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Late 18th Century Interior Paintings

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Period: Late 18th Century
German painter - 18th century trompe l'oeil with engravings and still life
German painter - 18th century trompe l'oeil with engravings and still life

German painter - 18th century trompe l'oeil with engravings and still life

Located in Varmo, IT

German painter (18th–19th century) - Trompe l'oeil with documents, engravings and still life. 38 x 53 cm (without frame) - 41.5 x 56.5 cm (with frame). Tempera on paper, in a gilt ...

Category

Romantic Late 18th Century Interior Paintings

Materials

Paper, Tempera

Eighteenth Century British Oil Painting of Rustic Folk and Dog at Village Pub
Eighteenth Century British Oil Painting of Rustic Folk and Dog at Village Pub

Eighteenth Century British Oil Painting of Rustic Folk and Dog at Village Pub

By George Morland

Located in ludlow, GB

Eighteenth Century English Country Inn Scene with Rustic Figures and Dog, drinking and talking in the Village Pub A signed Oil on Canvas mounted on stretchers and Framed in a Morland...

Category

Realist Late 18th Century Interior Paintings

Materials

Oil

1795-1816 Interior Of The Museum of Monuments Français
1795-1816 Interior Of The Museum of Monuments Français

1795-1816 Interior Of The Museum of Monuments Français

Located in PARIS, FR

Interior Of The Musée Des Monuments Français View Of The 17th Century Hall Anonymous between 1795 - 1816 Gouache on paper mounted on cardboard 74 x 88 cm According to the old label...

Category

Late 18th Century Interior Paintings

Materials

Gouache

Related Items
Baroque Italian - Set of four 18th century panel paintings - Evangelists
Baroque Italian - Set of four 18th century panel paintings - Evangelists

Baroque Italian - Set of four 18th century panel paintings - Evangelists

Located in Varmo, IT

Italian painter (18th century) - The Four Evangelists. 25.5 x 19 cm (without frame) - 29 x 22.5 cm (with frame). Group of four oils on panel, in wooden frames (not signed). The se...

Category

Old Masters Late 18th Century Interior Paintings

Materials

Oil, Panel

Mid-19th-Century Munich School, Nocturnal Alpine Scene With Woman Resting
Mid-19th-Century Munich School, Nocturnal Alpine Scene With Woman Resting

Mid-19th-Century Munich School, Nocturnal Alpine Scene With Woman Resting

Located in Cheltenham, GB

This calm and reflective mid-19th-century German oil painting depicts a woman reclining, her hand on a zither, before moonlit Alpine scenery. Gazing outwards across the rooftops and...

Category

Romantic Late 18th Century Interior Paintings

Materials

Oil, Canvas

The Brighter Corner, Oil Painting
The Brighter Corner, Oil Painting

The Brighter Corner, Oil Painting

By Andres Lopez 1

Located in San Francisco, CA

Artist Comments
On a beautiful sunny morning, sunlight strikes the corner of a quiet stone house. A palm tree rises on the side, its fronds casting delicate shadows across the ...

Category

Impressionist Late 18th Century Interior Paintings

Materials

Oil

Mural Study for "History of Water" American Scene Modernism Social Realism WPA
Mural Study for "History of Water" American Scene Modernism Social Realism WPA

Mural Study for "History of Water" American Scene Modernism Social Realism WPA

By Thomas Hart Benton

Located in New York, NY

Mural Study for "History of Water" American Scene Modernism Social Realism WPA Thomas Hart Benton (American, 1889-1975) "Water Story" (Study for The History of Water) Tempera and o...

Category

American Modern Late 18th Century Interior Paintings

Materials

Oil, Egg Tempera, Board

Huge 17th Century Flemish Old Master Oil Painting Figures Playing Cards
Huge 17th Century Flemish Old Master Oil Painting Figures Playing Cards

Huge 17th Century Flemish Old Master Oil Painting Figures Playing Cards

Located in Cirencester, Gloucestershire

The Card Players Flemish Old Master, 17th century based on a version (in reverse) of a painting by Cornelis de Vos (Flemish 1584-1651) oil on canvas, unframed Canvas: 39 x 62 inches ...

Category

Old Masters Late 18th Century Interior Paintings

Materials

Oil, Canvas

Shadow of a Tree on Facade, Original Painting
Shadow of a Tree on Facade, Original Painting

Shadow of a Tree on Facade, Original Painting

By Zeynep Genc

Located in San Francisco, CA

Artist Comments
Two modern buildings, one raw sienna, and the other white, stand side by side against a deep blue sky. The daylight in the background contrasts with the struc...

Category

Realist Late 18th Century Interior Paintings

Materials

Acrylic

Feeding the Baby
Feeding the Baby

Feeding the Baby

Located in Wiscasett, ME

Oil on canvas, signed upper left. Provenance: Sothebys Amsterdam, Private collection London, Private collection Palm Beach. His working period was from about 1894 to 1973, successively in Rotterdam, Heeze (Heeze-Leende), Hilversum and Laren. He was educated at the Craft School for decorative painters and received evening lessons at the Rotterdam Academy under the direction of A. van Maasdijk. He was a member of the Vereeniging Sint Lucas...

Category

Dutch School Late 18th Century Interior Paintings

Materials

Oil

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers
"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers

Located in New York, NY

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

Category

American Modern Late 18th Century Interior Paintings

Materials

Oil, Board

Friends Gathering in a Parisian Café French Modernist 20th Century Painting
Friends Gathering in a Parisian Café French Modernist 20th Century Painting

Friends Gathering in a Parisian Café French Modernist 20th Century Painting

Located in Cirencester, Gloucestershire

Friends Gathering in a Parisian Café French Modernist 20th Century Painting Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote Canvas: 8.75 x 6.5 inches Medium: Watercolou...

Category

Cubist Late 18th Century Interior Paintings

Materials

Watercolor, Color Pencil

Dutch 17th Century Oil Painting - The Card Game by Ter Borch
Dutch 17th Century Oil Painting - The Card Game by Ter Borch

Dutch 17th Century Oil Painting - The Card Game by Ter Borch

By Gerard ter Borch the Younger

Located in London, GB

Gerard ter Borch The Cards Game Oil on canvas 14 x 15.5 inches unframed 19 3/4 x 21 1/2 inches framed Gerard ter Borch (Dutch; December 1617 – 8 December 1681), also known as Gerard Terburg, was an influential and pioneering Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

Category

Old Masters Late 18th Century Interior Paintings

Materials

Oil

Previously Available Items
"Lute Player" 18th Century Dutch School, Signed oil on panel
"Lute Player" 18th Century Dutch School, Signed oil on panel

"Lute Player" 18th Century Dutch School, Signed oil on panel

Located in New York, NY

Dutch School Late 18th century Oil on panel 6 1/4 inches x 5 1/2 inches (15.9 x 14 cm) Framed: 14 x 12 inches (35.5 x 30.5 cm) Signed lower right This delightful study of a lute pl...

Category

Dutch School Late 18th Century Interior Paintings

Materials

Oil, Panel

The Country Vicar’s Fireside
The Country Vicar’s Fireside

Henry WigsteadThe Country Vicar’s Fireside, 1786

Sold

H 31.89 in W 36.93 in D 3.15 in

The Country Vicar’s Fireside

Located in Edinburgh, Scotland

Henry Wigstead (1760-1800) The Country Vicar’s Fireside, c. 1786 Oil on canvas In a period carved and gilded swept frame 63.5 x 76.1 cm.; (within frame) 81 x 93.8 cm. Provenance: Christie’s, King Street, where consigned on 20 March 1957; 3 May 1957, lot 81, as William Hogarth, ‘Figures before a fireplace’; Private Collection, United States; Sotheby’s, New York, Old Master & 19th Century European Art, 27 January 2012, lot 486; Private Collection, United Kingdom. Exhibition history: The Royal Academy, London, 1786, no. 59 Literature: Algernon Graves, The Royal Academy of Arts: A Complete Dictionary of Contributors and Their Work from Its Foundation in 1769 to 1904, 8 vols. (London: H. Graves and Company Ltd., 1905), p. 265 George Paston, Social Caricature in the Eighteenth Century (London: Methuen & Co., 1906), p. 137 The Royal Academy, The Exhibition of the Royal Academy of Arts, M.DCC.LXXXVI, The Eighteenth (London: T. Cadell, 1786), p. 4 Exhibited at the Royal Academy of 1786 and likely produced that same year, The Country Vicar’s Fireside is an exceedingly rare work in oil by the British caricaturist Henry Wigstead, belonging to the considerably small body of paintings produced by the artist, of which few remain. The work was conceived during the height of British caricature, culminating between the American Revolution and Waterloo, and typifies Wigstead’s ‘great feeling for ridiculous contrasts and the droll side of human relationships’, being a talented exponent of the art of ridicule that was satire (Old Print Shop, p. 223). The painting was engraved by E. Wilkins in 1788, though alterations in reproduction diverted from the original scheme: for example, whereas the Wilkins print shows a ‘Plan of the Parish of Barn’ over the hearth, Wigstead’s oil identifies it as that of Wakefield – an allusion to the 1766 novel, The Vicar of Wakefield. The work was until recently unknown, and was previously misattributed to the towering William Hogarth. It thus represents an important addition to the sparing oeuvre of an artist who, further to being a magistrate, publisher, and businessman, enjoyed royal patronage and friendships with the leading caricaturists, which placed him at the centre of London’s effervescent satire market. A considered description of The Country Vicar’s Fireside is given by the literary critic George Paston (Emily Morse Symonds) in her 1906 commentary on 18th century caricature, who regards it as a fine example of Wigstead’s gentler mode of social satire. Paston writes, ‘In front of a roaring fire sits...

Category

Old Masters Late 18th Century Interior Paintings

Materials

Oil

Antique Italian painter - 18th/19th century figure painting - Virgin Child
Antique Italian painter - 18th/19th century figure painting - Virgin Child

Antique Italian painter - 18th/19th century figure painting - Virgin Child

Located in Varmo, IT

Italian painter (18th-19th century) - Holy Family with St. John the Baptist. 65 x 55 cm without frame, 86.5 x 76.5 cm with frame. Antique oil painting on canvas, in a carved and gi...

Category

Old Masters Late 18th Century Interior Paintings

Materials

Canvas, Oil

Follower of Federico Barocci(Rome) - 18th-19th century figure painting - Madonna
Follower of Federico Barocci(Rome) - 18th-19th century figure painting - Madonna

Follower of Federico Barocci(Rome) - 18th-19th century figure painting - Madonna

Located in Varmo, IT

Follower of Federico Barocci (18th-19th century) - Madonna del Latte. 102 x 80 cm without frame, 132 x 112 cm with frame. Antique oil painting on wood, in a carved and gilded woode...

Category

Old Masters Late 18th Century Interior Paintings

Materials

Oil, Panel

Antique Dutch painter - 18th century figure painting - Interior Tavern mandolin
Antique Dutch painter - 18th century figure painting - Interior Tavern mandolin

Antique Dutch painter - 18th century figure painting - Interior Tavern mandolin

Located in Varmo, IT

Dutch painter (18th century) - Interior of a tavern with a player. 35 x 28 cm without frame, 52 x 46 cm with frame. Antique oil painting on wood, in wooden frame. Condition report...

Category

Baroque Late 18th Century Interior Paintings

Materials

Oil, Panel

18th-19th century Italian figure painting - Ecce Homo - Oil canvas Baroque
18th-19th century Italian figure painting - Ecce Homo - Oil canvas Baroque

18th-19th century Italian figure painting - Ecce Homo - Oil canvas Baroque

Located in Varmo, IT

Italian painter (18th-19th century) - Ecce Homo. 36 x 31 cm without frame, 62.5 x 57.5 cm with frame. Oil on canvas, in carved and gilded wooden tabernacle frame. Condition report...

Category

Baroque Late 18th Century Interior Paintings

Materials

Canvas, Oil

18th Century French Oil Painting Still Life of Peaches Fine Gilt Frame
18th Century French Oil Painting Still Life of Peaches Fine Gilt Frame

18th Century French Oil Painting Still Life of Peaches Fine Gilt Frame

Located in Cirencester, Gloucestershire

French artist, late 18th century oil painting on wooden board, framed framed: 15 x 17 inches board: 9.5 x 11 inches provenance: private collection, France condition: overall very good

Category

Old Masters Late 18th Century Interior Paintings

Materials

Oil

Huge 18th Century American Oil Portrait Gentleman in his Study with Spaniel Dog
Huge 18th Century American Oil Portrait Gentleman in his Study with Spaniel Dog

Huge 18th Century American Oil Portrait Gentleman in his Study with Spaniel Dog

By Ralph Earl

Located in Cirencester, Gloucestershire

Portrait of a Gentleman depicted three-quarter-length, in a white waistcoat and green coat, a book in his left hand, with a dog (Spaniel?), in a library/ study interior circle of Ralph Earl...

Category

Old Masters Late 18th Century Interior Paintings

Materials

Oil, Canvas

The Torture of the Vestal Virgin, a painting by Jean-Frédéric Schall (1752-1825)
The Torture of the Vestal Virgin, a painting by Jean-Frédéric Schall (1752-1825)

The Torture of the Vestal Virgin, a painting by Jean-Frédéric Schall (1752-1825)

Located in PARIS, FR

This atypical and terrifying painting by Jean-Frédéric Schall depicts the torture of a vestal virgin, condemned to be buried alive for having broken her vows. Dressed in a contemporary manner, our vestal provides a link between the gallant painting...

Category

Old Masters Late 18th Century Interior Paintings

Materials

Canvas, Oil

The Torture of the Vestal Virgin, a painting by Jean-Frédéric Schall (1752-1825)
The Torture of the Vestal Virgin, a painting by Jean-Frédéric Schall (1752-1825)

The Torture of the Vestal Virgin, a painting by Jean-Frédéric Schall (1752-1825)

Located in PARIS, FR

This atypical and terrifying painting by Jean-Frédéric Schall depicts the torture of a vestal virgin, condemned to be buried alive for having broken her vows. Dressed in a contemporary manner, our vestal provides a link between the gallant painting...

Category

Old Masters Late 18th Century Interior Paintings

Materials

Canvas, Oil

18th century French figure painting - Gallant scene - Oil on canvas Watteau
18th century French figure painting - Gallant scene - Oil on canvas Watteau

18th century French figure painting - Gallant scene - Oil on canvas Watteau

Located in Varmo, IT

18th century French painter - Gallant scene with ladies and suitors. 46 x 67.5 cm without frame, 48 x 69.5 cm with frame. Oil on canvas, in wooden frame. The author draws inspirat...

Category

French School Late 18th Century Interior Paintings

Materials

Canvas, Oil

18th century Venetian figure painting - Virgin Child - Oil Canvas Tiepolo Venice
18th century Venetian figure painting - Virgin Child - Oil Canvas Tiepolo Venice

18th century Venetian figure painting - Virgin Child - Oil Canvas Tiepolo Venice

Located in Varmo, IT

Venetian master of the 18th century - Holy Family with St. Joseph and St. John, with the Child who offers the orange to the Virgin. 44.5 x 35 cm without frame, 53.5 x 43.5 cm with f...

Category

Rococo Late 18th Century Interior Paintings

Materials

Canvas, Oil