Romany Marye in Christopher Street
By John Sloan
Located in New York, NY
John Sloan (1871-1951), Romany Marye in Christopher Street, 1922, etching, signed in pencil lower right, titled, dated and inscribed 100 proofs bott...
Etching
John Sloan Etching, 1916, "McSorley's Back Room"
By John Sloan
Located in Phoenix, AZ
John Sloan (1871-1951) etching created 1916. Edition: 100 Titled: “McSorley’s Back Room” Plate size: 5 1/4" H x 7 " W Sheet size: 7 1/2" H x 10 3/8" W In excellent condition, unframe...
Paper
John Sloan Original Etching, 1917, "Sidewalk"
By John Sloan
Located in Phoenix, AZ
Original etching by John Sloan (1871-1951) In good condition, framed. Depicts a mother helping her child pee in the street, 1917. Image measures approx. 3 1/4" H x 6 1/2" W Frame si...
Paper
SHINE, WASHINGTON SQUARE
By John Sloan
Located in Portland, ME
Sloan, John. SHINE, WASHINGTON SQUARE. Morse 206. Etching, 1923. Signed, titled and inscribed "100 proofs," and further inscribed "Peter Platt imp." Morse says that 80 were print...
Etching
$2,560Sale Price|36% Off
Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Plano, TX
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Etching
Boys Sledding
By John Sloan
Located in Fairlawn, OH
Boys Sledding Etching, 1920 Signed and titled in pencil by the artist below image (see photos) Annotated in pencil by the artist "100 proofs" Signed and dated in the plate lower left...
Etching
GREETINGS, 1915 or MOTHER AND CHILD AT THE WINDOW
By John Sloan
Located in Portland, ME
Sloan, John. GREETINGS, 1915 or MOTHER AND CHILD AT THE WINDOW. Morse 170. Etching, 1914. Edition of 100 of which only 75 were printed. Signed in pencil and inscribed in pencil "Gree...
Etching
Twenty-Fifth Anniversary; Invitation to a party .....
By John Sloan
Located in Middletown, NY
Invitation to a party on the occasion of John and Dolly Sloan's twenty-fifth wedding anniversary. Sante Fe: Printed by Peter J. Platt, 1926. 100. Etching on cr...
Etching
New Year’s Eve and Adam
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'New Year's Eve and Adam', etching, 1918, edition 100, (only 85 printed), Morse 190. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, l...
Etching
"Man Monkey, " Original Etching Genre Scene signed by John Sloan
By John Sloan
Located in Milwaukee, WI
"Man Monkey" is an original etching by John Sloan. The artist signed the piece in the lower right. This is from an edition of 100. It depicts a man banging a drum in the middle of a ...
Etching
FRANKIE AND JOHNNIE or HIM
By John Sloan
Located in Portland, ME
Sloan, John (American, 1871-1951). FRANKIE AND JOHNNIE. or HIM Morse 236. Etching, 1928. Edition of 100 (but only 50 were printed, by Platt). Dated and Titled in the plate, and Signed in pencil by Sloan and inscribed "100 Proofs," and also signed by Peter Platt. With tack holes and deckled edges. 5 x 8 inches, 126 x 203 mm. (plate), 8 1/2 x 12 1/4 inches (sheet). In excellent condition. From Morse: " A small chorus singing 'Frankie and Johnnie' crowds the tiny stage of the Provincetown Players Theater in MacDougal Street. An episode from E. E. Cummings' intelligent and entertaining production, HIM." (Sloan writing in 1945). "HIM" is about as thrilling an evening's entertainment as I have ever experienced. I liked it thoroughly -- I do not claim to understand it -- I do not believe that a work of art can be, nor need be understood, even by the maker. It seemed to me to be a glimpse inside the cranium of an artist-poet." (Sloan in a letter to James Light, the director of the play) Though Morse says the stars were Hemsley Williams and Goldye Steiner, it was actually Hemliey Winfield (1907 - 1934), the founder of the New Negro Art Theater Dance Group. This company was very successful and highly regarded. It appeared in the Metropolitan Opera's premier of Louis Gruenberg's setting of Eugene O'Neill's "The Emperor...
Etching
"The Row at the Picnic, " Original Black and White Etching by John Sloan
By John Sloan
Located in Milwaukee, WI
"The Row at the Picnic" is an original etching by John Sloan. This piece depicts a fight that broke out in a park. There is a mass of people huddled together. 4 7/8" x 3 1/2" art 17...
Etching
NIGHT WINDOWS
By John Sloan
Located in Portland, ME
Sloan, John (American, 1871-1951). NIGHT WINDOWS. Morse 152. Etching and drypoint, 1910. The 5th state of 5. Edition of 100. Titled, signed, and inscribed...
Drypoint, Etching
The Silent Pie
By John Sloan
Located in Middletown, NY
Boston: Frederick J. Quinby Company, 1904. Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The ...
Etching
The Silent Pie
By John Sloan
Located in Middletown, NY
Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The Flower Girl, vol. 2. by Paul de Kock. In go...
Handmade Paper, Etching
ARCH CONSPIRATORS
By John Sloan
Located in Portland, ME
Sloan, John. ARCH CONSPIRATORS. Morse 183 Etching, 1917.Edition of 100. Signed by Sloan, titled, and inscribed 100 proofs, and also signed "Ernest Roth, imp/(old paper)." With a lebe...
Etching
$12,000
Barbershop
By John Sloan
Located in New York, NY
John Sloan (1871-1954), Barbershop, 1915, etching and aquatint, signed in pencil lower right, inscribed in pencil “For John Quinn, Esq. – John Sloan” lower left margin, (also signed ...
Etching, Aquatint
BARBER SHOP
By John Sloan
Located in Portland, ME
Sloan, John. BARBER SHOP. Etching and aquatint, 1915, (Morse 173), 3rd (final) state, Only 35 were printed, by Sloan. Signed in pancil, lower right. 10 x 12 inches (256 x 308 mm (pl...
Etching, Aquatint
TURNING OUT THE LIGHT
By John Sloan
Located in Portland, ME
Sloan, John. TURNING OUT THE LIGHT. M. 134. Etching, 1905. 5 x 7 inches; 127 x 178 mm. (plate), 9 1/2 x 11 1/2 (sheet). Titled, inscribed "100 Proofs" and signed, all in pencil. Whi...
Etching
FUN, ONE CENT
By John Sloan
Located in Portland, ME
Sloan, John. FUN, ONE CENT. Etching, 1905. Morse 131. 2d (published) state. One of the plates from the New York City Life Series. Edition 100, only 60 printed, this being one of an ...
Etching
Subway Stairs
By John Sloan
Located in New York, NY
John Sloan (1871-1951), Subway Stairs, etching, 1926, signed, titled and inscribed “working proof 1;” also with the notation “JS imp” in pencil bottom margin [with the name and date ...
Etching
Fashions of the Past
By John Sloan
Located in New York, NY
John Sloan (American 1871 – 1954), Fashions of the Past, etching and aquatint, 1926, signed and titled by the artist in pencil (Morse 224 IV/IV), also signed by the printer. From the...
Etching, Aquatint
$1,200
FIRE CAN
By John Sloan
Located in Portland, ME
(Sloan, John). FIRE CAN. Etching, 1920. m. 199. 95 x 61mm; 3 3/4" x 2 3/8", signed and inscribed in pencil: Of the usual edition of 100, only 45 were printed. Very good conditon. Man...
Etching
"Love on the Roof" American Realist Etching
By John Sloan
Located in Austin, TX
By John Sloan American Realist From the early 20th century Ashcan School which focused on capturing day to day life in New York City during that period. Image size: 5.75" x 4.25" Et...
Archival Paper, Etching
MAN MONKEY.
By John Sloan
Located in Portland, ME
Sloan, John. MAN MONKEY. M.130. Etching, 1905. Edition of 100, Signed by Sloan. Dated in the lower margin "June 13 - 1905," and further inscribed "J. S. imp. dated by Sloan - final s...
Etching
Up the Line, Miss?
By John Sloan
Located in New York, NY
John Sloan (1871-1951), “Up the Line, Miss?”, etching, 1930, signed, titled and inscribed 100 proofs [also signed in the plate]. Reference: Morse 243, fifth state (of 5). In excellen...
Etching
MAN, WIFE, AND CHILD
By John Sloan
Located in Portland, ME
Sloan, John. MAN, WIFE AND CHILD. Morse 135. Etching, 1905. Titled, signed, and inscribed "100 proofs," all in pencil. 5 x 7 inches (plate), 10 x 12 3/4 inches (sheet). Printed on w...
Etching
Anshutz on Anatomy
By John Sloan
Located in New York, NY
John Sloan (1871-1951), Anshutz on Anatomy, etching, 1912, signed titled and inscribed “100 proofs” by the artist, and also signed “Ernest Roth imp” by the printer. Reference: Morse 155, eighth state (of 8), from the edition of 80. In very good condition, the full sheet, printed in dark brown ink on a brown/tan wove paper, 7 1/2 x 9, the sheet 11 1/8 x 12 3/4 inches. A fine impression. Sloan wrote of this print: “Tom Anshutz, our old teacher at the Pennsylvania Academy, gave anatomical demonstrations of great value to art students. Modelling the muscles in clay, he would then fix them in place on the skeleton. Those present in this etched record of a talk in Henri’s New York class include: Robert and Linda Henri, George Bellows, Walter Pach...
Etching
Coenties Slip
By Charles Frederick William Mielatz
Located in Middletown, NY
Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...
Handmade Paper, Drypoint, Etching
$1,950
H 17.25 in W 22.25 in
1939 Pictorial Map of Chinatown San Francisco World’s Fair Golden Gate Bridge
Located in Yardley, PA
A vibrant pictorial map of San Francisco’s Chinatown, created by Ethel Chun in 1939. It is rendered in striking tones of traditional Chinese red and yellow. Oriented with west at the...
Paper
$1,975
H 11.38 in W 16.82 in
'Brooklyn Bridge' — Signed Color Etching, New York City, 1927
By Luigi Kasimir
Located in Myrtle Beach, SC
Luigi Kasimir, 'Brooklyn Bridge', color etching with aquatint, 1927, edition 100. Signed in pencil. A superb impression, with fresh colors, on heavy, cream wove paper; with margins...
Etching, Aquatint
'Two Boys On A Beach, No. 1' — Erotic Realism
By Paul Cadmus
Located in Myrtle Beach, SC
Paul Cadmus, 'Two Boys On A Beach, No. 1', etching, 1938, edition 75, Johnson & Miller 85. Signed in pencil and initialed in the plate in the lower right image corner. Annotated by t...
Etching
'Locomotives Watering' — Ashcan School Social Realism
By Reginald Marsh
Located in Myrtle Beach, SC
Reginald Marsh, 'Erie R.R. Locos Watering (Locomotives Watering)', etching, 1934, edition 100 (Whitney, 1969), Sasowsky 155. Unsigned as published; numbered '68/100' in pencil. A su...
Etching
Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition. About the artist: Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL. Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Drypoint, Etching
Bernard Schardt, Appeal Denied (NYC Courtroom)
Located in New York, NY
Bernard Schardt worked on the the WPA in NYC during the Depression. (During this period, off and on, he lived with friend and colleague Jackson Pollock...
Intaglio
$1,800
H 20.5 in W 14 in
'The Sixth Avenue Spur, New York City '— American Expressionism
By Frederick K. Detwiller
Located in Myrtle Beach, SC
Frederick K. Detwiller, 'The Sixth Avenue Spur, New York City', lithograph, 1924, edition 20. Signed, dated, titled, and annotated 'Lith 20' in pencil. Inscribed 'To my Friend Herbert L. Jones' in pencil. Signed and dated, in the stone, lower right; initialed and dated '1927' in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with margins (7/8 to 1 1/4 inches); slight toning in the top left sheet edge, otherwise in good condition. Scarce. Image size 20 1/2 x 14 inches (521 x 356 mm); sheet size 22 1/2 x 16 inches (572 x 406 mm). Archivally matted to museum standards, unframed. ABOUT THE IMAGE The Sixth Avenue El was constructed in the late 1870s by the Gilbert Elevated Railway and reorganized as the Metropolitan Elevated Railway. By 1878, it was running from Rector Street to 58th Street. Soon after that, it was taken over by the Manhattan Railway Company, with three other Manhattan elevated train lines. The company built a connection, the ‘spur’ by which it turned west on 53rd Street to merge with the 9th Avenue El—paralleling the present-day route of the 6th Avenue subway. The Sixth Avenue El served the “Ladies Mile” shops (including the Siegel-Cooper emporium, whose building now houses Bed...
Lithograph
Street Booth, Tokyo, New Year's Eve
By Martin Lewis
Located in Middletown, NY
A superb impression of Martin Lewis's consummate image of Japan. Etching with drypoint on fine cream laid paper, 13 7/8 x 10 3/8 inches (352 x 265 mm); sheet 17 3/4 x 14 1/4 inches ...
Handmade Paper, Laid Paper, Drypoint, Etching
A Burro Train, New Mexico
By Peter Moran
Located in San Francisco, CA
This artwork titled "A Burro Train, New Mexico" 1880 is an original etching on Laid paper by noted British/American artist Peter Moran, 1841-1914. It is signed in the plate as issue. The plate mark (Image) size is 9.15 x 6.5 inches, framed size is 14.75 x 18.75 inches. It is framed in a wooden silver frame, with light grey matting. It is in excellent condition, especially considering the age. I like to mention that example of this particular etching is held in the following museums, including, The Toledo Museum Of Art, Toledo, The British Museum, London and The Smithsonian Museum Of Art, Washington D.C. It was also illustrated in American Art Review, volume #2 1881, page 163. About the artist: The younger brother of Thomas Moran, Peter Moran was a painter-etcher best known for his Romantic sensibility and landscape compositions incorporating animals. The Moran family immigrated to the United States from England in 1844, when Peter was three. He began his artistic career as an apprentice to a lithographic firm and eventually studied painting with his brothers Edward and Thomas. He was influenced by the animal paintings of Rosa Bonheur and Constant Troyon and visited England in 1863 to see those of Edwin Landseer. Moran took up etching in 1874, using that medium to record genre scenes that he observed while traveling in New Mexico and Arizona in 1881 on an ethnographic expedition to study Pueblo Indian culture. He later returned to the Southwest in 1890 as an artist for the Bureau of Indian Affairs. In 1882, Moran joined Henry R. Poore, an artist friend, on a visit to Taos Pueblo where the two were given a room and spent a week watching the activities associated with the harvest. Poore recounted the details of their travels in an article titled "A Harvest with the Taos Indians...
Etching
Bourges – The Cathedral of St. Étienne
By John Taylor Arms
Located in Middletown, NY
Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge, 14 1/8 x 9 1/8 inches (358 x 232 mm); sheet 18 1/8 x 11 inches (461 x 280 mm), full margins. Signed...
Handmade Paper, Etching
$800
H 8.25 in W 11.94 in
'A Morning in May' — Ashcan School Social Realism, New York City
By Reginald Marsh
Located in Myrtle Beach, SC
Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169. Unsigned as published; numbered '89/100' in pencil. A superb, richly-inked impression, ...
Etching
"Santa Fe Family"
By John Sloan
Located in Astoria, NY
John Sloan (American, 1871-1951), "Sante Fe Family", Etching on Wove Paper, 1937, numbered edition 75/100, signed in pencil and in plate lower right, titled lower center, and marked ...
Paper, Etching
Fourteenth Street, the Wigwam
By John Sloan
Located in New York, NY
A superb, dark impression of this etching. Seventh state (of 7). Edition of 110, from an intended edition of 100. Signed, titled and inscribed "100 proofs" in pencil by Sloan.
Etching
Robert Henri, Painter
By John Sloan
Located in New York, NY
A very good impression of this etching. Edition of 60 (from an intended edition of 100). Signed and inscribed "100 proofs" in pencil.
Etching
The Little Bride
By John Sloan
Located in New York, NY
A very good impression of this etching with strong contrasts. Edition of 85 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in pencil by Sloan. From "New...
Etching
'Indian Detour' — 1920s New Mexico
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'Indian Detour', etching, 1927, edition 100, Morse 231. Signed, titled, and annotated '100 proofs' in pencil. Signed and dated in the plate, lower right. Printed by Charles White and annotated 'Chas White imp.' by the printer in pencil, bottom left margin. A fine, richly-inked impression, on cream laid paper, with full margins (1 1/4 to 2 1/2 inches); toned 1/4 inch into the top sheet edge from previous adhesive tape; the palest trace of toning within the original mat opening, otherwise in excellent condition. Image size 5 7/8 x 7 1/8 inches (149 x 181 mm); sheet size 9 7/16 x 12 3/8 inches (240 x 314 mm). Archivally matted to museum standards, unframed. Collections: Carnegie Museum of Art, Cleveland Museum of Art, Crystal Bridges Museum of Art, Harwood Museum of Art (Taos), Indianapolis Museum of Art, Museum of Fine Arts Boston, Philadelphia Museum of Art, Library of Congress (Pennell Fund purchase). ABOUT THIS WORK “A satire of the Harvey Indian Tour. Buses take the tourists out to view the Indian dances, which are religious ceremonials and naturally not understood as such by the visiting crowds”. This scene is identified as the corn dance at Santa Dominga Pueblo, in an updated article from the Santa Fe New Mexican of August or September 1936. —from 'John Sloan’s Prints', Peter Morse, Yale University Press, 1969. Indian Detours were the idea of the legendary Fred Harvey...
Etching
Love on the Roof.
By John Sloan
Located in Plano, TX
1914. Etching. Morse catalog 167 state ii. Image: 5 7/8 x 4 1/4 (sheet 10 1/2 x 6 1/4). Edition 100. A rich impression printed on Japanese mulberry paper. Signed in pencil. Housed ...
Etching
Sold
H 16 in W 20 in
"Hell Hole, " John Sloan, Ashcan Bar, West Village, New York City Nightlife
By John Sloan
Located in New York, NY
John Sloan Hell Hole, 1917 Etching and aquatint on paper, 1917 8 x 10 inches Second state (of 2), edition of 110 Signed, titled and inscribed "100 proofs" in pencil, lower margin. A...
Etching, Aquatint
Busses in Washington Square (New York)
By John Sloan
Located in Santa Monica, CA
JOHN SLOAN (American 1871 - 1951) BUSSES IN WASHINGTON SQUARE, 1925 (Morse 219 v/v) Etching, signed, titled and annotated in pencil. Signed and dated 1925 in plate lower left. Ima...
Etching
SWINGING IN THE SQUARE
By John Sloan
Located in Portland, ME
Sloan, John. SWINGING IN THE SQUARE. M. 156 Etching, 1912. Edition of 100, of which only 75 were printed, of which this is likely one of 25 ear...
Etching
Swinging in the Square (also 'In the Park')
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'Swinging in the Square (In the Park)', etching, 1912, edition 100, (only 75 printed), Morse 156. Signed and titled in pencil. Annot...
Etching
Frankie and Johnnie (also HIM)
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'Frankie and Johnnie (also HIM)', 1928, etching, edition 100, (only 50 printed), Morse 236. Signed and inscribed '100 proofs' in pencil. Signed and dated in the plate, lower left; annotated “Frankie and Johnnie” from “HIM”, lower right. A fine impression, on cream, wove paper, with full margins (1 1/2 to 2 1/4 inches); the printer’s tack holes at the sheet edges, in excellent condition. Printed by Peter Platt. Scarce. “A small chorus singing ‘Frankie and Johnnie’ crowds the tiny stage of the Provincetown Players Theatre in MacDougall Street. An episode from E.E. Cummings’ intelligent and entertaining production, HIM.“ –John Sloan, from the catalogue Raisonné 'John Sloan's Prints', Peter Morse, Yale University Press, 1969. ‘Frankie and Johnnie’ is a traditional American popular song. It tells the story of a woman, Frankie, who finds her man Johnny making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. The song was inspired by one or more actual incidents of murder due to jealousy. At least 256 recordings of "Frankie and Johnny" have been made since the early 20th century. Singers include Big Bill Broonzy, Mississippi Joe Callicott, Johnny Cash, Sam Cooke, Frank Crumit, Bob Dylan, Lena Horne, Mississippi John Hurt, Lead Belly, Jerry Lee Lewis, Van Morrison, Fats Waller...
Etching
A THIRST FOR ART
By John Sloan
Located in Portland, ME
Sloan, John. A THIRST FOR ART. M. 306. Etching, 1939. Titled and signed in pencil. Edition of 210, 110 in the third state, and 100 in the fourth state, of which this is one, a sec...
Etching