19th Century Prints

This lithograph showcases a fashionable woman from 1889, dressed in a stylish and elegant day gown, typical of the late Victorian era. The dress is made of a light teal fabric with a...

Trio of Antique Botanical Prints: Coreopsis, Single Dahlia & Cosmos Bipinnatus This vibrant set of antique botanical prints features "Coreopsis" (Coreopsis Tinctoria), "Single Dah...

Pair Antique Botanical Lithographs, Lilium Partheneion & Coridion, 1856 Description: A vibrant and highly decorative pair of mid-19th century botanical chromolithographs depicting t...

Antique Victorian Fern Botanical Prints Set, Polypodium Studies Wall Art 1856 A striking and highly decorative set of eight Victorian botanical fern prints depicting species within ...

Antique Amalfi Coast Print, Capuchin Convent, Italian Coastal View Description: A dramatic and finely executed 19th-century engraving depicting the Capuchin Convent at Amalfi, set a...

Exquisite Hand-Colored Lithograph of Japanese Decorative Art, Plate II, 1882-1884 This striking hand-colored lithograph, Plate II from George Ashdown Audsley's masterpiece "The Orna...

Macaques, Antique Monkey Print, Victorian Zoological Illustration 1894 This animated scene portrays a group of macaques interacting across a wooded se...

Antique California Landscape Print, Mt Shasta & Sacramento River View 1861 A striking mid-19th century American landscape engraving titled Portion of th...

Antique Engraving of Rio de Janeiro, Imperial Palace and Cathedral, c.1867 Detailed mid-19th century engraving of Rio de Janeiro titled Rio de Janeiro – Palais Impérial et Cathédral...

Gaulish to Carolingian Women’s Costume, French Historical Prints, 5-Plate Set, ca. 1860 A refined and visually cohesive set of five original 19th-century hand-colored engravings dep...

Title: 1897 Botanical Prints – Persian Cyclamen and Jasmine These two original 1897 botanical prints showcase the Persian cyclamen (Cyclamen persicum) and jasmine (Jasminum offici...

Great image of The Battle of The Boyne Fine steel engraving after Benjamin West With a highly decorative figural border Published by London prin...

Pair Antique Botanical Lithographs, Sorbus Toringo & Phlox, 1850s Description: An elegant and decorative pair of mid-19th century botanical chromolithographs depicting Sorbus to...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

The Elegant Chamois Polish Chicken A Rare 19th Century Poultry Lithograph This exquisite 19th century chromolithograph showcases a pair of Chamois Polish chickens, an ornamental b...

Victorian Political Portrait – Vanity Fair “A Liberal Whip” Spy Cartoon 1883 This original Vanity Fair chromolithograph titled “A Liberal Whip” was published on October 13, 1883 an...

Victorian Vanity Fair Caricatures, War, Law & Society, Set of Six, 1883 This striking set of six original Vanity Fair chromolithographs from 1883 brings together an exceptional cros...

Set of 3 Antique French Fashion Plates, Paris Ladies & Children, c.1880 A beautifully curated set of three original Parisian fashion plates, each depicting elegantly dressed ladies ...

Napoleon at the Bivouac of Wagram – French Empire History Engraving c.1840 Description: This striking 19th-century French engraving depicts Napoleon in quiet contemplation during a ...

German Botanical Plates, Exotic Plants & Fruit Trees, Stuttgart c.1890 Description: A striking and visually diverse pair of antique botanical plates (Tafeln 57–58), published in Stu...

Seagulls at Sunset on Coastal Cliffs, Etching after R. Ansdell R.A., 1872 This atmospheric Victorian wildlife etching titled “Habitants of our Shores” was produced in 1872 after a c...

Wonderful pair of botanical prints Lithographs after drawings by W.Herbert Original hand color Published by S.Curtis. Dated 1826 Unframed. Free shipping

Sensational image by Gustave Doré From Milton's " Paradise Lost " Woodcut engraving Published C.1870 Unframed. Free shipping

Napoleon Bonaparte, Allegorical Equestrian Monument – After Horace Vernet, 1843 This striking 19th-century historical print presents an allegorical equestrian representation of Napo...

Wonderful image after Rosa Fine steel engraving. Published by A.H. Payne C.1850 Unframed.

Set of three "Temperance" color engravings by Cruikshank, 19th century Each measures 13" x 9". The frames measure 20.5" x 17.5". Offered as a set of three only. Good antique...

Wonderful print of the decoration found on an antique Chinese vase Lithograph Published by A.Morel, Paris, France. circa 1860 Unframed.  

Antique Louvre Architectural Ornament Engraving, French Neoclassical, 1803 A highly refined early 19th-century French architectural engraving illustrating ornamental details from th...

Antique Botanical Prints of Curly Palm, Spiny Date Palm & Trachycarpus – c.1897 Description: A striking set of three antique botanical prints depicting elegant palm species, produce...

Glorious set of 18 prints of Gothic Architecture in Scotland Steel engravings. After R.W. Billings Published by William Blackwood & Sons, Edinburgh. Dated 1848 Unframed.

Antique costume print titled 'Maxourounas'. Original antique print of a Brazilian warrior. This print originates from 'Moeurs, usages et costumes de tous les peuples du monde' by Aug...

Antique Map Turkey in Asia, Ottoman Empire Anatolia Syria Iraq Black 1884 This detailed and beautifully engraved antique map titled Turkey in Asia was published in the New and Revised Edition of Black’s General Atlas of the World, issued in Edinburgh in 1884 by the respected Scottish cartographic publisher Adam and Charles Black. The map illustrates a vast portion of the Middle East during the late nineteenth century, when the region formed the Asian territories of the Ottoman Empire. The map centers on Anatolia, the great peninsula that today forms modern Turkey, shown here as the heartland of Ottoman Asia. The rugged mountain ranges, river systems, and historic provinces are carefully engraved, reflecting the high standard of Victorian atlas cartography. Numerous cities and towns are clearly marked, including Constantinople (Istanbul), Smyrna (Izmir), Angora (Ankara), Trebizond, and many other regional centers that played important roles in trade and administration. Extending southward, the map covers Syria and the Levant, including Damascus, Aleppo, and the Mediterranean coastal cities that historically linked the Ottoman interior with European commerce. Further south appear Palestine and the Sinai region, together with the eastern Mediterranean coastline. The map also includes the northern portion of Egypt, showing the Nile Delta and the strategic area surrounding the Suez Canal, which had opened only fifteen years earlier in 1869 and had quickly become one of the most important maritime routes in the world. To the east the map extends into Mesopotamia, depicting the great river valleys of the Tigris and Euphrates, including the historic cities of Mosul, Baghdad, and Basra. These regions formed key administrative provinces of the Ottoman Empire and were vital corridors connecting Anatolia with Persia and the Arabian Peninsula. The composition also includes parts of Armenia, Kurdistan, and the Caucasus along the northern and northeastern margins, as well as portions of Persia and Arabia to the southeast. An inset map of Cyprus appears at the bottom, highlighting the island’s strategic importance in the eastern Mediterranean. Cyprus had recently come under British administration in 1878, reflecting the shifting geopolitical dynamics of the region during the late nineteenth century. The map is engraved with remarkable clarity, featuring finely drawn coastlines, mountain relief, and a delicate latitude and longitude grid. Land areas are distinguished with subtle printed color, a typical feature of high-quality Victorian atlas production. The understated color scheme and precise engraving give the map both historical authority and strong decorative appeal. Maps from Black’s General Atlas were widely respected for their accuracy and clarity and were used throughout the British world in schools, libraries, and government institutions. Today they are highly appreciated by collectors for their elegant engraving and for the insight they provide into the political geography of the late nineteenth century. This map was published in the New and Revised Edition of Black’s General Atlas of the World, Edinburgh, 1884. This example is an original antique steel engraving with original printed color applied at the time of publication. It is not a modern reproduction. Any presentation images showing the print framed are for visual inspiration only. The map is supplied unframed. Condition: Good antique condition with light age toning consistent with age and a central fold from the original atlas binding. A small tear near the folding split. The engraving remains crisp and the printed color remains clear and attractive. Framing tips: This map displays beautifully in a wide horizontal frame. A dark walnut or classic black frame combined with an ivory or museum-white mat will emphasize the delicate engraving and warm tones of the nineteenth-century printed color. Technique: Steel engraving with original printed color Maker: Adam & Charles Black, Edinburgh, 1884 Keyword block: Turkey in Asia, Ottoman Empire, Anatolia, Asia Minor, Syria, Palestine, Mesopotamia, Iraq, Baghdad, Mosul, Basra, Damascus, Aleppo, Constantinople, Istanbul, Smyrna, Izmir, Angora, Ankara, Armenia, Kurdistan, Caucasus, Persia, Iran, Arabia, Nile Delta, Egypt, Suez Canal, Cyprus, Eastern Mediterranean, Middle East map, Ottoman provinces, nineteenth century Middle East, Victorian atlas map, Black’s General Atlas, antique Turkey map...

Shells & Bivalves Print: Mussels, Oysters, Scallops, Clams – Antique 1867 This detailed antique print depicts a wide range of shells and bivalves, includ...

Antique print titled 'Interior of the late Theatre Royal Drury Lane (..)'. Old print of the Theatre Royal, Drury Lane, as it was between 1794 and 1809 showing the tiers of boxes stage left and the chandelier-lit auditorium with a small party of visitors standing in one of the boxes, as if being shown around. The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially known as "Theatre Royal in Bridges Street", the theatre's proprietors hired prominent actors who performed at the theatre on a regular basis, including Nell Gwyn...

A refined and atmospheric pair of original maritime etchings by the British artist George Stratton Ferrier (1852–1912), published in London in 1879 as part of The Portfolio: An Artis...

Title: Exquisite Depiction of Butterflies and Caterpillars: A Hand-Colored Natural History Engraving Description: This beautifully hand-colored copperplate engraving offers a deta...

Great image by Heinrich Leutemann From the Reynard The Fox series Fine steel engraving Published by A.H. Payne C.1850 Unframed.

European Owls – Antique Hand-Colored Bird Engraving, Vogel IX, c.1800 This finely executed hand-colored engraving presents six European owl species arranged in comparative study, issued as Plate IX (Vogel IX / Oiseaux IX). The plate belongs to the late 18th–early 19th century tradition of scientific ornithology, in which birds were illustrated side by side to support identification, classification, and study. The owls depicted correspond to species recognized today as the Long-eared Owl (Asio otus), shown prominently with its upright posture and distinct ear tufts; the Tawny Owl (Strix aluco), represented in both its grey-brown form and its warmer rufous color morph; the Short-eared Owl (Asio flammeus), identifiable by its paler facial disc and reduced ear tufts; the small but expressive Little Owl (Athene noctua); and a larger, more powerfully built owl commonly identified as the Eurasian Eagle-Owl (*Bubo bubo*), included to demonstrate contrast in scale and form. Each bird is depicted perched on a branch against a neutral ground, allowing close observation of plumage texture, facial structure, and stance. The hand-applied coloring enhances the naturalistic effect, particularly in the subtle gradations of brown, grey, cream, and rust tones characteristic of owl plumage. The bilingual German and French headings reflect the international scholarly audience for whom such plates were produced during this period of expanding scientific exchange. Plates like this were originally issued in ornithological volumes intended for scholars, collectors, and educated amateurs. Today they are valued both for their scientific relevance and their decorative appeal. The balanced composition of six distinct species on a single sheet makes this print especially attractive to collectors of natural history, bird enthusiasts, and interior designers seeking refined, nature-inspired wall art. Condition report: Good condition. Original hand coloring. Noticeable age toning and patina throughout, with scattered foxing and light surface marks consistent with age. Minor edge wear and small discolorations visible. No modern restoration observed. Framing tips: This print is well suited to a classic museum-style presentation. A soft ivory or light beige mat will complement the aged paper and muted coloration, paired with a medium walnut, light oak, or ebonized frame depending on the desired contrast. UV-protective glazing is recommended to preserve the original hand coloring. Technique: Hand-colored engraving Maker: European school, late 18th–early 19th century Keywords: antique bird print, owl engraving, European owls, ornithology print, hand colored engraving, Vogel IX, Oiseaux IX, natural history print, antique wildlife art, Strix aluco, Asio otus, Asio flammeus, Athene noctua, Bubo bubo, tawny owl, long-eared owl, short-eared owl, little owl, eagle owl, bird illustration, antique zoology, 18th century print, 19th century print, scientific illustration, vintage bird art, collectible print, natural history engraving, European wildlife, decorative wall art, interior design artwork, classic ornithology, antique nature print

Warwick Castle River View, English Castle Landscape Engraving, c1850 A finely composed hand-colored architectural landscape depicting Warwick Castle, one of England’s most historic ...

Henry Thomas Alken (British, 1785-1851) A set of 3 cockfighting scenes; two images drawn and engraved by C.B. Stock, the other (diptych) by Henry Alken, published in London by W.C. ...

This large and dramatic 19th-century color lithograph depicts an exotic hunting scene titled Chasse au Condor (Australie). Set within a rugged and expansive landscape, the compositio...

Rococo Panel Ornament – French Floral and Gilt Wall Designs, Plate XCVII, 18th Century This richly detailed chromolithograph, Plate XCVII from *L'Ornement Polychrome*, presents a vi...

Antique View of Château de Fontainebleau, Napoleon Era Landscape Engraving, 1803 A panoramic view of Fontainebleau, capturing the grandeur of Napoleon’s residence within a refined l...

Sensational image by Gustave Doré From Milton's " Paradise Lost " Woodcut engraving Published C.1870 Unframed. Free shipping

Great image by Heinrich Leutemann From the Reynard The Fox series Fine steel engraving Published by A.H. Payne C.1850 Unframed.

Set of 8 Antique Botanical Engravings of Meadow Foxtail, Polypogon & Agrostis, c.1830 This elegant set of eight antique botanical engravings presents a finely curated selection of B...

"Charming Florals of the Victorian Era: A Collection from 'Favourite Flowers of Garden and Greenhouse'" Step into the enchanting world of Victorian horticulture with "Charming Flora...

Wonderful set of 8 cactus prints. Lithographs after drawings by W.Fitch Original hand color Published by Curtis. Dated 1837 and 1838 Unframed.

Antique Lichen Prints Set of 6 – German Scientific Lithographs 1874 Description This exceptional wall set of six original 19th-century scientific lithographs comes from the 1874 Ger...

Great image of monkeys. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown with original hand color. Publish...

Antique print titled 'One of the two shirts worn by King Charles I at his execution'. Chromolithographic plate originating from 'The Royal House of Stua...

Sensational image by Gustave Doré From Milton's " Paradise Lost " Woodcut engraving Published C.1870 Unframed. Free shipping

Distinguished Victorian Gentleman – Vanity Fair “White Dal” Spy Portrait 1883 Description: This original Vanity Fair chromolithograph titled “White Dal” was published on September 22, 1883 and drawn by the celebrated Vanity Fair artist Leslie Ward, who worked under the famous pseudonym “Spy.” The portrait depicts Sir William Dalrymple, a notable British figure whose distinguished appearance and social standing made him an ideal subject for Vanity Fair’s celebrated series of satirical portraits. Ward portrays Dalrymple standing in profile with a composed and slightly formal posture. He is dressed in the refined attire typical of a well-established Victorian gentleman: a tailored frock coat, waistcoat with watch chain, crisp high-collared shirt, and neatly tied bow tie. His distinctive white side-whiskers—likely the inspiration behind the nickname “White Dal”—are rendered with careful detail, adding personality to the portrait while maintaining the elegant restraint characteristic of Leslie Ward’s work. During the late nineteenth century, Vanity Fair magazine became widely known for its weekly caricatures of prominent public figures. These portraits depicted politicians, aristocrats, military officers, artists, sportsmen, and influential members of society. While humorous in tone, the images were often respectful portrayals that captured both the physical likeness and social character of their subjects. Leslie Ward’s contributions to Vanity Fair are among the most admired within the series. His ability to combine gentle satire with refined portraiture allowed him to create images that were both entertaining and historically informative. Today these portraits serve as a visual record of the personalities who shaped Victorian public life. The print was produced using chromolithography and printed by the renowned London firm Vincent Brooks, Day & Son, one of the leading color printers of the period. Their high-quality printing techniques allowed for subtle tonal variations and soft shading, which remain visible in the delicate rendering of the clothing and facial features. Vanity Fair portraits such as this have become highly collectible decorative works, admired for their historical character, distinctive style, and elegant Victorian aesthetic. They continue to appeal to collectors of British political history as well as interior designers seeking refined nineteenth-century portrait prints. Condition: Very good condition with light age toning and occasional minor foxing consistent with age. Margins remain generous and colors well preserved. Framing tips: This portrait displays beautifully in a dark walnut or ebonized frame with an ivory or warm cream museum mat. A generous mat border enhances the elegant vertical format and complements the soft Victorian color palette. Technique: Chromolithograph Maker: Leslie Ward (“Spy”), printed by Vincent Brooks, Day & Son, London, 1883 Keywords: Vanity Fair print, White Dal Vanity Fair, Spy caricature, Leslie Ward Spy, Victorian gentleman portrait, Vanity Fair chromolithograph, British society portrait, 1883 Vanity Fair print, Victorian caricature print, antique gentleman portrait...

Wonderful image of Duba, formerly Thubare Fine steel engraving after Austin Published by Fisher. Dated 1832 The measurement given is the paper size Unframed.

Aptly titled "Jane Avril," celebrated lithograph artist Henri de Toulouse-Lautrec captures here, in static form, the very particular brand of motion Avril f...

Large Mammals Print: Elephant, Rhino, Hippo & Tapir – Antique 1867 This impressive antique print depicts large mammals including elephants, rhinoceroses, hippopotamuses, and tapirs,...

Title: Japanese Peacocks in Full Plumage: Antique Lithograph, 1880s Description: This exquisite lithograph from the 1880s showcases a pair of majesti...

Porcelain Tower of Nanjing Pagoda – Ferrario Antique Chinese Architecture, 1815 Description: This finely hand-colored engraving depicts the celebrated Porcelain Tower of Nanjing, on...

Black Rock New York Harbor Lighthouse – Antique Steel Engraving c.1850 This dramatic mid-19th century steel engraving depicts the harbor entrance a...

Title: Mythical and Narrative Japanese Tsuba Designs – Plate XIII from Section VI of G. A. Audsley’s Decorative Art Collection Description: Plate XIII from Section VI of G. A. Audsl...