Three surfaces, no legs, one continuous run of Medium Hammered Copper metal from the top edge down both sides to the floor. The Rectangular Console Table is a parsons-style form at its most direct. The Medium Hammered Copper hammering covers the full width of each surface, and through the centre, a smooth polished strip runs the full length of the top and continues down both sides: a band of contrast built into the design that gives the piece its only ornament, and its most distinctive quality.
The wood structure is covered in Medium Hammered Copper metal sheets fitted by hand. The craftsmen work two textures into the same piece: Medium Hammered Copper hammering across the outer surfaces, and a smooth centre band polished to a different surface quality. The panel joints at the corners are marked with flush-set nails. The table is 72 inches wide, 16 inches deep, and 30 inches tall. No applied handles, pulls, or hardware of any kind.
Measures 72 by 16 by 30 inches. Works as an entry table, hall table, sofa table, or console against any wall. The no-leg parsons form keeps the visual footprint minimal. Available in medium and fine hammered finishes. Custom sizing available. Made entirely to order.
Designed by Alison Spear for Stephanie Odegard Collection. Alison Spear, AIA, is a New York-based architect and interior designer with over thirty years of experience and two AIA Awards of Excellence. She designed this table during a visit to Rajasthan with Stephanie Odegard, working with the local craftsmen to develop the two-texture hammering approach that defines the piece. Produced in Udaipur.
Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Medium Hammered Copper surface will gradually mellow in tone over time, which is part of the material's natural character.
The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.
Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.
None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.
The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.
The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.
As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.