A console table with no legs and no ornament: the Rectangular Console Table is a parsons-style form clad entirely in Medium Hammered Copper metal, with two vertical side panels that descend straight to the floor and a flat top connecting them. The Medium Hammered Copper hammered texture runs across all three surfaces. A smooth polished strip runs through the centre of the top and down both sides, a band of deliberate contrast designed into the piece from the outset. In Medium Hammered Copper, this contrast between hammered and smooth creates a surface that shifts with the light.
The wood structure is clad in Medium Hammered Copper metal sheets fitted by hand. The craftsmen apply two distinct surface treatments to the same piece: the Medium Hammered Copper hammering across the broader surfaces, and a smooth centre band worked to a different finish quality. Flush-set nails at the panel joints mark the corner lines cleanly. The proportions are 72 inches wide, 16 inches deep, and 30 inches tall, a horizontal form that sits low and long against any wall.
Measures 72 by 16 by 30 inches. The clean rectangular profile suits entry halls, corridors, living rooms, and dining rooms where a console is needed without any visual complication. Functions equally as a hall table, sofa table, or entry console. Available in medium and fine hammered finishes. Custom sizing available. Made entirely to order.
Designed by Alison Spear for Stephanie Odegard Collection. Alison Spear, AIA, is a Cornell and Columbia-trained architect whose award-winning practice spans residential, hospitality, and commercial work. She designed this table on a visit to Rajasthan with Stephanie Odegard, specifying the two-texture approach directly with the local craftsmen. Produced in Udaipur.
Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Medium Hammered Copper surface will gradually mellow in tone over time, which is part of the material's natural character.
The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.
Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.
None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.
The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.
The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.
As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.