare documentation of the artist’s creative process. Combining portraiture, friendship, memory, and documentary importance, Suzanne and Zack Remembered stands as both an intimate family portrait and a lasting testament to the relationships that enriched Hornak’s life and inspired some of his most personal works. Executed in acrylic on canvas, this work measures 44 x 37 inches (111.76 x 93.98 cm). Signed by the artist. Artwork Details: Artist: Ian Hornak (1944–2002) Title: Suzanne and Zack Remembered Medium: Acrylic on canvas Dimensions: 44 x 37 inches (111.76 x 93.98 cm) Inscription: Signed by the artist Date: 1992 Condition: Well preserved, consistent with age and medium Provenance: Suzanne O’Malley, East Hampton, New York About the Artist: Ian Hornak (1944–2002) was an American painter, draughtsman, printmaker, and pioneering force in Photorealism and Hyperrealism whose extraordinary technical mastery, visionary imagination, and innovative approach to realism established him as one of the most distinctive and original artists of the late twentieth century. Widely recognized as a founding member of both the Photorealist and Hyperrealist movements, Hornak helped redefine the possibilities of contemporary realism by combining photographic precision with symbolism, romanticism, mythology, environmental awareness, art historical references, and metaphysical inquiry, creating a body of work that stands apart within postwar American art for both its visual brilliance and intellectual ambition. Born in Philadelphia and raised in Michigan before establishing his career in New York and East Hampton, Hornak emerged during one of the most transformative periods in modern art and developed a highly individual visual language that transcended conventional artistic categories. While many of his contemporaries focused on strict photographic transcription, urban imagery, or detached observation, Hornak utilized realism as a foundation for exploring profound themes of memory, beauty, mortality, spirituality, environmental fragility, and humanity’s relationship with nature, producing works that operate simultaneously as visual spectacles and philosophical meditations. His artistic vision reflects an awareness of the revolutionary innovations introduced by Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, while simultaneously drawing inspiration from the Hudson River School, particularly Frederic Edwin Church, Martin Johnson Heade, Thomas Cole, and Albert Bierstadt, as well as the spiritual landscapes of Caspar David Friedrich and the botanical precision of Dutch Golden Age masters such as Jan van Huysum and Rachel Ruysch. Through this extraordinary synthesis of influences, Hornak created a visual language that united scientific observation, photographic realism, romantic grandeur, allegorical symbolism, and philosophical reflection into a form entirely his own. Ian Hornak portrait, Suzanne and Zack Remembered, mother and child portrait, East Hampton painting...

Beautiful Dutch School painting dating from 17th century. Oil on wood panel measuring 10 3/8 x 14 7/16 inches. Unsigned. No inpainting or conservation. Depicted is a scene with a beautiful young woman singing...

"Pelham Bay" WPA American Scene Social Realism Modern NYC Subway Transportation Daniel Ralph Celantano (1902-1980) "Pelham Bay" 12 1/4 x 16 inches Oil on canvas Signed lower cente...

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...

In Japanese aesthetic philosophy, wabi-sabi names a quiet truth: that beauty does not live in perfection, but in impermanence. In what is incomplete, asymmetrical, fleeting. In the m...

‘Sun 1’ Large British Abstract, Oil Painting By British artist, 21st Century Titled 'Sun' and dated '2018' on the back of the painting Oil painting on board, unframed Board size: 39.5 x 39.5 inches Striking abstract oil painting on a huge square board. This fabulous colourful abstract depicts a sunrise unveiling a plethora of rich red, yellow and dark tones. The paint technique is quite liberal, creating a tactile effect. The artist created two similar paintings, this is the first, please contact us if you would like to see the second. Abstract art uses...

Fabien Fabiano (1882, Lamballe – 1962), Signed bottom right Oil on canvas Canvas Size" 24 x 20" (61 x 51cm) Outside Frame Size: 31 x 27" (79 x 69cm) F...

A calm weather, a time to relax, to rejuvenate like a walk along the beach of sand and granite

In this piece, I poured my emotions into thick, textured acrylics, letting colors collide and dance freely. It’s a celebration of spontaneity and lightness, capturing moments of joy and vulnerability. The blend of soft pastels and bold strokes brings warmth and energy, ready to uplift any space with its vibrant, expressive spirit. It invites you to feel the movement and breath of life in every layered stroke. ⭐ Artist : Alex Senchenko Title: Abstract 2554 📐 Size: 100cm. x 30cm. 🖌️ Medium: Professional Gallery Canvas, Acrylic Paints Original Painting on a 1.5cm. Deep "GALLERY WRAP" Stretched Canvas 🎨 Style: Abstract Contemporary Modern Wall Art...

"Bouquet" is a vivid painting inspired by bright and intense colors. In this work of art, you will see a bouquet of flowers that simply radiates with vibrant colors and dynamism. Th...

Bright Flowers in Vase by Irina Hale (British 1932-2022) signed initials gouache painting on board unframed size: 6.5 x 6 inches provenance: private collection, Cotswolds condition:...

Seated Nude Woman by Jacqueline Boisselot, French late 20th century 11 x 7.5 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a private collect...

When I think about the conventions of painting -- a tradition I respect immensely -- I notice that my concern has always been with the interplay of light and structure" says artist S...

Colin Ruffell is an English painter of interiors, cityscapes, and many other unique subjects. This bold and evocative 1970s painting by English artist Colin Ruffell captures a nosta...

Medium: Oil on linen canvas Canvas size: 50 x 50 cm (19.68 x 19.68 in) Framed size: 57 x 57 cm (22.44 x 22.44 in) Frame: American box frame (collector's choice of black or natural wo...

A Fabulous, 1950s Mid-Century Modern Still Life Painting of a Colorful Bouquet of Spring Flowers by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed in the vibrant,...

New Home (Brightly Colored Contemporary oil painting of an Interior with House Plants and red chairs) Painted by Fred Cohen in 2025 42 x 30 inches x 1.5 inches, custom light wood fr...

Hawaii Fish Cave Painting This stunning oil painting on canvas depicts a mesmerizing underwater scene, featuring a school of vibrant colorful fish swimming in a cave. The artist, Olg...

These stunning spring narcissus are placed in a transparent vase. The bright yellow flowers create a vivid color contrast against the silvery blue background focusing the viewer's ey...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...

Nicely painted American impressionist oil painting by Richard W. Baldwin (1920 - 2012). Oil on canvas. Framed. Signed.

Antique American impressionist landscape oil painting. Oil on canvas, lain to board. Framed. Measuring: 17 by 19 inches overall, and 8 by 10 painting alone. Provenance from a Sag Har...

1920's Portrait of an Elegant Woman, Oil Painting, British British School, Early 20th Century Oil painting on wood panel, unframed Board size: 9.25 x 6 inches Quite a stunning portr...

Abundant Profusion of Flowers French Impressionist, circa 1900 indistinctly signed & inscribed oil on canvas, framed framed: 31 x 38 inches canvas: 26 x 32 inches Provenance: pr...

Vintage American modernist framed still life painting. Oil on canvas. Framed. Signed. Image size, 16 by 20 inches.

"Encounters at Dawn" – Contemporary Abstract Painting on Canvas in Violet Tones with Figuration is an abstract oil painting that explores color field and abstract expressionism. The ...

A vivid and densely populated cockfighting scene painted in 1950 and signed Allatteini L., lower right, with the inscription St. Thomas 50. This large-scale oil captures the spectacl...

Artist Comments
"The source of inspiration for this painting came as I was walking in Manhattan in the rain," says artist Onelio Marrero. "This street is based on 8th Avenue ...

Vintage American impressionist oil painting. Oil on canvas, lain to board. Unsigned. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 13 by 12 inches overall. Handsom...

Classical Still Life of Flowers by the Miguel Canals Studio, Spain oil on canvas, unframed canvas: 23.5 x 18 inches Provenance: Private collection Condition: very good condition Fo...

Still Life of Fruit by George Clare (1830-1900) *see notes below signed oil on canvas, framed framed: 12 x 14 inches canvas : 7 x 9 inches Provenance: private collection, UK Conditio...

Collie Dog with Kittens English artist, 19th century oil on canvas, framed framed: 22 x 30 inches canvas: 16.5 x 23.5 inches Provenance: private collection, England Condition: The ...

Print Albert Anker "Der Quacksalber", Laque on Panel, Mid-Century, Framed Title Print on Panel Albert Anker "Der Quacksalber", Mid-Century, Framed, Switzerland Medium Print on pane...

Vibrant mountain artwork in pink, blue, and green tones, contemporary nature-inspired painting. This painting was inspired by the richness of summer landscapes when colors appear mor...

Flip Gaasendam In the Lounge 65 x 65 cm Oil on Canvas This painting is framed (included in price) 70 x 70 cm This painting is made by Flip Gaasendam. A...

The painting was painted in the Favism style, using traditional contrasts: red and green.At the same time, the work is also genre-specific. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Aka...

With vibrant acrylic, pastel, and watercolor, I poured raw emotion into this piece—an energetic symphony of shape and color. The swirling patterns and fragmented forms echo movement ...

A sweet and intimate family scene by the rarest of artists: French early 19th Century child prodigy Henri-Louis-Hippolyte Poterlet (1804-1835). Poterlet was a close friend and confi...