Fabric Sculptures

Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975. Ritzi Jacobi (1941 - 2022) and Peter Jacob...

Pascal Mourgue (France, 1943-2014) Model Contraste Rocking chair, late 20th century. A blackened wooden frame with a sculptural elliptical backrest and rocker base, paired with an ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Ana Maria Farina paints using a gun––a tufting gun––along with needles, hooks, and knots. Repurposing a phallic signifier of violence, she conjures vibrant objects of comfort that in...

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

This hand-molded clay mosaic sculpture explores organic textures, autumnal tones, and tactile memory through an abstracted acorn motif. Created on a hexagonal panel using natural cla...

acrylic on African fabric

Larger than mid sized. Purple Metallic Pedestal mount keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled,...

Super cool addition to your shelf or bar by Lucy Sparrow. Released by the artist in 2018 for Art Basel in Miami. Sculpture is based on the Ace Of Spades Champagne bottle. Hand made m...

Blas Alfredo Castagna was born in Buenos Aires, Argentina in 1935. He studied at the Manuel Belgrano National School of Fine Arts and at the Prilidiano Pueyrredón School, where he obtained the title of National Professor of Drawing and Decorator Painter. In 1959 he traveled to Italy and in Sicily he attended the metal-beating workshop at the Scuola d´Arte di Comiso. A year later, he had a solo show of oil painting and gouaches at the “Alcora” Gallery in Buenos Aires, also presenting it in the province of San Juan. In addition to his artistic activity, he worked between 1974 and 1976 as a teacher in the Department of Plastic Arts, Faculty of Humanities, of the National University of San Juan. In 1982 he was invited to exhibit plates and monotypes at the Galerie de L´Université - Tour Mauran in Toulouse, France. A year later he exhibited in our country at the Van Riel Gallery, where a long connection with this room begins. In 1998 he exhibited again in Toulouse, at the Espace Croix Baragnon, an exhibition entitled "Origins, Mémoide", also presenting that year, at the Enrique Larreta Museum of Spanish Art in Buenos Aires, his "Obra Figurativa 1973-1993". Collectively, he presents his works in Uruguay, Cuba, Spain, at the Museum of Modern Art in Buenos Aires and at the National Museum of Fine Arts, at the Borges Cultural Center (2007 and 2008), at the Museum of Modern Art in Bahia ( Brazil, 2005), at the Sainsbury Center Norwich (United Kingdom, 2004), Centro Cultural Recoleta (1999), at the Fortabat Foundation (1985), at the II Biennial of Havana (1986) and at the ARCO fair in Madrid ( 1987). In 1990 he was awarded the Spirit of Greece Award for engraving, and in 1992 the “Konex Platinum Award. His work is influenced by the Latin American geometric constructivism present in Argentina and Uruguay as well as the European influences of Surrealism and Dada Art. He showed at the prestigious van Riel Gallery. For over 80 years the Frans van Riel Gallery has exhibited at the forefront of Argentinean art. Beginning with Alfredo Hlito “Grupo de Artistas Modernos de la Argentina” (Argentinian Modern Artists). The avant-garde of the 1950s and the work of Kenneth Kemble, Leónidas Gambartes and the Grupo Litoral, Juan Del Prete, Aldo Paparella sculpture, Julio Llinás, Aldo Pellegrini, Juan Batlle Planas, Libero Badii, Malena Babino, Horacio Butler, Alejandro Corujeira, Juan Del Prete, Kirin, Luis Felipe Noé...

Horst Egon Kalinowski (German, 1924-2013). Mixed media assemblage collage Divan Ophidian. Hand signed in marker upper right and dated 82 Bagnols-en-Foret, Titled upper left. Additionally titled and dated on verso. Dimensions: 30" x 24 1/4" (with frame 27" x 32 3/4") inches. Born in 1924 in Dusseldorf, From 1945 to 1948, he studied at the Academy of Fine Arts in Düsseldorf. In 1949-1950, he stayed in Rome and Venice, Italy. From 1950 to 1952, in Paris, France he studied in the abstract art workshop of Jean Dewasne and Edgard Pillet...

Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

This piece is made to order. Please allow for 4 to 6 weeks for production. This piece titled "DALL·E 2023-07-01 07.26.12" x four" is a crafted original piece by Tuft the World as pa...

Supreme released a functional accessory fit for anyone who enjoys lounging in the great outdoors. The Supreme Eno Hammock fits two people, can supp...

Linda Stein, Rocking Staff 171 - Wood, Metal, Stone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an ...

Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...

Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...

Abstract expressionist oil painting with assembled objects by Bay Area artist Michael Pauker (American, b. 1957). Against a yellow and black background, the artist has attached several objects, including plastic letters, cigar boxes, and glass slides. Unsigned, but was acquired with a collection of his work. Unframed. Image size: 20"H x 24"W Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

Paint on muslin & mixed media

Rare Vintage unusual piece. A cute couple, Chassidic bride and groom in their wedding best. Frank Meisler has sculpted the city of Jerusalem, its walls and buildings culminating in the Temple Mount. There is a little hole in his hand for the flower that is currently missing but can easily be filled with any small sprig FRANK MEISLER Gdansk, Poland - Israel, b. 1929 Frank Meisler (born 1929) is an Israeli architect and sculptor. He was born in Germany, grew up in England, before moving to Israel in 1960. Meisler was born into a Jewish family in Danzig (then in Germany, now Gdańsk in Poland). He was evacuated from Germany by the Kindertransport in August 1939, travelling with 14 other Jewish children via Berlin to the Netherlands and then to Liverpool Street station in London. His parents were arrested three days after his departure, held in the Warsaw Ghetto and later murdered at Auschwitz concentration camp. He was raised by a grandmother, who lived in London. He attended school in Harrow, and then did national service in the Royal Air Force. He studied architecture at the University of Manchester, and was involved in the construction of the Heathrow Airport. Meisler moved to Israel in 1960, where he has a workshop in the Old City of Jaffa. He makes small Judaica sculptures, and also large public works. His public works include a memorial to Ben Gurion in Israel, a statue "Eternal Kiev" in Kiev, and a series of Kindertransport memorials: "Kindertransport - the arrival" erected at Liverpool Street station in London in 2006, "Trains to life, trains to death" erected at Friedrichstraße station in Berlin in 2008, "The departure" erected at Gdańsk Główny station in 2009, and "Crossing to life" erected at the Hook of Holland in 2011. Each includes bronze statues of a group of children, with luggage. Known for his whimsical Folk Art, Judaic sculptures he is a long time denizen of Jaffa along with Ilana Goor. He made large-scale sculptures commemorating various historical figures, including Joseph Stalin, Theodore Roosevelt, Winston Churchill at the 1945 Yalta Conference, and Christopher Columbus. Meisler also worked on a smaller scale, producing menorah, Jerusalem fountains, Jewish figurines...

Contemporary Knotted Waxed Linen Sculpture, Stainless Steel Frame, Mixed Media Kate Anderson transitioned her painting background into a full career in craft and textile after a kno...

Mixed Media Sculpture with Waxed Linen, Hammered Copper and Iron Wire Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After rece...

Textile & mixed media

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

Marurn VII The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme -...

Linda Stein, Spoon to Shell 829 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 829 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 1023 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 1023 is from Linda Stein's Holocaust Heroes: Fierce Females series, which ...

Linda Stein, Spoon to Shell 1003 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 1003 is from Linda Stein's Holocaust Heroes: Fierce Females series, which ...

Flashe on muslin with mixed media

Linda Stein, Spoon to Shell 916 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 916 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 915 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 915 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 910 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 910 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 909 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 909 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 908 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 908 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 881 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 881 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Marurn VI The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme - ...

Kate Anderson transitioned her painting background into a full career in craft and textile after a knotting workshop at Craft Alliance in St. Louis. Now with nearly 30 years experien...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

This painting features hues of blue and black. Born in Medellín, Colombia, Esteban Patino is an Atlanta-based artist whose latest body of work, Shapeshifter, explores the deconstruc...

This painting features hues of red and black. Born in Medellín, Colombia, Esteban Patino is an Atlanta-based artist whose latest body of work, Shapeshifter, explores the deconstruct...

Linda Stein, Spoon to Shell 880 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 880 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 879 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 879 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 906 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 906 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 911 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 911 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 907 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 907 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

Linda Stein, Spoon to Shell 917 - Mixed Media Shell Wood Contemporary Assemblage Sculpture Spoon to Shell 917 is from Linda Stein's Holocaust Heroes: Fierce Females series, which hi...

“Ballet Pink Folds” is a light pink/flesh colored wall sculpture made with burlap on linen. The folds are carefully arranged from a single piece of burlap. This creates a dynamic art...

Marurn III The vases from are made of ceramic and glazed and fired in different ways. The black case is fired Rau and on the lid is printed batik stamp. Each lid has its own theme -...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

Painter and sculpture Artist Natalie Krainin creates artworks using the innovative method of Fabric Texture Art. This technique, which resonates deeply with her professional roots, a...

I wove a tapestry as I returned home to the front-line city of Kharkov, which is constantly under fire. At home, I felt that I wanted to implement the ideas that I had come up with earlier, I wanted to create something new, and the sounds of sirens and explosions did not bother me anymore. Created with the sound of sirens and explosions. Combining bright particles of yarn and thread, I imprint my positive attitude, I live a full life, I breathe. This work is one of the sari of my knitted tapestries, a modern interpretation of the carpet tapestries that used to be hung on the wall, let my bright tapestries...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Title: Autumn Moon Year: 2022 Medium: Mixed media sculptural lamp Condition: Excellent Edition: 20, plus proofs Notes: AllRightsReserved, Hong Kong in collaboration with the artist. ...

Orange Pleats is made of sisal fibers, dyed and formed in a technique unique to Mia Olsson. The sisal fibers used by the Swedish artist are shiny and reflect the light, even more whe...

When you all around this work the image changes and the works appear saying Love and then as you move to the right of the work it says home. Bringing Love Home by Sena Shah is a new ...

Linda Stein, Wonder Woman’s Mobility 718 - Feminist Mixed Media Fabric Sculptural Tapestry Stein began to produce sculptural tapestries in 2011, in which she combines images from he...