Fabric Abstract Sculptures

This rare and visually arresting mid-century modern abstract painting was created circa 1950 by celebrated Denver modernist Angelo Di Benedetto (1913–1992). Executed in acrylic on a ...

Hexagonal yellow clay wall sculpture in hand molded ceramic relief conceived for modular wall installation. This wall-mounted clay sculpture is constructed from hand molded natural ...

This abstract painting by Teodora Guererra features a blue and white palette ranging from deep blue-grey at the bottom of the composition, and fading up to light blue and white at th...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Splashes of gold paint are applied to a wood panel, with a few bits of burnt umber. Several objects - including a paint tube, cotton balls, and a miniature painting - are attached to the panel. Signed "Michael Pauker", titled "His Name Was Writ in Acrylic Paint", and dated "2017" on verso. There is a note from the artist that this is the top of a two-part piece, but the whereabouts of the bottom half are unknown. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Hand Made, Woven and Crocheted Abstract Fiber Sculpture, Yarn, Felt, Mixed Media Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, i...

For sale is the highly sought-after collaboration between renowned Chinese artist and activist Ai Weiwei and German home improvement store Hornbach, Safety Jackets Zipped the Other W...

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

Coup de Grace,  brushed wool, 7’9" x 4’4", 1997. This contemporary abstract woven tapestry was done by renowned Canadian textile artist, Mariette Rousseau-Vermette (1926 - 2006). Born in Trois-Pistoles, Québec, Mariette Rousseau married painter/ceramicist Claude Vermette...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Pascal Mourgue (France, 1943-2014) Model Contraste Rocking chair, late 20th century. A blackened wooden frame with a sculptural elliptical backrest and rocker base, paired with an ...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...

acrylic on African fabric

This piece is made to order. Please allow for 4 to 6 weeks for production. This piece titled "DALL·E 2023-07-01 07.26.12" x four" is a crafted original piece by Tuft the World as pa...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

Linda Stein, Rocking Staff 171 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an ...

Large Aqua Metallic Wall or pedestal mount keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, a...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a yellow and black background, the artist has attached several objects, including plastic letters, cigar boxes, and glass slides. Unsigned, but was acquired with a collection of his work. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Blas Alfredo Castagna was born in Buenos Aires, Argentina in 1935. He studied at the Manuel Belgrano National School of Fine Arts and at the Prilidiano Pueyrredón School, where he obtained the title of National Professor of Drawing and Decorator Painter. In 1959 he traveled to Italy and in Sicily he attended the metal-beating workshop at the Scuola d´Arte di Comiso. A year later, he had a solo show of oil painting and gouaches at the “Alcora” Gallery in Buenos Aires, also presenting it in the province of San Juan. In addition to his artistic activity, he worked between 1974 and 1976 as a teacher in the Department of Plastic Arts, Faculty of Humanities, of the National University of San Juan. In 1982 he was invited to exhibit plates and monotypes at the Galerie de L´Université - Tour Mauran in Toulouse, France. A year later he exhibited in our country at the Van Riel Gallery, where a long connection with this room begins. In 1998 he exhibited again in Toulouse, at the Espace Croix Baragnon, an exhibition entitled "Origins, Mémoide", also presenting that year, at the Enrique Larreta Museum of Spanish Art in Buenos Aires, his "Obra Figurativa 1973-1993". Collectively, he presents his works in Uruguay, Cuba, Spain, at the Museum of Modern Art in Buenos Aires and at the National Museum of Fine Arts, at the Borges Cultural Center (2007 and 2008), at the Museum of Modern Art in Bahia ( Brazil, 2005), at the Sainsbury Center Norwich (United Kingdom, 2004), Centro Cultural Recoleta (1999), at the Fortabat Foundation (1985), at the II Biennial of Havana (1986) and at the ARCO fair in Madrid ( 1987). In 1990 he was awarded the Spirit of Greece Award for engraving, and in 1992 the “Konex Platinum Award. His work is influenced by the Latin American geometric constructivism present in Argentina and Uruguay as well as the European influences of Surrealism and Dada Art. He showed at the prestigious van Riel Gallery. For over 80 years the Frans van Riel Gallery has exhibited at the forefront of Argentinean art. Beginning with Alfredo Hlito “Grupo de Artistas Modernos de la Argentina” (Argentinian Modern Artists). The avant-garde of the 1950s and the work of Kenneth Kemble, Leónidas Gambartes and the Grupo Litoral, Juan Del Prete, Aldo Paparella sculpture, Julio Llinás, Aldo Pellegrini, Juan Batlle Planas, Libero Badii, Malena Babino, Horacio Butler, Alejandro Corujeira, Juan Del Prete, Kirin, Luis Felipe Noé...

Paint on muslin & mixed media

Horst Egon Kalinowski (German, 1924-2013). Mixed media assemblage collage Divan Ophidian. Hand signed in marker upper right and dated 82 Bagnols-en-Foret, Titled upper left. Additionally titled and dated on verso. Dimensions: 30" x 24 1/4" (with frame 27" x 32 3/4") inches. Born in 1924 in Dusseldorf, From 1945 to 1948, he studied at the Academy of Fine Arts in Düsseldorf. In 1949-1950, he stayed in Rome and Venice, Italy. From 1950 to 1952, in Paris, France he studied in the abstract art workshop of Jean Dewasne and Edgard Pillet...

Textile & mixed media

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Elisabet Urpí Ràfols and Nacho Umpiérrez Fripp, collectively known as ELIURPI, are the creative duo behind our brand. Based in Barcelona, we specialize in shaping unique pieces through a fusion of culture, architecture, and contemporary art. Founded 14 years ago, ELIURPI originally gained recognition for our sculptural hats. Over time, our artistic scope has broadened to encompass sculptures and art-design pieces. Recently, we showcased our latest creations at the Milan Fair, including an individual exhibition at Palazzo Litta titled "Shadows and Poems," inspired by Junichiro Tanizaki’s "In Praise of Shadows," which extols chiaroscuro as the pinnacle of beauty. Raffia served as the central material uniting all exhibited pieces, creating a harmonious narrative throughout the exhibition space. Our professional and personal lives intertwine, enriching our distinctive artistic language that blends cultural traditions with contemporary aesthetics. We draw inspiration from the interplay of light and shadow, while craftsmanship, creativity, and integrity guide our use of natural materials such as wood, straw, raffia, linen, and silk. Notable milestones include our ongoing exhibitions during ARCO week in Madrid, as well as appearances in international art galleries and craft biennials. In 2023, our work "Sculptural Head Object...

Linda Stein, Spoon to Shell 829 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 829 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 1003 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 1003 is from Linda Stein's Holocaust Heroes: Fierce Females series, which ...

Linda Stein, Spoon to Shell 1023 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 1023 is from Linda Stein's Holocaust Heroes: Fierce Females series, which ...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975. Ritzi Jacobi (1941 - 2022) and Peter Jacob...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Flashe on muslin with mixed media

Linda Stein, Spoon to Shell 916 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 916 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 915 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 915 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 910 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 910 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 909 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 909 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 908 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 908 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 881 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 881 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Blue/Purple Pleats is made of sisal fibers, dyed and formed in a technique unique to Mia Olsson. The sisal fibers used by the Swedish artist are shiny and reflect the light, even mor...

Linda Stein, Spoon to Shell 880 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 880 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 906 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 906 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 907 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 907 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 911 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 911 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 917 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 917 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Larger than mid sized. Purple Metallic Pedestal mount keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled,...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

This handwoven contemporary textile sculpture, Mineral II, was done by Chilean fiber artist, Carolina Yrarrázaval (b. 1960). Yrarrázaval explains ...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Mixed Media Sculpture with Waxed Linen, Hammered Copper and Iron Wire Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After rece...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

I wove a tapestry as I returned home to the front-line city of Kharkov, which is constantly under fire. At home, I felt that I wanted to implement the ideas that I had come up with earlier, I wanted to create something new, and the sounds of sirens and explosions did not bother me anymore. Created with the sound of sirens and explosions. Combining bright particles of yarn and thread, I imprint my positive attitude, I live a full life, I breathe. This work is one of the sari of my knitted tapestries, a modern interpretation of the carpet tapestries that used to be hung on the wall, let my bright tapestries...

Saba's Garden, linen, sisal and wool, 84" x 92", 1978. This mid-century modern woven textile wall sculpture was done by fiber artist, Agnieszka Ruszczynska-Szafranska (b. 1929, Warsa...

Linda Stein, Warrior Waging Peace: Words Matter 1273 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture Fre...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Abstract artist Paul Kirley crafts visual journeys that seamlessly intertwine individuals with their surroundings, evoking the ethereal nature of dreams. Blurring the boundaries betw...

When you all around this work the image changes and the works appear saying Love and then as you move to the right of the work it says home. Bringing Love Home by Sena Shah is a new ...

Artist Len Klikunas creates meditative minimalist sculptural artworks that modify experienced reality through visual perception. His art is a mix of art and architecture, hovering be...