The Rectangular Console Table is 72 inches wide, 16 deep, and 30 tall, clad entirely in Medium Hammered Copper metal. The form has no legs: two vertical side panels go straight to the floor, connected by the top. The Medium Hammered Copper hammered texture covers all three surfaces. Running through the centre of each, a smooth polished band creates a line of contrast that is part of the original design, not an incidental detail. In Medium Hammered Copper, the difference between the hammered and smooth surfaces catches the light in two distinct ways.
The wood structure is clad in Medium Hammered Copper metal sheets pattern-cut and hand-fitted to each of the three surfaces. Within the same piece, craftsmen work two different surface textures: the Medium Hammered Copper hammering across the outer areas, and the smooth centre strip polished separately by hand. Flush-set nails mark the panel joints at the corners. The piece is made entirely to order and each surface reflects the handwork involved.
Measures 72 by 16 by 30 inches. The no-leg parsons profile suits hall tables, entry tables, sofa tables, and corridor consoles where a minimal footprint is needed. Available in medium and fine hammered finishes across all four metals. Custom sizing available. Made entirely to order.
Designed by Alison Spear for Stephanie Odegard Collection. Alison Spear is an AIA award-winning architect and interior designer based in New York, recognised for residential and hospitality projects across the United States. She designed this table in Rajasthan with Stephanie Odegard, directing the craftsmen on the specific combination of hammered and smooth surfaces within a single piece. Produced in Udaipur.
Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Medium Hammered Copper surface will gradually mellow in tone over time, which is part of the material's natural character.
The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.
Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.
None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.
The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.
The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.
As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.