Charles Wild Prints and Multiples

Vanttinen created this mezzotint in an edition of 100 and it is titled and signed in pencil. Jukka Vanttinen (Finn, b. 1954) Jukka Vanttinen was introduced to the medium of mezzoti...

This Finnish artist creates a mezzotint in black and white. This impression is #44 of 100 and is signed, dated and titled in pencil. Jukka Vanttinen (Finn, b. 1954) Jukka Vanttinen...

Original Porsche 928 German factory poster. Archival linen-backed and presents in Grade A condition. The white area was cleaned up during linen backing. This should be the lowes...

"These two Collage Peace Mandalas are based on fine art pieces I created for my 'Swan Song' show at Galerie Itinerrance in Paris. Peace has been an important theme in my work for man...

Letterpress on thick cream cotton paper with hand-deckled edges. 13 × 10 in 33 × 25.4 cm Edition of 450 Part of a limited edition set "Inspired by Vietnam War protesters who would...

Nelson Mandela, The Window, Signed Limited Edition Lithograph Many people are unaware that Nelson Mandela turned his hand to art in his 80's as a way of leaving a legacy for his family. He spent time with an art tutor and learnt to draw. In 2002, when creating the The Window print, he told Anna and Laura from Belgravia Gallery of his desire to become a full time artist when he retired. This sketch depicts a view of Table Mountain through the bars of a prison cell...

"As I develop the work for my 30th anniversary, I'm revisiting some classic images from throughout my career and exploring alternate compositions. I felt that this reconfiguration of...

"The Wall Street Public Enemy print is a critique of the culture of greed and manipulation seen on Wall Street and in the banking system. Lack of oversight from the government that i...

“INTERIORS IV : HOTEL PARADISE” Contemporary artist Peter Milton created this etching and engraving in 1987. The printed Image size is 24 x 35.50 inches and the paper size is 30.75 x 41.75 inches. This impression is signed, dated, and titled in pencil, and inscribed “84/175” – the 84th impression of an edition of 175 pieces. “I do love to draw. I feel that I am being granted membership in the Brotherhood of Merlin, conjuring forth some apparition. As a drawing develops, I sense a vague presence coming more and more into focus, something in a white fog emerging and becoming increasingly palpable.” – P. Milton, “The primacy of touch. The Drawings of Peter Milton” “Working in layers, Milton begins with drawings based on people and places, with nods to Western art history and culture. He is a master of the appropriated image, a term that may conjure Andy Warhol and his Pop Art comrades. But Milton steps further back in history, avoiding the Pop sense of cool advertising and popular culture references. Instead, a broader cultural past is tapped through historical photographs of key players, architecture, and locales, which he reinvents by hand. He adds content drawn from his life as an avid reader – always with multiple possible interpretations – thus incorporating deeper meaning in his cinematic worlds. Elements of Greek mythology, classical music, art history, and history coalesce in his images, which embrace the messiness, sorrow, and elation that is life. One is hard-pressed to imagine a more erudite, skilled, passionate, and cheeky soul.” – T. L. Johnson and A. Shafer Peter Milton was born in Pennsylvania in 1930. He studied for two years at the Virginia Military Institute...

Jenny Holzer, More Trouble Than Thought, 2021 Screen print with palladium leaf finish on paper 23 3/5 × 29 9/10 in (60 × 76 cm) Edition 31 of 125 Hand-signed by artist and numbered ...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Hans Schleger 'Zero' (1898-1976) London Transport Coach Stop Poster Screenprint poster c. 1970 16x17.8 cm Printed for London Transport These posters were designed to be used as temporary stops when the usual stop required amendment for instance owing to road works or similar events. Printed on paper they were designed to be posted up at the alternative site, possibly over a different sort of stop (bus stop, coach stop, request stop, etc.). Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel. In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British advertising agency Crawfords, where he met Edward McKnight Kauffer who introduced him to Jack Beddington the head of advertising at Shell Mex...

Chaos Mandala 2 is a new colorway of my original screenprint Chaos Mandala. This print merges two seemingly contrasting concepts and aesthetics…chaos and harmony. I have always been ...