Horizontal Animal Prints

Print Sz: 18"H x 26"W Frame Sz: 30 3/4"H x 36 3/8"W w/ gold leaf wood frame w/ scallop Zeese-Wilkinson Co Inc Engravers and Printers Franklin Brooke Voss (1880–1953) was an Ameri...

ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Giraffe on Fire MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXIV/C MEASUREMENTS: 20" x 26" YEAR: 1970 FRAMED:...

"Polar Vista" Svalbard, Norway - 2017 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Ed...

Etching realized by Sigfrido Oliva in 1989. Hand signed in pencil. Artist Proof. Excellent condition.

Wild Texas Longhorns Colored Photography Longhorn Fine Art Prints ABOUT THIS PIECE: Size: 36x24 This series was captured on a local Texas ranch, where the land stretches wide and t...

This is an original rare first octavo edition John James Audubon hand-colored lithograph entitled "Canada Grouse, 1. 2 Males, 3. Females, 4. Trillium pic...

Artist: Fran Bull Title: Horses of the Camargue Medium: Silkscreen Signed: Hand Signed Edition: From the edition of 250 Measurements: 22" x 29 1/4" Frame: This piece is sold UNF...

Original Hog Farm & Friends Poster by Rick Griffin — Psychedelic Counterculture Classic, Limited European Edition. The European Limited Edition poster was printed on lightweight whi...

This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background. This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

"Sandwich Tern' Antique Hand Colored Lithograph Delicately rendered naturalist drawing of a sandwich tern from the 1903 edition of "A History of British Birds" by F.O. Morris. This...

Park Life is an etching drawn on a copper plate and etched with acid. Set within an imaginary panoramic view of New York City's Central Park, it brings together a rich cast of histor...

David Lee, Chinese (1944 - ) - White Herons, Year: circa 1985, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 21 x 29 in. (53.34 x 73.66 cm), Descriptio...

Robert Beauchamp, American (1923 - 1995) - Riders, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 18 in. x 26 in. (45.72 cm x 66.04 cm)

Artist: Robert Zakanitch, American (1935 - )
Title: Sunday Crows
Year: 1986
Medium: Lithograph Diptych on Arches, signed, numbered and dated in pencil
Edition: Tr...

This is a contemporary photograph of an African Lion shot by Shane Russeck 36x48 Unsigned test print Printed on Kodak Luster paper. Shane Russeck has built a reputation for captur...

Serigraph in colors on paper. Hand signed lower right by Eyvind Earle. Hand numbered 62/400 lower left. Image size: 30 x 40 inches. Sheet size: 36.5 x 46 inches. Frame size: 40 ...

ABOUT THIS PIECE: I love walking through Central Park and to watch the seals play at the Zoo. I imagined a scene where one of the New York harbor seals is ...

Offset Lithograph, exhibition poster Edition of Unknown Size Unsigned 20.87 x 25.20 in 53.0 x 64.0 cm This is an original vintage David Hockney poster - it is not a later reproduc...

'Strahlinge' (Protozoa - Radiolarians or Radioza) German lithograph, circa 1895. Key to protozoa in German below the image. 250mm by 305mm (sheet). Central vertical fold as iss...

Aditya Dicky Singh Untitled Photograph on fine-art Hahnemuhle archival paper 33" x 46" unframed (84cm x 117cm) 2022 Edition 1/8 Aditya Dicky Singh's images have enthralled many and ...

Artist: Kitagawa Utamaro the First (Japanese, 1753 - 1806) Publisher: Tsutaya Jūzaburō (Japanese, 1750 - 1797) Page Size: 10 x 15 in. Frame Size: 16 x 22 in. An Edo Period color woo...

This is an original John James Audubon hand-colored lithograph entitled "American Black or Silver Fox, No. 24, Plate CXVI" from John James Audubon's Quadrupeds of North America, publ...

Lumen Martin Winter, American (1908 - 1982) - Mustang, Year: 1980, Medium: Lithograph on Somerset, signed and titled in pencil, Edition: AP, Image Size: 17.5 x 25.5 inches, Size:...

Artist: Slonem, Hunt Title: Azure Sky Bunnies Series: Bunnies Date: 2025 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" x 1.25" Signat...

Michel BEZ (1951-2018) Pegasus Original lithograph Handsigned by pencil Numbered on 275 copies On vellum, 75 x 90 cm (c. 29.5 x 35.4 in) Very good condition, small defects on the e...

Artist: John James Audubon (American, 1785-1851) Title: "Wilson’s Petrel - Mother Carey’s Chicken" (Plate 460, No. 92) Portfolio: The Birds of America (F...

This captivating circa 1980 screenprint by Richard McLean depicts the racing horse Satin Doll with the photographic accuracy and meticulous detail characteristic of American Photorea...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This lion is tough but he's seen a lot of carnage and doesn't want a...

A fine etching by Charles Hunt (1803-1877) and coloured using aquatint by C. Simpson after a painting by John Frederick Herring (1795-1865). It depicts The Baron, a Thoroughbred race...

Circus scene with cat, lithograph. (possibly colored with watercolor painting. I am not sure) Sakti Burman (born 1935 in Kolkata) is a contemporary Indian artist of Indian parentag...

Artist: Slonem, Hunt Title: Summer Dusk Bunnies Series: Bunnies Date: 2025 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" x 1.25" Sign...

Set of 3 Colored Bird Prints each unframed, 10.5 x 14.5 inches condition: very good A beautiful set of 3 colored prints of classical birds in landscape settings. As a set, they make...

Available sizes: 18” x 23.91”, Edition of 8, Pigment Print 28” x 37.2”, Edition of 8, Pigment Print 38” x 50.48”, Edition of 6 Silver Gelatin Wildlife fine art photographer and cons...

Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...

This is a hand-colored folio-sized lithograph entitled "Nycticorax Griseus" (Night-Heron) by John Gould from his monograph "The Birds of Great Britain...

This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well. This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...

Birds in a Nest - Woodblock Print on Paper #3/6 Black and white woodblock by Janet Wheeler (American, 1922-2001). Four birds are shown in a nest, along with a cracked eggshell. The birds and the nest are depicted in a bold, stylized manner, with clever use of negative space. Numbered "3/6" at bottom center. Signed "Janet P Wheeler...

Screenprint on paper Signed and titled in pencil Numbered from the edition of 75 Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 100 50...

Bewick's Swan is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870....

"Lion Tamer" lithograph by Alexander Calder. Hand-lettered EA in lower left front corner. Hand-signed Calder in lower right front corner. From an ed...

Stanley Boxer Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979 Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper Edition 16/20 Pencil sign...

'The Monitory Lizard' Copper-line engraving with original hand-colouring. 1790, by Frederick Polydore Nodder (fl.1770 – 1800). 120mm by 195mm (platemnark). Early engraving of an ...

David Everett was born in Beaumont, Texas, and received both his B.F.A. and M.F.A. from The University of Texas at Austin. Valley House began showing his multi-articulated, painted w...

Warner Brothers Orchestra Bugs Bunny Daffy Duck Porky Pig Cartoon Movie Legends Al Hirschfeld (1903-2003) Warner Brothers Orchestra Etching and Aquatint Sight 15 1/4 x 23 1/2 inches...

This piece titled "Watch for the Next Bloom" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 35"h x 26"w framed...

A dynamic, Cubist-inspired composition of hens, rendered in bold primary reds and blues. Brimming with character and energy, this vibrant work demonstrates a masterful command of col...

Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...

Hare is a limited edition drypoint etching by Kate Boxer. The earthy brown tones of the hare and depth of colour in this contemporary artwork gives this Kate Boxer print a grounded s...

MAGENTA HORSE, THREE GEISHAS is an original lithograph printed using hand drawn lithography techniques on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XIONGQUAN, Chinese, 1929-2010). Ting's use of bold colors and expressive calligraphic brush drawn forms convey vivid life energy. He is well known for his colorful images of women, flowers, fish, parrots and horses and was associated with artists Karel Appel, Asger Jorn, and Pierre Alechinsky, members of the avant-garde group called COBRA. Throughout his artistic life, Ting imbued his passion and spirit into his paintings, poetry and sculpture. MAGENTA HORSE, THREE GEISHAS is a freely expressed Chinese Ink Brush drawing depicting a colorful magenta horse with dark purple black mane and tail standing with three lovely Asian women...

Print, limited edition of 10, Hahnemuehle paper, signed by the author, with gallery certificate.

Ecurueil (Squirrel) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illu...

Vibrant print of a coyote by Daniel Stolpe (American, 1939-2018). Titled, numbered ("Presentation Proof"), signed and dated along bottom edge. Presented in a black frame with a double mat. Sheet on verso with information about the piece, stating that only 5 Presentation Proofs were created, making this piece 1 of 5. Paper size: 24"H x 28"W. (2018) Master artist and Native Images lithographer Dan "Coyote" Stolpe slipped out of his non-functioning body, and is running free at last and howling in the hills. Born and raised in Los Angeles, Dan's father introduced him to Native American teachers of Art and Culture through the Woodcraft Rangers, who influenced Dan for the rest of his life. "Everything was patterned after a tribal structure," Stolpe said. We learned about Indian life and lore and we had Indian guys teach us how to make Indian costumes and about Indian dance and drums. That's what got me interested." Dan made his first drum when he was 14, and he was quietly playing that same drum during his final days of life. Stolpe attended LA Co. Art Institute (OTIS) on scholarship until 1962, when he dropped out to Apprentice with artist Don La Viere Turner in Glendora, and then with Master Printer Joe Funk in Venice until 1966. Commissioned by the Smithsonian Institute, he moved to Washington DC to illustrate extinct birds...

Noel Daggett, American (1925 - 2005) - Last of the Strays, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 40, Image Size: 20 x 26 inches, Size: 22.5 ...

'Canard Nyroca - Canard Milouinan' (Ferruginous Duck) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series o...

Signed, titled and numbered by the artist, from the serigraph edition of 40 prints completed at Self Help Graphics in Los Angele. Trouble in Paradise is based on tourism postcards and California orange crate art...

This is a fine aquatint etching by British artist Percival Gaskell. The title is: The Lonely Tower, Roman Campagna, it was created and printed in 1924 in an edition of 150. The ima...

"Dawn Patrol" Northern Fjords, Norway - 2018 Archival Pigment Print Edition of 20: 24” x 36” (61 x 91.4 cm) $5,500 Edition of 15: 31” x 46.5” (78.7 x 118...

Intrigue II' Original Handmade Silkscreen Print. A playful illustration portraying the idea of Intrigue as the dog plays and sniffs at some fluttering butterflies, humorous and thoug...

This is an original 19th century John James Audubon hand colored lithograph entitled "Townsend's Rocky Mountain Hare", No. 1, Plate III, from Audubon's "Quadrupeds of North America",...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...