1930s Figurative Paintings

Born in 1906, Cooley settled in New York City where she studied at the Arts Student League with John Sloan. Her genre paintings of women, children and the working class are in the As...

Advertisement published in the December 16, 1939 issue of The Saturday Evening Post Signed Lower Left

"3rd Avenue EL" NYC American Scene Ashcan WPA Modern 20th Century Social Realism Bernard Gussow (1881-1957) 3rd Avenue El 28 1/8 x 30 1/4 inches Oil on canvas Signed lower left Fram...

Coney Island Fire Eaters American Scene Modernism WPA Social Realism Mid-Century Frederick "Fritz" Frey Rockwell (1917-1977) Coney Island Fire Eaters 25 x 30 inches Oil on Canvas Si...

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...

Love Mirror, True Experiences magazine cover, February 1937 by Female Illustrator and Pupl Artist Georgia Warren Oil on canvas 17 x 13 inches (43.2 x 33.0 cm) Signed lower left: War...

Helen Malta (b.1912). Tattoo Parlor, ca. 1935. Oil on canvas, 20 x 33 inches. Signed lower right. Metropolitan Museum of Art reproduction rights stamp on r...

Original Painting. Colliers Magazine Cover Published 1933 Wedding Illustration Antonio Petruccelli (1907 - 1994) The Wedding Colliers published, June 17, 1933 17 1/4 X 11 1/2 inches (sight) Framed 23 1/4 X 17 1/2 inches Gouache on board Signed lower right BIOGRAPHY: Antonio Petruccelli (1907-1994) began his career as a textile designer. He became a freelance illustrator in 1932 after winning several House Beautiful cover illustration contests. In addition to 24 Fortune magazine covers, four New Yorker covers, several for House Beautiful, Collier’s, and other magazines he did numerous illustrations for Life magazine from the 1930s – 60s. ‘Tony was Mr. Versatility for Fortune. He could do anything, from charts and diagrams to maps, illustrations, covers, and caricatures,’ said Francis Brennan, the former art director for Fortune. Over the course of his career, Antonio won several important design awards, designing a U.S. Postage Stamp Commemorating the Steel Industry and designing the Bicentennial Medal...

Date: 1935 Medium: Oil on canvas Artwork Dimensions: 25.25" x 18.25" Framed Dimensions: 30.75" x 23.75" Signature: Signed Lower Right Cover of June 1935 issue of Field and Stream...

➡️ Landscape Gorge river scene oil painting⬅️ ⏩It is signed Boréal⏪ ⭐Medium:⭐ Oil on wood panel ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐16.5x22cm / 6.5x...

Signature: Signed Lower Right Cover Illustration: Saturday Evening Post, November 6, 1937

Original cover illustration for Collier's magazine, published March 22, 1930 EXHIBITED: The Frederick R Weisman Museum of Art, Pepperdine University, Malibu, California, "Illustrat...

This work is hand signed by the artist at the upper left corner "Jacques Chapiro" It was probably painted in the 1930s or 1940s. Provenance: The collection of Mr. Aharon Sacharov. ...

Jim’s of Lambertville is proud to offer this artwork by: Charles Hargens (1893 - 1997) Carversville, Bucks County, Pennsylvania artist and illustrator Charles was born in Hot Springs, South Dakota. As a young boy he loved to draw cowboys, Indians and ranch buildings. By age ten, he was “a commercial success” selling drawings of neighbors’ barns and houses for $25. When he grew older, his parents consented to enroll him at the Pennsylvania Academy (1913-20) where he studied with Daniel Garber, Hugh Breckenridge, Henry McCarter, and William Merritt Chase. At Garber’s invitation, Hargens occasionally came to visit his Lumberville studio to paint with him. A lifelong friendship resulted. In 1915, the Pennsylvania Academy awarded Hargens its Cresson Traveling Scholarship and he went to Paris to study at the Academie Julian and the Academie Colarossi. Hargens was a fellow of the Pennsylvania Academy and a member of the Society of Illustrators, the National Cowboy Hall of Fame and the Philadelphia Sketch Club. He exhibited at the Art Institute of Chicago (1923 awards) and at the Pennsylvania Academy of Fine Arts (1915 prize, 1917 prize, 1918 award). By the early 1920s, he began to produce illustrations for book jackets, books, magazines and advertisements. His career took off and soon his illustrations of cowboys, Indians, Western life, Revolutionary War action and boy scout themes appeared in, or adorned the covers of The Saturday Evening Post, Collier’s, Liberty, McCall’s, Boy’s Life and Gentlemen’s Quarterly. His work also appeared on billboards and advertisements for Stetson hats and Coca-cola. It was conditioned by Hargens that all of his original art was returned to him after being published. His entire body work remained in his studio until his death in 1997; this is largely the reason his paintings have not yet commanded the high prices of his contemporary Saturday Evening Post illustrators (i.e. Rockwell, Leyendecker and N.C. Wyeth). At first he and his wife worked from their studio in Philadelphia. In 1940, they purchased a property at the intersection of Aquetong and Sawmill roads in Carversville. They commuted to Philadelphia regularly and stayed in South Dakota every summer. Eventually, he set up a studio next to his Carversville home. After moving to Carversville, Hargens began a lifelong friendship with George Sotter. Hargens’ Carversville home was the subject of many of George Sotter’s paintings long before and during the time Hargens lived there. Hargens also studied with Henry Rand...

A rare visionary sand painting by Kiowa Peyote Priest, Chief Charging Skunk, housed in a hand carved and painted frame, created by the artist. Works by Chief Charging Skunk are hard...

Dramatic, monumental oil painting laid to Masonite by George Matthews Harding (1882-1959). Painter, illustrator and muralist, Harding was born in Philadelphia. He studied at the Pyle...

"Drama Teacher" 1938 WPA Mid 20th Century American Theatre Surrealism Modernism. 30 x 24 inches. Oil on Canvas. Signed land dated ’38 lower left. The photograph in the listing depicts the artist's friend who taught drama and about whom the painting is based Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...

Frank Pisani Bethpage State Park Polo Grounds, Bethpage, Long Island, 1938 Signed lower left Oil on board 12 x 16 inches

Genre: Modern Subject: Landscape with figure of horse, driver and wagon Medium: Oil Surface: wood Board Hand signed lower middle E.Romano EMANUEL ROMANO Rome, Italy, b. 1897, d. 19...

Signed lower right and dated 1930. Lever’s “Fishing Harbor in Brittany” is as much a scene celebrating the boats and quaint architecture of coastal France, as it is a nod to its ...

Jacques Martin-Ferrières (French, 1893-1972) Le marché de Raguse en Yougoslavie, avec la fontaine, circa 1938 Oil on canvas Measures: 22-3/4 x 29-1/4 inches (57.8 x 74.3 cm) Framed: ...

Stark and emotional depiction of a family after a natural disaster by Charles Kinghan (American, 1895-1984). This grayscale painting was created as an ...

Jim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...

"Untitled" is a painting by artist David Smith. The work is signed and dated in the upper left "David Smith (symbol) 1936". When David Smith set up a workshop on the Brooklyn Navy Pier in 1933 to learn direct-metal techniques, he shared the space not with artists, but with professional welders. Yet as he stated in 1964, ‘…all my early friends were painters…I never conceived of myself as anything other than a painter because my work came straight through the raised surface.’ Picasso and Cubism would be dominant influences in Smith’s work. He understood that Picasso imagined the world as a sculptor might, and not necessarily limited to the unavoidable impact of Cubism. In addition to pursuing a kind of rethinking of the world in three-dimensionality on his own terms, by the late 1920s, Picasso had shown interest in surrealism. That meant drawing not as a depiction of reality, but rather as a reconfiguration of the body in an assemblage of often precariously balanced, interconnected forms — some expressed in a three-dimensional form, others as drawings or paintings. Those processes are reflected in this work by David Smith; three fanciful totemic assemblages set within a landscape perspective of ground, mountains, and sky and whose presence is surreal enough to cast shadows under a presumed solar presence. Untitled, 1936 embraces surrealism, yet also serves to demonstrate the extent to which his thought processes are inextricably linked to sculpture and related to scale, spatial orientation, and three-dimensionality. With that in mind, it is not surprising to know that Smith saw no demarcation between sculpture and painting, or that a painting such as Untitled (1936) can exist outside of planning or design for future three-dimensional work. Provenance: Estate of David Smith, New York Hauser & Wirth Private Collection Exhibition: Kunstsammlung Nordrhein-Westfalen, ‘David Smith: Skulptureen, Zeichnungen [David Smith: Sculpture and Drawings]’ Dusseldorf/DE, March 14 – April 27, 1986 (travelled to: Städtische Galerie im Stäelschen Kunstinstitut, Frankfurt/DE, June 19 – September 28, 1986: Whitechapel Art Gallery...

A. E. Halliwell (1905-1987) Summer and August Bank Holiday Period Excursions Gouache 26 x 15 cm c.1930 Provenance: Family of the artist A.E. Halliwell (1905–1986) was a British art...

A charming, vintage 1930s Modern camping scene in Algonquin Park, Ontario, Canada by notable Chicago artist, Harold Haydon. Many of Haydon's early landscape paintings depict picture...

Miçao Kono was a Japanese artist who came to Paris in the early 1920s. He painted in oils and watercolors, and also did a number of etchings. Micao Kono became famous with his nude p...

Robert DESSALES-QUENTIN (Brantôme 1885 - 1958) Large view of Treignac - Corrèze Oil on wood H. 82.5 cm; L. 123 cm Signed lower right Provenance: Private collection, Périgueux Rober...

Michael Lenson 1903-1971 "WHITE SHAWL" OIL ON PANEL, SIGNED AMERICAN, C.1935 30 X 20 INCHES

From the Michael Hall Collection, this is a great American scene showing the excitement of the fair. It depicts a time when men wore coats and ties and women had hats at the fair be...

This is a painting about a man who travels back into the past and engages with a different stage in his life. Arnold Friedman worked at the New York City Post Office for four decades...

Original story illustration for the conclusion of “Blue Marigolds: The Mad, Sweet Dreams of Youth Come True” by Helen Topping Miller for Good Housekeeping, published June 1934, pages...

This work is an exceptional example of Kádár's mature Cubist style. It's effortlessly designed around a complex composition of nude men and women tending to horses in a surreal landscape with Greek columns, friezes and marshmello clouds set against a rich blue saturated sky. Kádár was a Hungarian painter influenced by Der Blaue Reiter...

Lajos (Louis) Jambor (1884-1955) Prolific Hungarian-American Post-Impressionist painter and illustrator. He is most widely recognized for providing the illustrat...

This is a painting about a man who travels back into the past and engages with a different stage in his life. Arnold Friedman worked at the New York City Post Office for four decades...

LOURIER-DREYFUS Jeanne (1873-1955) Gardeners at Saint Cloud's Park Oil on canvas signed low right Frame by Gault : (Paris Fbg St Honoré) Dim canvas : 81 X 100 cm Dim frame : 109 x 129 cm LOURIER-DREYFUS Jeanne (1873-1955) French School 20th century Post-impressionist Disciple of Pierre Eugène Montézin, Jeanne Lourier was a pupil of workshop who assimilated the features and environment of the Master. Her artistic education also passed by the workshop of Jules Adler...

Woman in Surreal Landscape Illustration Published: Woman's Home Companion December 1939, "How to Pray" By Ralph Sadler Meadowcroft Work is Unframed

La Rivière (The River) by PAULÉMILE PISSARRO (1884-1972) Oil on canvas 92 x 73 cm (36 1⁄4 x 28 3⁄4 inches) Signed and dated lower left Paulémile Pissarro 1932 Provenance Private col...

Medium: Oil on Canvas Signature: Signed Lower Right Literature: Laurie Norton Moffatt, Norman Rockwell: A Definitive Catalogue, Norman Rockwell Museum...

"Kachina Eagle Dancer" - 1939 Serigraph Serigraph of a Kachina Eagle Dancer by Hopi Pueblo artist Kyrate Tuvahoema (Native American, 1914-1942). The Kachina Eagle Dancer wears a vib...

EMIILIO GRAU SALA Spanish, 1911 - 1975 LE MOULIN DE LA GALETTE signed Grau Sala (lower right) oil on canvas 59-1/4 X 67-1/4 inches (150.5 X 170 cm.) framed: 62-1/2 X 70-1/4 inches (...

'Woman by the Window with Embroidery Frame', oil on canvas, by Franz Ludwig Kiederich (circa 1930s). A delightful depiction of a woman, comfortable...

Original story illustration for “The Moon’s Our Home” by Faith Baldwin for Cosmopolitan magazine, published December 1935, illustrated pages 66-67. The full caption reads: “‘Darling...

Arnold Friedman worked as a clerk for decades at the Station Y, the branch at 3rd Avenue and East 67th Street in New York City. This present work was done two years after his retirem...

Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed

A.B Kimball General Merchandise Calendar Illustration, January 1931

"Strike" American Scene Social Realism 1930s WPA Modern Industrial Landscape Karl Metzler (1909-1995) "Strike" 26 1/4 x 30 1/4 inches Oil and gesso on masonite, c. 1930 Signed and t...

Original cover for Liberty magazine for the Christmas holiday issue, published December 23, 1933 Medium: Oil on canvas Dimensions: 19 x 19 in. Framed: 24.5 x 24.5 in. Signed Lower Left

Lawrence Nelson Wilbur Gloucester Harbor, 1939 Signed lower right, inscribed on the reverse of stretcher Oil on canvas 25 x 29 1/2 inches Lawrence Nelson Wilbur was an American pai...

Medium: Oil on Canvas Signature: Signed Lower Right Literature: The Saturday Evening Post, October 15, 1938, cover illustration. J. Cohn, Covers of The Saturday Evening Post, New Yo...

Original oil on wood panel attributed to the hand of the Russian/American artist, Nahum Tschacbasov. Circa 1938. Unsigned. Estate stamped verso twice. Original artist inventory la...

Notre Dame Cathedral by Maurice Falliès (French, 1883-1965), an artist who specialised in Paris street scenes. His work was recently shown at the Musée...

Original cover for Liberty magazine, published May 23, 1931. Lil and Sandy have their friends Mr. and Mrs. Saunders Shanks over to their house for a game of cards. After settling do...

Clara Deike (American, 1881-1964) My Studio Stove, 1936 Oil on canvas Signed and dated lower right, titled verso 23.5 x 19.5 inches 29.75 x 25.5 inches, f...

Rivière et Saules by Paulémile Pissarro (1884-1972) Oil on canvas 46.1 x 55.2 cm (18 ¹/₈ x 21 ³/₄ inches) Signed and dated lower left Paulémile-Pissarro-1931 Titled on the reverse P...

This luminous landscape is perfectly capturing the light of early spring. A boy is climbing over wooden farm gates, with a backdrop of rolling hills. The painting has a gloriously fr...

Pastel on board - Saturday Evening Post Cover, Evening Gown May 21st, 1938 - Reproduced version looks better because the Saturday Evening Post Art Director retouched the plates before printing and strengthened the colors to give it more newsstand appeal - Signed and inscribed lower left. Housed in an inexpensive period frame undlations to the board From Wiki : as an American illustrator and portrait painter who studied at The School of The Art Institute of Chicago and Art Students League of New York. She began her career as an illustrator and during World War I, she traveled across France entertaining military troops with Anita P...

Spring, c. late 1940s, oil on canvas, signed lower right, 26 x 16 inches, label verso with title, original price, and artist's name Spring is an early work, likely from the late 19...

American Scene Painting - Social Realism. The present work is a Depression Era account of working-class men and women. Philip Howard Francis Dixon Evergood (born Howard Blashki; 190...

Among the many accolades I would grant Dean Cornwell, the one that rises to the top would be that he is one of America's greatest portrait painters. With a few strokes, he captures h...