American Tribal Art

A fine Ashanti maternity figure by the master carver Osei Bonsu. The mother figure is seated on a simple backless chair. An infant lays calmly in her la...

This is a tall vintage tribal figure. A South American, carved crystal and gilt metal decorative totemic ornament, dating to the mid 20th century, circa 1950. Distinctive tribal fi...

The sculpture, expertly carved from fragrant Nepalese sandalwood, stands as a testament to the rich tradition of wood carving in Nepal. The medium itself adds a sensory dimension to ...

A fantastically hand-crafted piece by the Kota (or Bakota) tribe who are located in the northeastern region of Gabon. This figure, which is a Mahongwe reliquary figure as exhibited with its truncated almond-shaped face, is made of wound copper, hammered brass and wood. Reliquary figures were used as guardians to protect the revered bones of venerated family ancestors and leaders and ward off unwanted spirits. These figures are meant to embody intense powers and were also commonly used in communal rites and ritual performances. This particular piece came from an American collector who traveled the African continent and collected African artifacts for over 50 years. This piece has a beautiful, organically aged patina acquired naturally over time and use. It is mounted on a custom wooden display stand. We believe it dates back to the early to mid-1900s but could be older. We are listing as 20th century because we did not have it appraised. This African Tribal Statue Osseyba or Reliquary Figure Kota (Bakota) Mohongwe Peoples decorative art would clearly stand out as part of a collection or by itself in any setting. Truly unique, eye-catching and engaging. Dimensions on stand: 25 3/4" High, 7" Wide, 5 1/2" Deep Kota Reliquary...

Unique tribal plank art with metal base. The piece features a 5.5' tall wooden plank with a colored ornate fish design. Great conversation piece for any space.

Elegant ancient cedar wood sweet Egyptian mummy mask, 8 3/4 Inches high. Soft weathered surface and great expression. Areas of chips erosion and little bits...

A wonderful geometric patterned and designed hand painted and glazed Native American large earthenware jar/vase/pot made by the Shipibo-Conibo people, an indigenous people along the ...

Hand thrown and painted pictorial Acoma top rim with geometrics below. Hand thrown, thick walled, signed on bottom B. Concho, Acoma, N.M. Primitive and "folky." Period: Mid-20th century Origin: Acoma Size: 12" H x 11" W Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.   Native American, Pottery, Acoma Olla...

A beautifully designed, large, hand-crafted Hopi-Tewa Pueblo/Hopi First Mesa pottery bowl by famed Native American potter/artist Elva Nampeyo (1926–1985) (also known as Elva Tewaguna...

A beautiful if not a little oddly strange Indigenous Native American Southwest Acoma Pueblo of New Mexico bowl featuring a wonderful hand painted beetle/bug/insect motif. The bowl...

A beautiful designed, shaped and decorated ceramic vase by Ingenious Southwest Native American potter Yolanda (Yoly/Yolly) Ledezma of Casas Grandes Pottery in Mata Ortiz, Chihuahua,...

This striking hand-carved Northwest Coast Killer Whale (Orca) mask, dated 1961 and attributed to artist Johnny Johns, is a powerful example of mid-20th-century Native American carving rooted in the traditions of the Pacific Northwest Coast—particularly the Tlingit and related cultural groups. Expertly carved from wood and painted in the classic Northwest Coast palette of deep black and vibrant red, the mask features bold formline design—an iconic visual language defined by fluid, ovoid shapes and precise linework that has been central to Indigenous coastal art for centuries. The Killer Whale, or “Blackfish,” is among the most important crest figures in Northwest Coast culture, symbolizing strength, protection, family lineage, and a profound connection between the human and spirit worlds. It frequently appears in ceremonial regalia, storytelling, and clan identity, embodying both ancestral presence and supernatural power. Signed on the reverse with initials “JJ,” this mask is attributed to Johnny Johns, a recognized carver whose work reflects traditional Indigenous design principles while engaging with the 20th-century market for Northwest Coast art. The scale, craftsmanship, and stylistic execution are consistent with works produced for both ceremonial-inspired use and collector audiences during this period. Compact yet visually impactful, the mask displays strong sculptural depth and expressive detailing, making it ideal for wall display or inclusion in a curated collection of Native American or tribal art. Its bold graphic presence aligns seamlessly with both traditional and modern interiors. The piece remains in good antique condition, with professional restoration noted—having been repaired after a historical break. The repair is stable and minimally visible, preserving both the integrity and visual appeal of the mask. Key Features: Attributed to Johnny Johns, signed “JJ” and dated 1961 Northwest Coast / Tlingit style carving Hand-carved and hand-painted wood construction Killer Whale (Orca) crest motif with symbolic significance Classic black and red formline design Mid-20th century Native American artwork Professionally restored with stable structure Ideal for collectors of Indigenous, tribal, and ethnographic art A compelling and highly decorative example of Northwest Coast carving...