French Pitchers

French Faience Pitcher signed Henriot Quimper circa 1940.

Originally used in a chateau, this large scale late 19th century French copper repousse pitcher features three shields on it lower half, each flanked ...

French Majolica pitcher with large fish, aquatic plants, fish handle, circa 1920.

French Majolica wheat & cornflower pitcher signed Digoin circa 1900.

boldly designed with angled water passages and spout, the body upwardly tapered

Exceptional 20th century French white faience pitcher, produced in Malicorne-sur-Sarthe and attributed to Émile Tessier (1887-1971), a leading figure of the Malicorne ceramic traditi...

Large blue and white French Faience ginger jar or covered jar with birds signed Desvres Fourmaintraux, circa 1880. Gabriel Emile Georges...

Vintage French Pottery Side Spout Pitcher, circa 1920's. Richly glazed in brown and yellow. Marked 'France' on bottom.

This striking and unusually large French glass carafe with internal reservoir was produced in Biot, a village in the south of France renowned for its distinctive bubbled glass (verre...

French terracotta water pitcher (Gargoulette), 19th century. A wonderful and rare piece of pottery. The double handled design was for serving water at the table. Traditional mustard ...

Ceramic, 1956 Edition : 500 Publisher : Edition Picasso Catalog : [Ramié 368] White terracotta, oxidized kerosene decoration, white enamel Inscriptions and stamps under the base:...

Presenting a very rare early 19th century French Utzschneider & Cie Sarreguemines Pitcher….Fleurus. Pattern. The pitcher is a classical French Sarreguemines piece of pottery, from circa 1830. This is an early piece of French transferware...

La Borne - Jean-Pierre Turpin 20th century design stoneware ceramic pitcher by Jean-Pierre Turpin Signed under the base Brown and grey ceramic pitcher Original perfect condition ...

Alexandre Noll Pitcher in Carved Sycamore France c. 1950 Acquired from the estate of a former Saks Fifth Avenue Executive. This rare piece was presented by Noll as a sample to Saks...

Hand Crafted with beautifully deep orgue bevel cuts & etched directly into the clear crystal, irradiating along the ample rounded globe towards the base. Their intricacy, in turn, ...

Elegant pitcher in the brutalist style. Iron recovered with brass, Made circa 1950, France. Shipping: L19 P17 H27 1,2Kg.

Baccarat crystal barware / tableware serving pitcher with side handle & exterior cut crystal design details. The pitcher is in great condition...

A Zoomorphic Ceramic Pitcher by Pierre Toulhoat Brittany France 1960's Keraluc Workshop in Quimper. Beautiful bird drawing. In very good condition. Unsigned.

An orangeade glass pitcher by René Lalique, model Blidah (no. 3177), showcases the master’s signature opalescent glasswork. The Blidah pitcher by René Lalique, introduced in 1931, i...

Tall glazed ceramic pitcher . The white glazed ceramic is decorated with engraved geometric motives Signed " Capron Vallauris" The shape has been produced in several sizes, this is ...

A decorative ceramic pitcher with flower motif by the Cloutier brothers (circa 1970s). This charming pitcher was made in Cloutiers' trademark delicate style with light magenta as the...

A French cream glazed terracotta pitcher from the 19th century, with floral décor. Created in France during the 19th century, this pitcher features...

Pair of Sevres ewer-form mantel decorations, 19th century, hand-painted with scenes front and back, bronze mounts with cherubs at top and seashells around ...

Two rustic French pottery pitchers from the 19th century, with yellow glaze, brown accents and back handles. They are priced and sold individually, $250 each. Created in France durin...

This large and elegant vintage pitcher is crafted in the renowned bubble glass from Biot, a traditional glassmaking technique originating from the village of Biot in the South of Fra...

Exceptional and highly decorative barbotine ceramic pitcher in the form of a parrot, produced by the renowned Saint-Clément Manufactory and dating from the 1920s. This model, referen...

Big stoneware pitcher by Georges Martin with geometrical decoration. Artist monogram on the base. Unique piece. Circa 1970-1980. H : 24.4 x 7.1 x 8.3 inches.

This elegant and colorful antique ewer was sculpted in Brittany, France, circa 1890. The unique large pitcher stands on a octagonal shaped base and featur...

French, 19th century Jersey "Pitcher".

Yellow Majolica Rope Pitcher Saint Clement, Circa 1950.

An exquisite and highly sculptural French Art Nouveau pewter pitcher by the renowned sculptor and founder Jean-Maurice Petizon, known by his artistic pseudonym "Petiz." This piece is...

Striking hand-thrown ceramic pitcher by French ceramist Robert Picault, featuring his iconic plaid pattern in deep green and chestnut brown over a white ground. The broad flared lip ...

This pitcher, signed by Alexandre Kostanda, is an emblematic piece of Vallauris' French enameled stoneware, dating from the 1940s. The fame of Vallauris, on the Côte d'Azur, has attr...

ST Amand Original black and grey ceramic pitcher Realised circa 1960 Original perfect condition Signed undert the base Height : 21 cm Large : ...

Vintage large handblown glass pitcher with handle. Designed by St. Louis Crystal France, late 1950s. Original condition.

Benoist Favre Realised circa 1970 Original brown ceramic pitcher with decoration Handmade production Original perfect condition Signed at ...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Add authentic provincial character to a bar, wine cellar, or kitchen with this antique French cider pitcher from Normandy, crafted circa 1860. Built in the traditional coopered form,...

This exquisite 20th-century miniature cut glass olive oil pitcher is a charming and functional piece that showcases the elegance of fine glass craftsmanship. The pitcher features a b...

A pair of French Majolica vases or pitchers, each with double tree branch form handles and spouts. Deep, rich cobalt blue glaze with aqua interior and grape clusters. Minor glaze loss.

Beautiful Daum France carafe. Handle in glass paste of green and yellow hues and decorations of foliage and berries. Body in Daum Crystal. Signed Daum Fr...

Vintage French Majolica Rooster Pitcher in the Style of Saint-Clément, 13 Inches A striking vintage French majolica rooster-form pitcher, modeled as a crowing cockerel with an elega...

French, Sarreguemines Art Nouveau pitcher in ceramics, circa 1910. Beautiful glaze with gold inlays. In good condition. 25 cm. high. Marked.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

A fine, figural French toby pitcher. By Frie Onnaing. In polychrome decorated majolica. In the form of a drunken soldier sitting astride a wine barre...

Pair of porcelain characters realized by Jacob Petit a famous French manufacturer located in Paris. The pair represents two anthropomorphic monkeys dressed in a fancy way reminding t...

Very nice 20th century French glass engraved pitcher from the 1950s. Good condition. Engraved flower and ear of wheat details. Nice quality.

A Creil mochaware peach-colored coffee pot made circa 1810. This elegant coffee pot features a dark brown mocha dendrite (tree) design on a light peach body. Mochaware pottery...

A stunning example of early 20th-century French crystal craftsmanship, this heavy crystal pitcher is a true masterpiece. Produced by the renowned Saint Louis crystal house since 1928...

Decorative ceramic pitcher by Robert Perot, founder of the pottery, Vieux Moulin (circa 1960s), Vallauris, France. Charming earthenware glazed piece with abstract motif in the central decorative band. The motif is reminiscent of a Balinese or African garment pattern with a lovely chocolate brown background and oatmeal hued linear shapes. It suggests movement not dissimilar to a Keith Haring piece. This is an authentic, collectible mid-century modern pottery piece and is entirely unique rather than from a run of many. The underside is impressed with, 'Vieux Moulin Vallauris...

Superb 1933, Set of three Brass banded, oak barrels. This beautiful wine or cider jugs were created by Gérard Lafitte, selected as Meilleur Ouvrier de France (one of the best worker...

Mid-Century French ceramic pitcher by Jeanne & Norbert Pierlot (circa 1960s). With an off-white base and brown sandstone accents, Pierlot's rustic pitcher with handle and spout is a ...

This large majolica water pitcher with back handle was crafted by Onnaing in Northern France, circa 1910. The colorful pitcher depicts the French collector assessor Camille Pelletan, sited on a sign which reads "Reforme Urgente". The antique ceramic jar...

French Majolica rooster pitcher signed Keller and Guerin Saint Clement, circa 1900. Original older model. Measure: Height / 12.8 inches.

La Borne, 1970 Handmade stoneware ceramic pitcher. Shiny brown ceramic glaze color. Dimensions: Height 13 cm larger 12 cm.

Very nice vintage ceramic pitcher with a cat shape rolling his eyes up. Large dimension. (small scratches on the ears) Good general condition.

Place this antique copper pitcher next to the fireplace or entryway as a charming accent piece. Crafted in France circa 1780, the vessel was traditionally used as a coal scuttle and ...

Original zoomorphic pitcher ewer in the shape of a partridge. Beautiful item made of silver plate for the head of the partridge nicely chiseled showing the lovely texture of feathers and blown blue glass for the body part, with a handle on the back. Yellow-colored glass eyes. The Head of the partridge is mounted on a hinge forming a movable lid for the pitcher-ewer. This kind of pitcher ewer was mainly used to serve delicious alcohol or liquor with flavor and aroma, such as pear, and mirabelle plum, as it was during the "Belle Epoque" a very fashionable and refined custom. This colored blown glass was produced by the Portieux Crystal factory created in 1705, it has a written mark "Deposé" beneath the body of the ewer, french work from the late 19th century, probably from Napoleon III period. The history of this factory known as the "Portieux crystal factory" actually begins in Tonnoy in 1690. In 1698, Duke Leopold I of Lorraine granted letters patent to Sieur de la Pommeraye, owner of the premises, associated with François Magnien, holder of the know-how, the exclusivity of glass manufacturing and trade in his duchy. In 1898, the Grand Duchess of Vladimir, wife of the brother of Tsar Nicolas II, discovered the factory while on a cure in Contrexéville. She will become a frequent customer. in 1960, the company supplies many prestigious customers: Maxim's, Brasserie Lipp, Hôtel de Crillon, Le Bristol...

Pitcher or jar in the style of Daum.

Decorative mid-century ceramic pitcher / vase by Accolay (circa 1960s). A classically shaped piece from antiquity is reinterpreted in Accolay's unmistakable style. The pitcher has so...