Pio Semeghini Paintings

SOLID SOUND is an oil on paper piece by Jered Sprecher. The first layer of the painting was simply the result of the artist cleaning his brush, working without a conscious goal. At s...

Porsche sports car painting with oil and layered style on canvas. About the artist: Daniel Hilpert is the living testament that a career in finance need not be a borrower’s tale....

Porsche sports car painting with oil and layered style on canvas. About the artist: Daniel Hilpert is the living testament that a career in finance need not be a borrower’s tale....

Ingrid Smuling Still life in Red 22 x 37 cm ( frame is included in price, size with frame is 35 x 50 cm) Artist Ingrid Smuling, 80 years in August '24, is still most in her element ...

Porsche sports car painting with oil and layered style on canvas. About the artist: Daniel Hilpert is the living testament that a career in finance need not be a borrower’s tale....

Muriel Chazalon (b. 1957) – Fin de journée 2 (End of Day 2) Oil on canvas, 2023, 31½ × 23⅝ in. (80 × 60 cm) signed on the back Fin de journée 2 is a vertical landscape painting by M...

"Diary of a Single Mother" Figurative Painting 40" x 30" inch by Isaac Pelayo Medium: Oil, oil stick, acrylic, aerosol on wood "Urban Symphony" series The "Urban Symphony" series ...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

The blond figure, along with the floating peonies, combine to explore the dynamic between the eternal and the temporal, as well as our own relationship with nature. The gold leaf adds a three-dimensional softness as well as a glow upon which the female figure floats. Her skin is seductively painted; her teal dress falls off her shoulder; white peonies float by; the scene is set for a dreamy visual feast. The painting is framed in a gilt frame. Michael Van Zeyl Peonies in White Light oil and 12K gold leaf on linen wrapped panel 24h x 36w in 60.96h x 91.44w cm EDUCATION 1987-1990 American Academy of Art, Chicago, IL 1999-2000 American Academy of Art, Chicago, IL - Life Drawing & Oil Painting Palette & Chisel Academy, Chicago, IL - Painting & Life Drawing Art Students League, New York, NY - Painting EXHIBITIONS 2017 “Anne Harris...

Adriana van Zoest Overdue 65 x 45 cm Framed 77 x 55 cm ( Frame is included in price) Oil paint on wood panel (2024) Various subjects Adriana van Zoest's paintings are not easy to cl...

DWELL is a multi-layered oil on linen painting by Jered Sprecher. The piece presents a floral composition, modeled on a bouquet arrangement created by the artist’s wife. Starting fro...

Street Shadows 4 by Eleanor Woolley [February 2021] original Oil Paint on Gesso Board Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:20 cm x W:20 cm x D:2cm Sold...