Andrew Spence Art

Josh Rowell Old Farm, 26.11.23, 30 Min, 2023 Giclee and acrylic on canvas 50 x 70 cm 19.7 x 27.6 inches Josh Rowell generates his artistic vision by focusing on technological advances that shape our contemporary lives, communicating our increasingly mediated human interactions within the confines of visual art. The artist juxtaposes traditional, handmade techniques; with the intangible nature of the digital age. This position between the real and virtual produces a complex body of work that explores and reshapes information, highlights changes in human interation and celebrates the hand-made in a time that is increasingly being enveloped by the virtual. Born in 1990 in Kent, England, Rowell graduated from Kingston Art School in 2013, where he received a first class BFA with honours. Following a course in Art Criticism at Central Saint Martins college, Rowell returned to Kingston Art School for an MFA in 2015, where he was awarded a first- class distinction. His works have been exhibited in London, New York, Miami, Seattle, Basel, Hong Kong and Mexico and his works are part of public collections including the Uffizi Gallery in Florence, the Gregorian Foundation in Washington, London Kingston University’s contemporary art collection, and the Matilda collection in San Miguel De Allende. In 2017/18 he had his first museum exhibition at the Palacio Nacional de Guatemala. Rowell won the Public Choice award at the VIA Arts Prize 2017, and was included in Future Now, the yearly publication by Aesthetica listing the 100 most interesting emerging artists of the year. In 2019 he was selected for the Royal Academy Summer Exhibition, London and later in the year was invited to participate in the 9th edition of the Dentons Art Prize for which he was announced as joint-winner in 2020. Later in 2020 he was selected for the group exhibition ‘False Memory’ at Rugby Art...

Ditone print on Hahnemühle Photo Rag 308 g/m2 Edition 83 of 100 60 x 43 cm (23.6 x 16.9 in) Signed and numbered on the front Mint. Sold with accompanying book Images of edition numb...

Billy Childish Untitled , 2013 Signed and numbered on front of sheet Giclee archival print 38.1 x 30.5 cm Billy Childish’s emotional, introspective portraits and landscapes take ins...

Archival pigment Giclée on Hahnemühle Archival Fine Art paper Edition 37 of 150 Signed, dated and numbered on the front Mint, as issued Issued with Limited Edition Certificate from ...

Billy Childish Untitled , 2013 Signed and numbered on front of sheet Giclee archival print 41.6 x 30.5 cm Billy Childish’s emotional, introspective portraits and landscapes take ins...

Paul Pfeiffer Four Horsemen of the Apocalypse I, 2000 Digital Duraflex Print 309.9 x 386.1 cm In his sculptures, photographs, and videos, the New York-based artist Paul Pfeiffer con...

Hand painted multiple with archival inkjet Edition 19 of 60 Signed and numbered on the front Mint, as issued Framed in Perspex Published by Reverspective Ltd

Patty deGrandpre’s “Broken Television 323” is a stunning abstract unique inkjet digital print. Horizontal panels of layered soft hued sepia border the top and bottom of a contrasting...

Eyes of Tiger, by Mr. Mitote -Serigraphy, - 44 x 59cm 17.3 x 23.2 in - Mexican Pop Art, c. 2024 A piece from the exhibition "Cosmic Duality" by ar...

Damien Hirst (b. 1965) is one of the most divisive, high-profile, and arguably misunderstood artists of the contemporary era. Building on the legacy of his celebrated Spin Paintings...

Hand signed & numbered by the artist. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. Edition of 250. All reasonable offers will b...

Patty deGrandpre’s “Landlocked (The End of the Line)” is an 14 x 11 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and...