Brutalist Planters and Jardinieres

Brutalist concrete planter with original solid stained oak base. Made in Switzerland ca. 1960 - 1969. Produced by Eternit AG, Switzerland. Set concrete main planter (without drain...

Set of 55 Brutalist Fibre-Cement Square Planters, Switzerland, 1970s, in the Style of Willy Guhl A rare architectural set of 55 square fibre-cement planters from Switzerland, 1970s....

Set of two "Diabolo" planters by Swiss designer Willy Guhl, produced by Eternite in the 1970s. Fiber cement structure, original gray paint. Beautiful vintage condition, with a nice p...

Brutalist and minimalist planters, Willy Guhl, Switzerland, 1960s 3 similar size rectangular planters are available + 1 larger (see other listings) Willy Guhl was a pioneering Swis...

These planters showcase a sleek, contemporary design that balances elegance with practicality. Crafted from durable resin and finished in a sophisticated gold and black lacquer, they...

A striking pair of Brutalist crucible-form vessels with a heavily textured, volcanic-like surface and beautifully weathered patina. Originally industrial in spirit, these substantial...

Vintage crucible, repurposed as unique planter or pot, carries the marks of their industrial past while offering a striking blend of function and history. Made from heavy-duty refrac...

Large brutalist bowl / planter with rough lava glaze, mid 20th century. This is a wonderful large round bowl in a very distinct brutalist style with a rough and heavy lava glaze on the outside. Great as a garden or patio piece, but also very usable inside. Just imagine this on a large wooden dining table...

A mid century concrete planter boasting a superb weathered patina. Of brutalist design with a rough cast concrete finish. An authentic pi...

This striking pair of large planters draws inspiration from the bold aesthetics of Brutalist design. Crafted with a fusion of mixed stone and concrete, these planters showcase a rugg...

A nice set with each featuring a minimalist ribbed design characteristic of late 20th-century architectural gardenware. With clean lines and a utilitarian aesthetic, these planters r...

This exceptional mid-century modern planter embodies the sculptural innovation and organic sensibility that defined postwar European garden design. Formed in a bold, five-lobed flowe...

THOR is a monumental ceramic planter conceived as both functional vessel and sculptural object. Defined by its powerful cross-shaped silhouette, the piece carries a strong architectu...

This striking mid-century Brutalist planter features a rare sculptural clover or cloud-shaped silhouette, hand-poured in concrete and beautifully weathered by time. The organic, asym...

An organic and Brutalist style Jardine which would work perfectly with trailing foliage. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Vintage California Forged Flat Iron Planter With decorative Rings Made In The USA In The 1940s. The Twisted Top Brutalist Forged Ring Is 15.25 Inches And The Second Or Bottom Ring ...

Standing at 5 feet tall and weighing 365 pounds, Monolith #60 001 is a commanding two-part vessel that bridges sculpture and function. Concrete Poetics pieces are made to order in Br...

These planters showcase a sleek, contemporary design that balances elegance with practicality. Crafted from durable resin and finished in a sophisticated gold and black lacquer, they...

A little Art Deco, a little Gothic, very Brutal. Cast concrete, tinted with dark gray pigment. Natural finish. These vessels are great empty, but even better with flowers or a succ...

Brutalist floor planter stand features organic textures with clean geometric forms. This statement piece perfectly captures the bold aesthetic of Brutalist design and serves as a com...

Etched copper planter or basket in the style of Philip and Kelvin LaVerne.

Beautiful 21st Century French Limenstone Fountain.

set of wrought iron bases, perfect for displaying plants and flowers. The vintage design, with iron frame and metal shelves, offers a functional and aesthetic solution for any room. ...