Large Southwestern Pottery Wedding Vase by Margaret Tafoya

San Domingo (Kewa) Black-on-Cream Pottery Vase by Darrin Aguilar A finely executed contemporary Pueblo pottery Vase by Darrin Aguilar of San Domingo Pueblo (now Kewa Pueblo), New Me...

Beautiful large hand turned "Paquime Pottery" jar / olla by Damian E. Quezada for Mata Ortiz, circa 1980s. The piece has exquisite detail and a unique design with several holes in the base; it is in very good condition with no chips or cracks and measures a substantial 8"D x 13"H. #2181 Damian is the son of Juan Quezada...

A wonderfully crafted, hand painted Native American Navajo pottery black and white vase featuring images of the sun and various geometrical designs. Signed ("S. Begay") and dated ...

A beautiful designed, shaped and decorated ceramic vase by Ingenious Southwest Native American potter Yolanda (Yoly/Yolly) Ledezma of Casas Grandes Pottery in Mata Ortiz, Chihuahua,...

Nerissa Victorino Acoma Pottery Vase, 20th Century. Signed N. Victorino, Acoma NM.

1970s Hand-Painted Native American Vase decorated with intricate geometric designs and natural pigment paints of black, brown, blue and grey on white clay. It is handmade from native...

Beautiful large hand turned "Paquime Pottery" jar / olla by Damian E. Quezada for Mata Ortiz, circa 1980s. The piece has exquisite detail, great color (brown and rust) and a unique design with several holes in the base; it is in very good condition with no chips or cracks and measures a substantial 7"D x 11.5"H. #2185 Damian is the son of Juan Quezada...

A nice quality Southwest Native American style ceramic vase. Neutral hues makes this vase particularly suitable for rustic or contemporary setti...

Small, Mid-Century Modern, art pottery vase by Hungarian artist Livia Gorka features a hand-painted, tribal motif in black and blue. The mouth opening measures 1 inch.

A sculptural hand-coiled and stone-burnished blackware pottery vessel by Adelphia Martinez of San Ildefonso Pueblo. The rounded body rises to a softly flared neck and is decorated with deeply carved relief motifs encircling the lower register. #5184 The carved imagery depicts stylized bighorn sheep (ram) heads with spiral horns alternating with arrow motifs, rendered in low relief against the lustrous black surface. In Pueblo symbolism, the bighorn sheep represents strength, endurance, and the natural world of the surrounding mountains and desert landscapes, while the arrow traditionally signifies protection, direction, and hunting skill. The pairing of these motifs creates a rhythmic narrative band around the vessel while emphasizing its sculptural form. The vessel displays the rich, reflective black surface characteristic of San Ildefonso pottery, achieved through careful stone burnishing and traditional reduction firing techniques developed in the early twentieth century by master potters including Maria Martinez. The contrast between the polished surfaces and matte carved areas adds depth and visual movement to the piece. Signed on the underside: “Adelphia / San Ildefonso / Pueblo.” About the Artist Adelphia Martinez was a potter working within the celebrated San Ildefonso Pueblo pottery...