20th Century Still-life Paintings

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Still Life Oil and graphite on paper Signed lower left 12.25 x 1...

Oranges in a Bowl is an original oil painting realized in 1998 by Zhang Wei Guang (Mirror). Mixed colored oil painting Includes frame Hand-signed and dated on the lower right corn...

Roses. 1993, paper, watercolor, pastel, 47x31 cm Oskars Berzins (1940)

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Signed oil on canvas landscape circa 1920 by French post impressionist painter Leon Detroy. The piece is painted in a divisionist style and depicts blossoming apple trees in an orcha...

Sunlit Balcony Size: 66 x 58 cm (including frame) Oil on canvas A vibrant and joyfully expressive mid-century painting that captures the view from a sunlit balcony overlooking a blu...

Floral Still Life signed and dated 94' by Fanch Lel (French b. 1930) Size: 11 x 9 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor sign...

the painting is being offered with a work and authenticity certificate

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

A beautiful early 20th century impressionist oil on canvas depicting mixed chrysanthemums in a vase, by Gabrielle Bisschops. Excellent quality work by this female Belgian artist. In...

Antonio Vidal Rolland (Barcelona, 1889 - 1970. Artwork signed by the artist. acrylic on canvas Catalan painter. Disciple of José Ruiz Blasco father of Picasso a Lonja and Aleix Clapé...

"Oil On Canvas Still Life With Flowers And Japanese Satsuma Porcelain" Painting very rich in colors with beautiful dimensions The whole sold with a sublime frame in perfect condition...

Floral Still Life signed oil on canvas, unframed dated 1941 Canvas : 20 x 26 inches inscribed verso Provenance: private collection, Paris Condition: very good condition Description:...

Purple Anemone's by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 13 high by 9.5 inches wide condition: ove...

Statues in Parisian Park, Large French Oil French School, Mid 20th Century Oil painting on board, framed Painting size: 20 x 31.5 inches provenance: private collection, Paris Wonder...

Kitchen Table Still Life Vegetables by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 24 x 36 inches Provenance: all the paintings we have...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, England and had been part of an album of works assembled by the artist during the early 1900's. During the Victorian and Edwardian era in Britain, it was very fashionable for ladies of aristocratic and wealthy backgrounds to draw and paint still lifes of flowers and plants that they had picked or seen in gardens. Many were highly accomplished and extremely talented artists, who sadly were not encouraged to exhibit due to society frowning upon such activities. Artist/ School: Caroline Worsley...

Very impressive mid 20th century cubist abstract still life. Oil on canvas. Framed. Signed. Great color.

Gouache on paper fabric design circa 1920 by French fauvist painter Raoul Dufy executed in dark blues and a deep red. Dimensions: Framed: 16"x12.5" Unframed: 11"x7.5" Provenance: P...

In the late nineties, and after traveling to regions as diverse as the Amazon basin and the Chihuahua desert, Ríos began to develop a body of work through which he addressed the mean...

Soft and realistic mid century still life of a basket overflowing with clusters of ripe grapes, beside a copper vessel and a glass of white wine, by Manuel Ventura...

Fernand Blondin (1887-1967) was a Swiss painter and teacher, celebrated for his depictions of idyllic rural life, interiors, female nudes, portraits, still-lifes, religious subjects ...

Large scale mid-century floral still-life of black-eyed susan (Rudbeckia) by listed El Paso, Texas artist Lois Coleman Denton (American, 1897-1980). Signed "Lois Denton...

Pink Flower Still Life by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 13 x 16 inches condition: overall very good, minor surface ...

Signed lower right, 'C G Nelson' for Carl Gustaf Simon Nelson (American, 1898-1988) and dated 1956. A substantial, Modernist oil showing a profusion of white and pink poppies contra...

Le Jardin by Gaston ANDRE (1884-1970) titled verso signed oil on canvas, framed framed: 26 x 32 inches canvas: 20 x 26 inches Provenance: private collection, Loire Valley, France Co...

Title Large French Floral Still Life Oil Painting Vibrant Bouquet L. Franck Key Details Artist: L. Franck (French), signed lower right, circa 1970s Medium: Oil on canvas Size: 36 x ...

Fernando Botero Angulo (Medellín, 1932-Montecarlo, 2023). "Still life of grapes". 1984. Pastel on paper. 36 x 46 cm. (65.5 x 76.5 cm). Signed in the lower right corner: "Botero...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

In the late nineties, and after traveling to regions as diverse as the Amazon basin and the Chihuahua desert, Ríos began to develop a body of work through which he addressed the mean...

Oil on paper mounted on cardboard The Haberjahn family, of Norwegian origin – Habrian or Haberian – had settled in Germany at the beginning of the 19th century, before settling in Y...

This superb Vibrant British Post Impressionist floral oil painting is by noted artist Gerald Spencer Pryse. Painted circa 1930 the composition is a mass of sweet pea flowers in shade...

Pierre Coquet - Still life with red peppers Reference number F286 Framed with a natural oak wood floated frame. 51 x 60 cm frame included (46 x 55 cm wit...

This large, colorful still life painting by Paul Longenecker (1920-2008) depicts a varied assortment of flowers in an urn. There is a bird’s net to the lower right of the urn as well...

The Ballet by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1993 oil painting on canvas, framed framed: 24 x 33 inches canvas: 20 x 29 inches Very good condition. Provenance: private collection Maria Tort Xirau ( Figueres , 26 May 1924 – 6 June 2018) was a painter and photographic and cinematographic editor from Emporda. She developed a long professional career in leading photographic studios, in films for The Walt Disney Company and also in advertising claims for companies such as Educa Borràs . The second half of her life was dedicated to painting, exercising a luminous, varied and nostalgic chromatic style in the techniques of oil and watercolor and with exhibitions of her work in Barcelona and Figueres. The Biographical Dictionary of Art Empordà defined Tort Xirau's work as "a painting that is characterized by the strength of the strokes, the vividness and brightness of the chromatic range and exudes mastery of the photographic technique. A mixture of nostalgia and tenderness is evident.". Tort Xirau's paintings were exhibited in the two towns where she spent her life: in 1992 she exhibited his work at the Caixa de Figueres Exhibition Hall. Two years later, she did it at Sala Conex in Barcelona and in 2007 and 2013 the Consortium of Sant Ferran Castle and the Figueres Town Council organized tribute exhibitions. In 2013, she ceded to the council of the city of Figueres her work Mercat de la plaça de l'Ajuntament , watercolored on paper around 1991, which is exhibited in the rest room of the building. On June 6, 2018, she died in Figueres at the age of 94, receiving the apostolic blessing . Two years after her death, part of her paintings were included in the exhibition Paint, create, live. Women artists in the Alt...

Clarence Holbrook Carter (American, 1904-2000) Still Life with Apples, 1940 Oil on canvas Signed and dated upper right 18 x 24 inches Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Artist: French School, early 20th century Medium: Oil on canvas laid on board Size: 17.5 x 12.5 inches (canvas) Frame: 19 x 14 inches (framed), bevelled edge frame Condition: Good co...

Title: Impressionist Coastal Fishing Scene with Lighthouse and Beached Boat in Erquy Brittany by Fanch Lel Signed: Yes Size: 8.75 inches (height) x 10.5 inches (width) Medium: Oil on...

This charmingly impressionist oil still life depicts an antique copper pot, a glass bottle, and two artichokes by French artist Raymond Bailly, 1970s. Original artwork on paper dis...

Michel-Henry was born in Langres in 1928 and has shown strong passion for drawing since his childhood. Michel-Henry is acknowledged as an important painter in French contemporary a...

This superb Edwardian floral oil painting is by noted French Impressionist artist Jacques-Emile Blanche. From 1884 Blanche spent a lot of time in England and regularly exhibited at the Royal Academy...

Frederick Serger Genre: Post Impressionist Subject: Flowers, Poppies Medium: Oil Surface: Panel Hand signed lower left Frederick Serger (given name Frederick Bedrick Sinaberger) w...

Tony Agostini (French, 1916 - 1990) Large oil painting on canvas depicting a still life scene with flowers on a canvas and easel titled "L'Atelier". Hand signed to lower right and ...

Mid Century still life of flowers in a vase by S Soreau. The painting is signed bottom right and is presented in a fine, deep, limed wood frame. This wonderful colourful painting fe...

Lois Mailou Jones: 1905-1998. Well listed African American painter and one of the most important African-American female artists of the 20th century. She has Auction records up to $7...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

Vintage French modernist still life oil painting. Oil on canvas. Framed. Signed. Measuring: 35 by 20 inches overall. In excellent original condition. Handsomely framed in a modern...

Signed lower right, 'Jane Chenoweth' for Jane Chenoweth (American, 20th century). Oil botanical showing a field of vermilion poppies with white and gold daisies contrasted against ...

Fauvist Grapes and Bananas, Mid Century Modern Impasto Fruit Still-Life Wonderful vibrant fauvist mid century modern still-life of a plate with grapes and bananas by California arti...

Alexander Mikhailovich Kishchenko (1933–1997) was an outstanding Belarusian monumentalist artist whose work significantly influenced the development of visual arts in Belarus during ...

Signed lower right, 'Eleida Ashcraft' for Eleida Bosler Ashcraft (American, 1875-1940) and dated 1931/2. Framed dimensions: 23.5 H x 2.5 D x 25.25 H inches Displayed in a carved 22kt...

"Buildings" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) set of 2 watercolour on paper, unframed Left painting : 5.25 x 3.25 inches bottom painting: 4.5 x 3 inches ...

Antique American signed modernist flower still life oil painting. Oil on canvas. Signed. Framed. Image size, 16L x 30H.

Oil on canvas, 24 x 19 inches overall, 20 x 15.75 inches image size. A modernist still life. Cubist elements as well. Signed lower right and presented in an a modernist frame. ...

Antique American modernist oil painting by William Edward Starkweather (1879 - 1969). Oil on board. Framed. Signed lower right.

Oil Painting Pair by Henry Schouten "A Vase of Flowers" 1857 -1927 Using his psuedonym 'Jos Klaus' which he used for his flower paintings Belgian painter who studied under Alfred Ven...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

French School, mid 20th century Still life of books oil on board unframed board: 10.5 x 13.75 inches provenance: private collection, France condi...